The Actors Almost Save Out of the Furnace

The life of Russell Baze, a steelworker in a Pennsylvania town just outside of Pittsburgh, may be drab and dreary, but he’s a good, hardworking man with a loving girlfriend. His younger brother, Rodney, has it tougher: A war vet suffering from PTSD, he hasn’t been able to readjust to…

Spike Lee’s Soulless Oldboy Has No Reason to Live

A favorite pastime of those who love Asian film is to carp about Hollywood’s annoying tendency to lay claim to and defile their favorites. But Spike Lee’s Oldboy is the remake that came too late, so benign and unmemorable that not even people who loved Park Chan-wook’s 2003 original will…

The Book Thief Probably Should Have Stayed a Book

It had to happen: There’s so much voiceover narration in today’s movies, so much needless verbal play-by-play, that it was only a matter of time before somebody made a picture narrated by that life of the party himself, Death. The Grim Reaper delivers the opening monologue of The Book Thief,…

The Best Man Holiday Brings Back the Black Ensemble Comedy

From the mid-1990s to somewhere around 2006, Hollywood bankrolled a number of romantic entertainments targeted to — though not made exclusively for — black audiences. Pictures like Love Jones, Brown Sugar, How Stella Got Her Groove Back and Something New provided a showcase for actors of color, a refreshing change…

About Time Dishes the (Same Old) Lessons of the Ages

Richard Curtis has so much to tell us about life. Seize the day! Show people you love them before it’s too late! Don’t let the right one get away! His movies — those he writes, directs or both — are so packed with info-feeling that they become restless jumbles of…

12 Years a Slave Prizes Radiance Over Life

Steve McQueen’s 12 Years a Slave is the movie for people who think they’re too smart for The Butler. The story it tells, a true one, is horrifying: In 1841, Solomon Northup, a free, educated black man from Saratoga, New York, was kidnapped, sold into slavery and transported to Louisiana…

Gravity Is Massively Effective

Some movies are so tense and deeply affecting that they shave years off your life as you’re watching, only to give back that lost time, and more, at the end. Alfonso Cuarón’s Gravity is one of those movies. Sandra Bullock and George Clooney play astronauts — one a medical engineer,…

Dancing With Don Jon

To paraphrase the Bee Gees, Joseph Gordon-Levitt should be dancing. He’s already done it in (500) Days of Summer, where he led an exuberant ensemble routine that out-Dr Peppered any Dr Pepper commercial. Then there was his smashing Saturday Night Live re-creation of Donald O’Connor’s “Make ‘Em Laugh” — like…

Rush‘s Racers Draw New Life from Ron Howard

It’s 1976, a year when all the groovy girls are traipsing around in tiny suede skirts and all the cool guys have Badfinger hair. One of those guys was English racing driver James Hunt, the charismatic rapscallion who won that year’s Formula One World Championship — the embroidered badge on…

Venice Update: Nicolas Cage and the Misery of Joe

As at most festivals, screenings at Venice are preceded by a recorded message asking everyone to turn off their cell phones. A very cultured-sounding lady delivers this request first in Italian and then in English. She caps off the English version with the words, “Thank you for your collaboration.” My…

Alfonso Cuaron’s Gravity is Lightning From the Heavens

The late, great Elmore Leonard advised writers never to open a book with weather. Does a lightning storm count? Last evening I was welcomed to Venice, where I’m just settling in for the 2013 edition of the city’s film festival, with a spectacular lightning storm over the Grand Canal. This…

Suspense Flat-Lines in Closed Circuit

Intricate, intelligent thrillers made specifically for grown-ups are so rare these days that it’s tempting to award extra points to anyone who even scales an attempt. Tomas Alfredson’s 2011 John le Carré adaptation, Tinker Tailor Soldier Spy, may have been the last great example of an adult thriller that refused…

Even Abridged, Wong Kar-Wai’s The Grandmaster is Epic

Plenty of film critics and Asian cinema aficionados care deeply that The Grandmaster, Wong Kar-wai’s pointillist biopic of martial arts master Ip Man and the director’s first picture in six years, will be released in the States only in a 108-minute version. The cut released in China earlier this year…

The World’s End Is a Likable Brew

The laddish pleasures of The World’s End, Edgar Wright’s comedy about a group of middle-aged guys drinking beer and facing mortality, come with a bittersweet edge. In the old days, the lead character, Gary King, used to be the coolest kid in school, at least in the outlaw sense: He’d…

Stolen Seas

Until 2005 or so, no one thought much about modern piracy of the high-seas variety. But then Somali pirates began attacking merchant ships with increasing frequency, seizing vessels and holding their crews hostage for outlandish sums. Danish director Tobias Lindholm’s wiry, neatly crafted thriller A Hijacking wrests fact into the…

Elysium Sinks in a Swamp of Allegory

Movie stars shouldn’t be subject to the rules of gravity, as we mere mortals are. One of the great pleasures of watching actors is to see them move, and when yesterday’s youngsters start creaking, we feel it in our joints. That’s not to say actors can’t age gracefully, or that…