With nearly 9 percent of the U.S. retail market to itself and $288 billion in annual sales, Wal-Mart takes in more revenue than most countries. And despite a swelling tide of allegations regarding unfair and illegal labor and environmental practices, Wal-Mart’s reign continues unmolested. In his latest documentary, director Robert…

Ever since its Broadway debut in 1996, Rent has generated a loyal, almost cult-like following. Showered with praise, the Pulitzer Prize-winning musical touched a nerve among the young, artistic, gay, urban and alternatively dressed people who identified as outsiders and wondered how they would make their way in the world…

Richard Gere? That’s the first thought that came to mind upon learning that Mr. Salt-and-Pepper-Sexy-Buddhist-Wasp had been cast as Saul Naumann in Bee Season, the film version of Myla Goldberg’s best-selling novel. In the book, Saul is an oppressive and learned Jewish patriarch, a cantor and student of mysticism whose…

Does Steve Martin have multiple personality disorder, or is he just brilliantly in tune with some things and wildly out of touch with others? Shopgirl, the movie based on Martin’s novella of the same name, is one of the most schizoid films in recent memory. It opens with crystalline originality,…

When watching Where the Truth Lies, a film noir about a young celebrity journalist’s obsession with a comedy duo from the 1950s, a single question arises again and again: Why? Why have the immense talents of Kevin Bacon and Colin Firth, both of whom are excellent in this movie, been…

Its always hard to pan an earnest film, especially one by a first-time director. And The Prize Winner of Defiance, Ohio, a plucky striver if there ever was one, cant find a single cynical note on the scale. Essentially a hagiography in praise of Evelyn Ryan (Julianne Moore), a woman…

In 2001, Jonathan Safran Foer made an astounding literary debut. “A Very Rigid Search,” published by The New Yorker, was his hilarious, heartbreaking account of an attempt by a young American man (named, cheekily, Jonathan Safran Foer) to find a Ukrainian woman who had saved his grandfather from the Nazis…

Ah, Wallace and Gromit. Who doesn’t get a little lift at the sound of those names? Who doesn’t feel the edges of her mouth begin to tickle toward a smile, her heart grow warmer with images of the love between a (plasticine) man and his (plasticine) dog? Perhaps you’re not…

About once a year–twice, if we’re lucky–a first-time director shows up with something original, electrifying and humane, a film that shows us a new way to see, that presents complex and memorable people in whom we recognize ourselves. Last year, it was Joshua Marston and Maria Full of Grace. This…

At the opening of The Constant Gardener, Brazilian director Fernando Meirelles’ adaptation of the novel by John le Carré, we hear a conversation before we see it. The screen remains black, still running credits, as a man and a woman negotiate a departure. Slowly, the scene dawns, revealing the couple…

The problem with making black-lacquered high school satire is this: Heathers came out in 1989, and it pretty much did the trick. There’s always room for an excellent addition to the genre, and in 1999, it appeared in the form of Alexander Payne’s Election, a film blessed both with a…

Not many people saw Lost and Delirious, the 2001 boarding-school drama about two girls in obsessive love, and that was probably for the best. Yes, Piper Perabo (Coyote Ugly) made a stunning androgynous rebel, but she couldn’t rescue the film from its unctuous self-importance. My Summer of Love, a bewitching…

It won’t ruin anyone’s experience of 3-Iron, the new film by Korean writer-director Kim Ki-duk, to reveal that it closes with a single epigraph: “It’s hard to tell that the world we live in is either reality or a dream.” Presumably, the correct translation would replace “that” with “whether”; even…

Does the world really need a new film from Woody Allen every single year? Yes, he is one of America’s great auteurs. Yes, he’s responsible for some very fine movies, many of them comedies (Annie Hall), several of them tragedies (Crimes and Misdemeanors, Another Woman) and some hovering in that…

Toward the end of Born Into Brothels, a superb and piercing documentary by directors Zana Briski and Ross Kauffman, a 12-year-old child examines a photograph. It’s beautiful, he says, because it shows us how its subjects live. Yes, they’re very poor, and the shot is hard to look at, because…

It’s hard to know what to expect from Wayne Wang. The Hong Kong-raised director has made one gorgeous mood movie (Chinese Box) and two intelligent literary adaptations (Smoke and Anywhere But Here); he was also responsible, in his early days, for the overwrought sobfest Joy Luck Club. Then, in 2002,…

The Sea Inside, the new right-to-die drama from Spanish director Alejandro Amenábar (The Others), is a flawed film worth seeing. Based on Letters From Hell, a book by quadriplegic Ramón Sampedro about his 30-year quest to kill himself, the movie favors the emotional over the legal, foregrounding Sampedro’s relationships with…

In her first stab at narrative drama, writer-director Shainee Gabel has managed to assemble a superstar cast and a seasoned technical team. She spent five years on the project, adapting an unpublished novel written by the father of a friend, working with a clarity of vision and an admirable goal:…

When was the last time you lost yourself in a Shakespeare film? It’s a testament to the success of William Shakespeare’s The Merchant of Venice, the sharp and brooding new version directed by Michael Radford (Il Postino), that we leave the theater without concern for the production. Instead, the response…

“Twenty-four hours. 350 miles. His girlfriend’s kids. What could possibly go wrong?” In the case of Are We There Yet?, here’s the short answer: a flaccid screenplay, bratty kids stripped of depth and personality, a single joke replayed in every scene, unearned attempts at sentiment and a bizarrely whitened backdrop,…

It’s not easy to pull off a good morality tale. Too often, movies with a message, or about a movement, reduce characters and events to types. They pit unqualified good against unqualified evil–a dark narrative temptation–and, like so much of what issues from Hollywood, do so to ill effect. That’s…

Bad Education, the new film by the flamboyant Spanish director Pedro Almodóvar, opens on a man sitting at a table, poring over the tabloids for stories of interest. When he finds something he likes, he reads it to his lover: Isn’t this an arresting image? Could we generate drama from…