That James Franco Series Now Has a Trailer

About three months ago, Dealey Plaza near the West End was pretty much shut down thanks to J.J. Abrams and James Franco. They were filming for a Hulu thriller series, 11.22.63, based on Stephen King’s book by the same name. You were either really mad at all the traffic it was causing…

Charlie Kaufman’s Anomalisa Pulls All Our Strings

Charlie Kaufman is a cartographer of the soul. You can picture him hunched over parchment accurately inking each dark river and, off to the side, cautioning that there be dragons. What makes Kaufman cinema’s best psychoanalyst is a contradiction. He sees people for who we are — hurtful, hopeful, lovely,…

Sweaty Betty’s Creators Squeeze Warmth from the Everyday

Don’t let that title throw you. Joe Frank and Zachary Reed’s rambling neighborhood comedy Sweaty Betty isn’t dopey or sweaty, and I don’t recall meeting anyone in it named Betty. There is a 1,000-pound hog named Miss Charlotte, decked out in Washington Redskins gear, but that vision’s just one of…

Can We Talk About the Theme Music for Making a Murderer?

Somewhere between season two and season three of Game of Thrones I quit. It was too evil and rape-y for my squeamish brain. But one thing I loved about the show was the theme music. It fit perfectly with the show’s sinister, yet magisterial mood. Fast forward to last week…

Fletcher, Don’t Let Us Down on The Bachelor

JoJo Fletcher’s life is about to change. Tonight. Tonight is the night her entire existence is about to change. We are excited. Just kidding, we are terrified for her. Fletcher is one of the 28 bachelorettes on ABC’s The Bachelor, vying for Bachelor Ben’s attention. All of that is nice…

Kill List: 2015’s Best Horror Movies

One of our most enduring cinematic genres, horror is also among the most difficult to do right. This may sound obvious — countless attempts are made to scare moviegoers every year, whether in theaters or, increasingly, streaming online — but it’s brought into focus by the few that actually make…

The Hateful Eight Refuses to Play Nice

Here’s to Quentin Tarantino’s cussed perversity. The Hateful Eight, his intimate suspenseful Western splatter-horror comedy, has been shot at great expense in the long-gone 70mm format, but the movie itself is set almost entirely in cramped interiors. He’s hired Ennio Morricone to score the thing, but don’t expect rousing new…

The Revenant Dares to Strand Us in the Cold

What’s been missing for years in Hollywood’s adventure films? Verisimilitude. Correspondent with the rise of the computers, and the ability to show us any place that filmmakers can imagine, has been the fall of immersiveness — that sense that the actors are in a place you can’t go yourself rather…

You Already Know Everything that Happens in Daddy’s Home

Here’s a challenge. Gather some friends, pour some drinks and announce to everyone the premise of Daddy’s Home, the new family comedy about dads competing to be pater superior. It won’t take long: Will Ferrell is a doting schlemiel of a stepdad to suburban moppets whose biological father, played by…

Jennifer Lawrence Hustles, but Joy Does Her No Favors

In most of his eight films and especially since The Fighter (2010), choreographer of chaos and screwball scion David O. Russell has assembled boisterous, buoyant casts. His manic ensemble players, like those in Silver Linings Playbook and American Hustle, carom off one another, their high-pitched energy keeping the movies bustling…

Concussion Takes on the NFL but Offers Little Drama

Concussion isn’t much of a movie, but it’s a fascinating bellwether for where the National Football League currently stands on chronic traumatic encephalopathy (CTE), the degenerative brain disease associated with many of its former players. As it happens, the brain isn’t supposed to whip against the skull like humans are…

The Big Short Takes On the ’08 Crash — and Crashes

Fueled by impotent, blustery outrage, Adam McKay’s The Big Short, about the grotesque banking and investing practices that led to the 2008 financial collapse, is about as fun and enlightening as a cranked-up portfolio manager’s rue-filled comedown after an energy-shot bender. Based on Michael Lewis’ 2010 bestselling book of the…

Cold and Dreamy, Carol Examines Women in Love

Ralph Rainger and Leo Robin’s sweet nectarine of a jazz standard “Easy Living” figures, in a glancing yet potent way, in Todd Haynes’ Carol, adapted from Patricia Highsmith’s 1952 novel The Price of Salt. Even though the lyrics speak of contentment — “Living for you is easy living/It’s easy to…

Amy Nicholson’s Top 10 Films of 2015

How good was 2015 for movies? My first draft of a top 10 was a staggering top 30. I had to make some agonizing cuts and punt by giving documentaries their own sidebar — this year, they’ve earned it. Your challenge, should you choose to accept it: Watch every one…

Relax — The Force Awakens Is the Third Good Star Wars Movie

George Lucas is the L. Ron Hubbard of Hollywood. Both men were sci-fi dreamers turned mega-millionaires who spun their pulp adventures into a religion. Tap the power within yourself, they urged. The faithful forked over their dollars. Then both Lucas and Hubbard mucked up their simple premise with add-ons like…