From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won’t say — Kubo and the Two Strings sears itself into your brain. The stop-motion animation studio Laika has perfected, over the…
In a summer of disappointing reboots, underperforming sequels and rejected franchise bait, Ben-Hur is something rare: a remake no one asked for but weary moviegoers might accept as a small gift for lack of any better option. Timur Bekmambetov’s reimagining of William Wyler’s 1959 epic, itself preceded by two silent…
Michael German went undercover with white supremacists for a year and with right-wing militants for another eight months and now he wants to set some things straight. “One of the things I learned working undercover is that the studies that the FBI or even academia had on these groups were…
The Bronx is burning in the introductory episodes of The Get Down, Netflix’s new series that presents as urban-cinematic fable the genesis of rap. The cluttered, over-caffeinated 90-minute pilot, directed by creator and executive producer Baz Luhrmann, takes place in the summer of 1977, when a serial killer terrorized New…
Hey. Do you guys remember puppet comedian Jeff Dunham, whose downtrodden Mexican “on a steeeek” character José Jalapeño delighted many a middle-class white American in the ’90s? Well, imagine he blazed up a joint with Bill Maher, wrote a manifesto on atheism and then made a multimillion-dollar animated feature film…
The central conceit of Imperium — Daniel Radcliffe playing an FBI agent who goes undercover as a white supremacist — is laughable, and the film, to its credit, knows this. Harry Potter as a skinhead? Don’t worry, that’s all part of the plan. Well, maybe. Writer/director Daniel Ragussis tries to…
In 2014, Missouri passed a law that requires women to wait at least 72 hours between an initial doctor’s appointment and having an abortion. Today, Missouri is one of the hardest states in the country in which to obtain [changed “get” to “obtain”] the procedure. That’s great news for anti-choicers…
Hell or High Water sees a Scottish director making a down-home, West Texas–set movie about cars, guns, brothers, banks and twist-off beers. But this outsider’s perspective is nothing new for David Mackenzie, who has worked with Ashton Kutcher and Anne Heche on a Los Angeles romance about a gigolo (2009’s…
Stephen Frears’ Florence Foster Jenkins is a likable study of delusions of grandeur. Working from real-life material, Frears creates an alternately funny and mysterious portrait of someone whom most viewers either don’t know at all or regard as an odd footnote in musical history. We first see Florence (Meryl Streep)…
Do we call Anthropoid a thriller? Sean Ellis’ earnest, day-ruining WWII bullet-a-thon is rooted in fact but comes on like pulp fiction in its first reels, hitting secret-mission story beats old enough to have served in the big war. As freedom fighters Josef (Jamie Dornan) and Jan (Cillian Murphy) skulk…
Pete’s Dragon is as cuddly as the mountains of plush toys Disney hopes to sell from it. A disarmingly homespun blockbuster, this loose remake of the studio’s 1977 live-action/animation hybrid is perhaps best defined by all the things it’s not: It’s not a soaring action flick, nor an indulgence in…
In his latest family portrait, Our Little Sister, Hirokazu Kore-eda chronicles roughly a year in the life of the Koda clan — or what’s left of it. When, years ago, her father left for another woman and their mother subsequently abandoned the family to live her own life, Sachi (Haruka…
“The world changed when Superman flew across the sky,” Viola Davis’ Amanda Waller says early on in Suicide Squad. “And then it changed again when he didn’t,” she continues, over somber images of the Man of Steel’s funeral following his (non-)death at the end of Batman v. Superman. Luckily, that…
Just over a minute into the third season of the Netflix animated comedy BoJack Horseman, an entertainment-news interviewer asks our hero, “What would an Oscar nomination mean for BoJack Horseman?” The rest of the season is dedicated to answering that question, tracking BoJack (voiced by Will Arnett) from press junkets…
Antoine de Saint-Exupéry’s The Little Prince, published in 1943, might stand as a children’s classic, but it’s not-so-secretly a story for grown-ups. Kids have long been drawn to the book’s dreamy sense of wonder, to the golden-haired star-child of the title, but Saint-Exupéry’s ruminations on regret, solitude and loss belong…
You can have your houses of cards, your Jessica Joneses, your wet hot American summers. The Netflix original with its finger firmest on the pulse of our fraught current moment? It comes from Germany, comprises three feature-length “episodes,” and commences its tale more than a quarter-century ago. NSU: Germany History…
With unflagging honesty and compassion, Clay Tweel’s documentary Gleason charts the journey of former New Orleans Saints safety Steve Gleason as he copes with the ruinous nerve disease ALS, or Lou Gehrig’s Disease. That description, however, can’t quite do justice to Tweel’s film, which is partly built around video journals…
A more appropriate title for Jason Bourne might be Walking: The Motion Picture. This fifth entry in the franchise loosely (very loosely) based on Robert Ludlum’s best-selling novels brings back director Paul Greengrass and star Matt Damon to continue the tale of the good soldier-turned-amnesiac-assassin-turned-rogue agent doing battle against his…
The ludicrous but amusing teen social-media thriller Nerve is committed to pinning its characters into a world we understand as ours. It opens with Skype, Spotify, Gmail and Chrome, all on the MacBook screen of a mousily beautiful teen, Vee (Emma Roberts), who you just know is one horrific adventure…
Jack Pettibone Riccobono’s The Seventh Fire opens on dark, grainy footage of a highway at dusk before cutting to an overhead shot of a long stretch of forest, and then to two Native American men in a canoe, harvesting worms from a quiet lake. They take the worms home, where…
Alec Baldwin is no Steve Harvey. Unlike Harvey, Baldwin seems diminished on the set of a retro ’70s game show dedicated to getting contestants to say gently dirty nonsense. On ABC’s baggy, boozy Match Game, Baldwin crabs into a skinny last-century microphone about how everything’s stupid: his celebrity panelists, the…
Writer Keith Gessen once said that Philip Roth wasn’t a misogynist and didn’t hate women because he spent all his time “thinking about fucking them.” But he did concede that Roth probably thought “women were a foreign country.” In James Schamus’ debut feature Indignation, an adaptation of a late Roth…
