The Canyons Is Vital, Messy, and Alive With Regret

A movie can be highly imperfect, stilted, or implausible in all sorts of ways—and still be everything you go to the movies for. The Canyons, Paul Schrader’s contemplation of moral decay in Hollywood, is that kind of picture, in some places so crazy-silly you want to laugh and in others…

In 2 Guns, 2 Much, 2 Little

All you need for a movie are two guys and two guns. Unless that movie is 2 Guns, in which case you probably need a good deal more. The problem with so many current action movies, this one included, is that once you’ve seen one, you can’t help feeling you’ve…

The Wolverine: It’s Not Worthy

As summer comic-book blockbusters go, The Wolverine is not as elephantine as it could have been. It’s more, well, wolverine — bony, loping, a little shaggy — and, blessedly, director James Mangold doesn’t get bogged down in mythology. You don’t need to diagram the convoluted relationships between Stan Lee and…

Del Toro’s Pacific Rim Offers Monster/Robot Glory

If the great god of movies, whatever slippery Mount Olympus of money he resides on, decrees that summer is the time for larger-than-life 3-D blockbusters, Guillermo del Toro may as well make one. His Pacific Rim is summer entertainment with a pulse. The effects are so overscaled and lavish as…

The Good Bad Example

Admit it: Redemption is boring. We think we want characters to “grow” and “change,” but really, it’s the people around us in real life — people who, say, loudly pick their teeth in restaurants, or walk too slowly in public thoroughfares — who need revamping. (We ourselves, of course, need…

The Lone Ranger: 149 Minutes of (More) Disney Overkill

The great movie Westerns are about honor, dignity, the majesty of the landscape. But they’re also about beautiful men, charismatic, sometimes dangerous-looking demigods like Robert Ryan, James Stewart, Franco Nero, Randolph Scott and, of course, John Wayne. The Lone Ranger has Armie Hammer and Johnny Depp, the former a long-legged…

The Heat Would Be More Likable If It Stopped Yelling Everything

If you’ve never seen Sandra Bullock blow a peanut shell out of her nose, and you’d like to, The Heat is your movie. That’s not meant sarcastically: It’s one of the highlights of this often dismal but occasionally inspired comedy from Paul Feig, director of Bridesmaids, which pits Bullock’s hoity-toity…

The War at Home

Destruction is scary, but not half as scary as the act of rebuilding, the moment of looking at the random, jagged pieces you’ve got left and wondering how the hell you’re going to fit them together. In Marc Forster’s World War Z, the world as we know it is destroyed…

Man of Steel: Making Sense of All That Christ and Death Stuff

Sometimes, there’s just too damn much to say about a movie than can fit into any one review. (Even Stephanie Zacharek’s exhaustive, excellent one.) So, here’s more: Stephanie Zacharek, our lead film critic, and Film Editor Alan Scherstuhl hashing over all the portentous craziness in Zack Snyder’s Man of Steel…

In Pussy Riot: A Punk Prayer, Punk Lives as the Band Rots

Anyone trying to run a civilized country should know that throwing musicians in jail for making music is always a bad idea. That didn’t stop Vladimir Putin’s government from arresting three members of the punk collective Pussy Riot, after the group stormed the altar of the Cathedral of Christ the…

Before Midnights Lovers, Facing the Darkness

Ask people about their favorite movies and the same titles come up regularly — Casablanca, Pulp Fiction, Annie Hall, Citizen Kane. But some movies have special meaning for people even if they don’t turn up on lists of established favorites. They’re the secret movies we keep in our pockets like…

Cannes: The Coen Brothers’ Inside Llewyn Davis

I. First, Something About the Badges (Then We’ll Get to the Coens) Someday I’m going to write a song and call it “Ballad of the Blue Badge.” I haven’t figured out a rhyme scheme yet, let alone a melody, so please allow this outline to suffice: At Cannes, the color…

Cannes: Not Even the Gifted Emma Watson Raise The Bling Ring

The biggest puzzlement of these early days of the festival comes from Sofia Coppola, one of my favorite working directors. Until now, I have loved every one of Coppola’s movies: I love her sure and delicate touch, and she’s better than any other contemporary filmmaker at capturing the greatness of…

In Baz Luhrmann’s Gatsby, a Different Brand of Great

There’s a scene in Baz Luhrmann’s The Great Gatsby in which Leonardo DiCaprio’s hyper-rich, super-awkward Jay Gatsby takes it upon himself to redecorate the bachelor pad of his less-prosperous friend, Nick Carraway (Tobey Maguire). Gatsby’s old flame, Daisy Buchanan (Carey Mulligan), is coming to Nick’s house for tea. Eager to…