Half-Assed and by-the-Numbers, Ghost in the Shell Betrays Its Source

Ghost in the Shell looks great, sounds great and has a gaping hole at its center — where its emotional core should be. This big-budget adaptation of the Japanese manga and anime classic (Masamune Shirow’s comic premiered in the late 1980s, Mamoru Oshii’s highly influential first film version in 1995)…

Donnie Darko Returns But Remains Out of Time

Having now reached the age of its wayward protagonist, Donnie Darko is once again being tasked with forestalling the end of the world. Richard Kelly’s sleeper first opened almost two years after screening at Sundance, and a month after 9/11, becoming an early example of a trend that scarcely exists…

Watch This: Five Comedies to Catch at DIFF

There’s a lot to navigate in Dallas International Film Festival’s 2017 line-up. But what if — between the human rights documentaries, dark family dramas and ready access to booze — you just want to chill out and watch something funny? Well, you’re in luck there too. We’ve got five of ’em…

Little Women: Dallas Is Coming Back to Finish Us Off

Little Women: Dallas first invaded our homes last November. Now the spinoff series of Little Women: LA is back to finish what it started. Season one capped off in December with eight episodes, but there is more to show. Will Asta Young and her husband open a bar? Will Tiffani Chance…

Seriously, The Zookeeper’s Wife Moves Despite its Glossiness

Niki Caro has the rare ability to elevate what could be emotionally manipulative schlock to earnest art. To judge by the trailer, her low-budget breakthrough feature Whale Rider (2003) seemed a straightforward children’s drama about a girl overcoming the odds — tame, commercial Disney fare. But the film itself proved…

U Mad Bro? Wilson Rages Against Nothing of Note

The beginning marks the beginning of the end: A middle-aged man rouses from sleep, about to face another day of accosting and insulting strangers. He hates people but needs them, too. His voice-over kicks in, a peroration that opens with a bid for camaraderie (“Remember when we were kids and…

In a Bizarre Ghost Story, Kristen Stewart Haunts Herself

In 1976’s The Devil Finds Work, James Baldwin makes a crucial verb distinction when discussing the screen legends, like Bette Davis, with whom he was transfixed (sometimes uneasily so) in his youth: “One does not go to see them act: one goes to watch them be.” When one goes to…