Brad Pitt and War Machine Pick at the U.S.’s Afghan Mess

With his bow-legged power-walk, low-boil narcissism and tough-guy snarl, Brad Pitt is the comic ghost in David Michod’s all-too-real War Machine. The film, which is premiering on Netflix this week (and also getting an extremely limited theatrical release), was inspired by the late Michael Hastings’s book The Operators: The Wild…

Churchill Squanders History and an Ace Brian Cox Performance

There will always be, it’s become clear, one more Winston Churchill story to tell: one more slant on a weekend, a summer, a year in the life of the 20th century’s most formidable leader, a man whose history includes two world wars and speeches so glorious that future dramatizations were…

Wonder Woman Emerges to Save the World But Risks Losing Herself

Perhaps Wonder Woman’s greatest superpower is enduring for the past 75 years as a wildly unstable signifier. Director Patty Jenkins’ Wonder Woman, starring Gal Gadot in the title role, further adds to this complicated, contradictory cluster of signs and symbols. Forged from deeply feminist sympathies, the character debuted in All…

Cannes 2017: All Hail the Super-Pig of Bong Joon-ho’s Okja

In the run-up to this year’s festival, Bong Joon-ho’s Okja was one of the most mysterious titles in the Official Selection lineup. Now that people have seen it, Okja has turned out to be…one of the most mysterious titles in the Official Selection lineup. What is it, exactly? A children’s…

Paris Can Wait Squanders Diane Lane – and Lots of Nice Dinners

Where are the goddamned roles for Diane Lane? Since her career launched, with a starring role as a precocious 13-year-old American girl in Paris in 1979’s A Little Romance, Lane seems to have confounded casting directors: Is she the button-nosed embodiment of joie de vivre or the anarchist post-punk tempest…

Cannes 2017: The Lost Children of Wonderstruck and Loveless

Last year’s Cannes Festival seemed to be all about the past, trauma, and the persistence of memory. It’s too early in this year’s festival to suss out any broad themes, but the one-two punch of Todd Haynes’s Wonderstruck and Andrey Zvyagintsev’s Loveless, the first two Official Competition titles to screen,…

Tina Fey Keeps Up Her Kimmy Schmidt Laugh Streak — and Her Obstinacy

Unbreakable Kimmy Schmidt streams on Netflix Unbreakable Kimmy Schmidt’s disparate obsessions form an unwieldy constellation, like a winged horse with three eyes and a blobfish for a tail. Tina Fey’s Netflix comedy mines one-liners from doomsday cults, parenthood, the gig economy, 1990s pop culture, feminine accommodation and the Upper East…

Aziz Ansari’s Master of None Achieves Mastery at Last

There was never any doubt about the thoughtfulness with which Aziz Ansari, in the first season of his Netflix series, Master of None, addressed the kinds of societal divides — racial, cultural, generational, sexual — that most sitcoms either lack the vision to perceive at all or take on only…

Azazel Jacobs’s The Lovers Plumbs the Mysteries of Matrimony

A comedy, and also a tragedy, of remarriage — without couples counseling or divorce — writer-director Azazel Jacobs’ The Lovers revitalizes its genre with a piquant premise: What happens when long-wedded spouses, each with a romantic partner outside their dormant dyad, find the spark reignited — a combustion that results…

New Bachelorette Rachel Lindsay Says She Is Engaged

Our Dallas girl is engaged! Sound the alarms. Tell the person in the next cubicle. Call your grandmother. The first-ever black Bachelorette and Dallas native Rachel Lindsay has found love. ABC announced in February that Lindsay is the object of attention for the thirteenth season of “The Bachelorette.” Since then, she…