Welcome to Staff Trax, the weekly feature here on DC9 where we shed some light on the music we've been enjoying of late, regardless of the touring or album release schedules that tend to bear the focus of most of our coverage. Consider it a chance for you readers to get some more insight into our own personal tastes. Maybe you'll find something good.
Most of the day at work, my colleagues and I swap songs via YouTube, introducing each other to new music. After a short talk about Portishead, Hooverphonic and Esthero, I was introduced to Dutch. It quenched my thirst for something new in the trip-hop genre. Stoupe from Jedi Mind Tricks produced this album, which, although maybe not be a genre classic, has got plenty of musical goodness to stick to your ribs. It will definitely keep you coming back for more.--Lance Lester
A couple of friends of mine have proclaimed Jimmy Eat World's newest record,
, as a return to form. I have yet to hear the whole album (and remain skeptical), but I think it's important to describe what constitutes the four-piece at their best and at their worst. And the answer is pretty simple to me: skipChase This Light
, but definitely check outStatic Prevails
. Ask anybody who's a fan ofStatic Prevails
about why these records are great, and they'll take at least half an hour explaining why. Or you could watch this clip of a song fromClarity
Anyone who is actually familiar with Uncle Tupelo will know that the group, which later split up and became Wilco and Son Volt, didn't invent alt-country. Then again, this outfitdid
make an indelible mark on the sub-genre, and helped usher in a modern-era of the style many refer to as "cow-punk." While Jeff Tweedy and Jay Farrar have gone on to create works of genius with their post-Tupelo outfits, the records they made together as youngsters in the Midwest have absolutely stood the test of time. Such aging is thanks to some vulnerable, enlightening writing and a willingness to not give an eff what the establishment had to say when it came to how country or rock should sound.--Kelly Dearmore
Why stuff like this never got alternative airplay is beyond me. Believe me, when I worked at The Edge, I tried. One the most brilliant pieces of music by one of the most underrated modern rock bands of the first decade of the millennium, this song is best describe, I think, as "chill city." It's good for falling asleep to with the headphones on.--Alan Ayo
Although Lou Reed is the acknowledged genius behind The Velvet Underground, no one should underestimate the contributions of John Cale. Cale co-founded the band with Reed back in 1965, although artistic differences with Reed resulted in Cale being asked to leave The Velvet Underground in 1968. Cale played viola, bass guitar and piano onThe Velvet Underground and Nico
andWhite Light/White Heat
, both seminal releases in the American music history canon. Cale's solo career has been a fascinating journey through a variety of styles, too. In 1992, Cale released the live album,Fragments of a Rainy Season
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, and that album serves as a nice retrospective of his solo work. Originally from the 1974 albumFear
, "Ship of Fools" is one of Cale's most beautifully simple ballads.--Darryl Smyers