Audio By Carbonatix
Ariel Pink’s Haunted Graffite, Magic Kids, Puro InstinctHailey’s ClubAugust 2, 2010
Better than: Stage diving off of my couch into my television set.
On Monday Night, several hundred of the area’s coolest people converged on Hailey’s Club in Denton to see a bill consisting of three blog-tested, hipster-approved acts.
Ariel Pink’s Haunted Graffiti, Magic Kids, and Puro Instinct (formerly Pearl Harbor) have just hit their stride on this leg of their US tour together, and, judging by the line of folks waiting for the doors to open, the fans were primed and excited.
They had a good reason to be: The show’s promoters, Gorilla vs. Bear and Spune Productions,
have been calling this “the bill of the summer of 2010.” And, for many in
the audience, it would be the first time to see an Ariel Pink
performance.
Any expectations from first-timers were quickly
shattered.
When Haunted Graffiti opened their
set with “Hot Body Rub,” the sound was full and strong. It was clear
from the first few notes that Ariel Pink’s backing band has no hacks at
all, and they maintained a high level of professionalism for the rest of
the night. A special treat for the Denton crowd: Seeing Dennis
Gonzalez of Yells at Eels and Added Pizzazz sitting in with the band on
the first song. Gonzalez served as more than just a trumpet player,
though; Ariel Pink actually hid behind him for the first half of “Hot
Body Rub.” Then, suddenly, this little guy with pinkish blonde hair
appeared. He looked more like a troll doll than the leader of an
indie-rock band.
His eyes were open wide as he
shouted “Hot tub / get into my hot tub,” in a voice that ranged from
Elvis Presley to Gollum. It was like watching an eight year-old in the
middle of a sugar-rush spaz-out. But the way he engaged the audience was
highly effective.
Ariel Pink played the role
of an enabler rather than frontman. He whipped the crowd into a frenzy
and let them do whatever the hell they wanted, which, oddly enough,
resulted in more crowd surfing and stage diving than a circa 1992 Green
Day concert. The ultimate rave-up came when the band broke into “Bright
Lit Blue Skies.” The show then peaked on the next song, when the band played a
Billy Jean-esque version of “Round and Round.”
At
that point, a handful of fans (all dudes) stormed the stage and began
dancing. The song lost quite a bit of steam when one of said dudes
snatched the microphone from Ariel Pink’s hand and attempted to finish
the song for him. Pink didn’t seem to mind, though. He walked to the
drumset and grabbed a pair of drumsticks and hit them together for the
remainder of the song.
The set ended with an energetic version of “For Kate I Wait,” from his 2004 album, The Doldrums.
As the sweat-drench audience filed out of Hailey’s, they looked like
they’d been hit by a bus that they never saw coming. Who would’ve
guessed that the freak-folker from California could put on such an
explosive show?
Opening band Puro Instinct
also impressed the audience with sped-up takes on their mellow
songs. “Lost at Sea” blew the recording away, as did “California
Shakedown,” and “LUV Goon.”
Magic Kids, however, didn’t have the swagger
of Puro Instinct’s lead vocalist, Piper Kaplan. The sound for their set
was muddy, and they asked for the stage lights to be turned off, which
left them in the dark for most of the time.
Critic’s Notebook:Personal Bias: I’ve
been an Ariel Pink fan for a long time, but I didn’t have high hopes
for this show based on Pink’s recorded music. I was blown away by how
well the music translated when played by a top-notch backing band.
Random Note: At
the end of the night, there was a guy complaining that he had lost his
keys. I felt bad for him, but then I remembered seeing him repeatedly
diving off the front of the stage. So…
By The WayHailey’s
is one of my favorite clubs, but I was disappointed by the lack of beer
selection. It was only about a third of what it usually is when school
is in session.
