Audio By Carbonatix
Welcome to Staff Trax, the weekly feature here on DC9 where we shed some light on
the music we’ve been enjoying of late, regardless of the touring or
album release schedules that tend to bear the focus of most of our
coverage. Consider it a chance for you readers to get some more insight
into our own personal tastes. Maybe you’ll find something you like, ya
dig?
The Replacements — “Bastards of Young”
The ultimate slacker band makes the best video ever. You got to remember: It was 1985 and MTV was still playing music videos–lots of them. If you were a rock band on a major label, you were expected to have a video that MTV could run. So what did Paul Westerberg and the rest of the ‘mats do? They filmed (in black and white, no less) a crappy stereo playing the song “Bastards of Young.” No wonder the band never hit it big. And thank God. The world at large is far too stupid to appreciate the genius that was The Replacements. If you don’t own Let it Be, Tim, and Please to Meet Me, you just don’t understand. –Darryl Smyers
Will you step up to support Dallas Observer this year?
We’re aiming to raise $30,000 by December 31, so we can continue covering what matters most to you. If the Dallas Observer matters to you, please take action and contribute today, so when news happens, our reporters can be there.
The Fugees — “Ready or Not“
While, looking back, it seems as though the Fugees were a hip-hop
supergroup. And, indeed, they were super. But it was the success of the
collective unit that enabled Wyclef Jean and Lauryn Hill to become
global recording stars after dissolving the band that took over
the universe with The Score back in 1996. The album’s top tracks
are testaments to how masterful interpretations and inventive sampling
can still be a vehicle for originality regardless of where the song’s
concept may have been born. “Ready or Not,” “Killing Me Softly,” and
even “No Woman, No Cry” are respectful to their originals, but also
progressive and unafraid of evolving. Unlike many who dream of an
eventual reunion of The Fugees, I appreciate a band who understands the
power of going out on top. –Kelly Dearmore
Depeche Mode — “Photographic”
I wasn’t yet a twinkle in my parent’s eyes for the first half of
the band’s discography, but Depeche Mode has always sat securely near the
top of my “top ten favorite bands of all time” list. The English act
played a major role in establishing my love for electronic music, and, in
my opinion, the band’s first album, Speak & Spell, is home to some
of the best early-’80s, minimalist, synth-pop tunes. I have been listening
to Speak & Spell quite a bit as of late, and “Photographic” is
easily one of my favorite tracks off the album. –Catherine Downes
Tom Petty and the Heartbreakers — “Even the
Losers”
I recently watched Runnin’ Down a Dream, Peter Bogdanovich’s four-hour
documentary on Tom Petty and the Heartbreakers that doesn’t feel like a four-hour take. You hear all of the familiar hits in the film, but so much more.
Hell, it’s worth it just to see Roy Orbison cutting tracks in the studio
with Petty. Anyway, “Even the Losers” is one of those songs that I had
never heard before, due to various reasons. I had never heard the song
on the radio or anywhere else for that matter growing up. “Don’t Come
Around Here No More,” “You Don’t Know How It Feels,” “Into the Great
Wide Open,” sure. This song, no. I’m thankful that I heard it now,
though. Because, these days, it seems like a personal anthem for me. For many
reasons. –Eric Grubbs