Dallas-Born The D.O.C. Speaks Out Against Dr. Dre, Shares Insight Into Death Row’s Launch

It’s easy, sometimes, to forget who the greatest rapper Dallas ever spawned is — especially when considering that, for the past 20 years, he’s worked in a largely behind-the-scenes role, ghost-writing for other rappers and working closely as a mentor to genre luminaries Dr. Dre and Eminem.

But, nonetheless, The D.O.C., the man behind “It’s Funky Enough” among other classics, holds — and deserves — that distinction, regardless of how content he’s been to stay quiet in recent years.

Which makes this new two–part interview with the man born Tracy Lynn Curry posted to HipHopDx.com today all the more interesting a read.

In the piece, in which the rapper also reveals that he’s working on a documentary about Death Row Records’ early years, the D.O.C. talks candidly about Death Row (a name, he contends, he came up with, although he originally hoped to call it “Def Row” as a shout-out to Russell Simmons’ East Coast label, Def Jam), as well as some background to his current relationship with Dre and his thoughts on Dre’s way-too-long-in-the-making Detox. Read the piece here — or just skip to the jump for some choice excerpts.

On his role with the inception of Death Row:

“You couldn’t have had N.W.A. like you had N.W.A.
had I not left Dallas and came to California and helped those guys build
songs. That’s just the facts. You wouldn’t of had it like that; you
couldn’t of had it like that. [Dr.] Dre wouldn’t of had the career he
had.

You actually would’ve never had Death Row had I not been in
California. Because, Suge [Knight] wasn’t my bodyguard but he…rolled
with me. It wasn’t him and Dre that got together and said, ‘Hey, let’s
do this.’ It was Dre and I that got together and said, ‘Hey, let’s do
this.’ Unfortunately, it was right after that [car wreck I was in] and I
was going through a really hard time, really trying to come to grips
with what had been taken away. So, I was just being a fuck-up. But, I
wasn’t being such a fuck-up that I couldn’t pull Dre over here and say, ‘Look, nigga, this is what you need to do. This is what we need
to do. Look at what [Eazy-E’s] doing to me. If he’s doing it to me, he
could be doing it to you.’ … So he and I got together with Suge and this
other cat, [Dick Griffey of SOLAR Records], and we all started making
plans. Unfortunately, I started falling deeper into the wrong shit, down
the wrong hole. And even though I was putting in a majority of the
money and a gang of the work to make that shit happen, when it all came
down to bear fruit I just wasn’t able to grab my apples off the tree.
‘Cause my mind was somewhere way somewhere else.”

On working with Dre on Detox:

“I worked for four years on that record with that
dude. It didn’t used to take us that fuckin’ long. We’d go in, and it
was a couple of years maybe [and] we’d have what we needed. But, the
game has changed. All the pieces of the puzzle ain’t there no more,
’cause the money has fucked up niggas’ minds. Everybody gotta be the big
dog with the big dick. And that’s not how you create records. It’s
gotta be love, and happy and fun and diggin’ it. The 2001 record was one that we had all got a chance to get together [for the first time] since the first Chronic
record, and that shit was fun. It wasn’t really even about making
music, it was just about, ‘Man, I can’t wait to get to the studio ’cause
all my little niggas gon’ be there. We gon’ smoke weed all day. We gon’
drink. Dre gon’ play some drums, and then whatever comes out comes
out.'”

On the latest Dr. Dre single, “Kush” (see above):

I love this guy like he’s my brother, but
creatively it’s just not where it used to be. We don’t see things on the
same level from a creative standpoint. I may not have agreed with “Kush” as it stood.

Read the entire piece here.