Sandler and The Cobbler Aim for Nice but Hit Creepy

Start at the feet and pan up Adam Sandler: the sneakers, the pants that never quite fit, the sloped shoulders, the furrowed brow and world-weary sulk. He’s a cartoon man drawn the same in every movie, whether he’s in a lonely walk-up or a McMansion crammed with kids. Sandler plays…

Branagh’s New Cinderella Is Sumptuous and Fearless

There’s no empowerment message embedded in Kenneth Branagh’s Cinderella, no “Girls can do anything!” cheerleader vibe. That’s why it’s wonderful. This is a straight, no-chaser fairy story, a picture to be downed with pleasure. It worries little about sending the wrong message and instead trusts us to decode its politics,…

Mike Tyson, History Buff

“Mark Twain said boxing is the only sport where a slave, if he’s successful, can rub shoulders with royalty,” says former heavyweight Mike Tyson, who once knocked out 19 opponents in a row. “Can you imagine that? Just by fighting another human being, he can meet a king, a prince,…

A Silver Medal for The Second Best Exotic Marigold Hotel

Almost immediately after it was released, the 2011 stealth hit Best Exotic Marigold Hotel became more a punchline than a movie. Who knew “older” people were so starved for pictures featuring gorgeously shot exotic locales, not to mention people falling in love, falling out of love or desperately hoping for…

Podcast: Here’s Why Fox’s Empire Rules

There are five reasons why Fox’s Empire has become a breakout hit, and on this week’s Voice Film Club podcast, we run down why the show, introduced as a mid-season replacement, has surged to nearly 14 million viewers an episode by its eighth week. Joining Voice film editor Alan Scherstuhl…

Leonard Nimoy Represented the Best of Humanity

Leonard Nimoy has died at the age of 83. Both on camera and off, he exemplified the best of what Star Trek, and thus humanity, could represent. Part of that was Trek’s writing, of course. But it was Nimoy who took what was on the page — often repaired what…

Archer Sags into Middle Age in Its Sixth, ‘Unrebooted’ Season

TV shows aren’t too different from people in at least one respect: The longer they’ve been around, the less interest they tend to garner. But the sixth season of FX’s beloved spy spoof Archer is like few others. It’s an “unrebooting” of the previous year, in which creator Adam Reed,…

A Star Comes into Focus, but Focus Never Does

If Grace Kelly had been raised by coyotes, she might have stalked the screen like Focus’ Margot Robbie, a va-va-voom blonde with bite. Robbie is too beautiful to play normal, too sly to play nice. Miscast as a shy saint in Craig Zobel’s upcoming Sundance hit Z for Zachariah, she…

Top Doc Red Army Showcases the Height of Soviet Hockey

Sport is a natural metaphor for war. Two sides in two colors face each other on a field, each with its pride and physical safety at risk. Their leaders scheme plans of attack, drawing arrows toward the enemy’s flank. And backing the teams in the stands — or, more often,…

Interview With (Totally Lame) Vampires

Ten years ago, Wellington, New Zealand, was less welcoming of vampires. When Jemaine Clement and Taika Waititi, two unknown comedians, walked the streets in velvet frocks and ruffles for a 2005 sketch, dudes would drive by and scream homophobic slurs. Says Clement, “We were constantly abused.” Over the next decade,…

Podcast: Winners, Awkward Moments, and Losers from the 2015 Oscars

There was an awkward moment between Fifty Shades of Grey star Dakota Johnson and her mom, Melanie Griffith, on the red carpet before the Oscars on Sunday. But the world got to see Johnson’s impressive talent for pretending uncomfortable situations don’t seem to bother her (see also: Fifty Shades of…

Ballet 422‘s a Stirring Portrait of Deep Focus in Creative Work

It seems as if, for every 10 issue-oriented documentaries that essentially function as long-form magazine articles with images attached, we get perhaps one doc that exemplifies the methods of “direct cinema” — the observational mode of documentary filmmaking that allows audiences to observe from a detached remove. That mode is…

The Last Five Years Soars Even as it Loses Sight of Its Source

Here at last is peak Kendrick: In intimate long takes and in comic montage, she belts, hurts, swoons, and rages, always remaining appealingly human. You can tell, when Anna Kendrick scraps for her big notes, that she’s not a natural, that she’s working hard, that she’s living a dream. All…

Hot Tub Time Machine 2 Is a Tepid Sequel

Five years ago, four losers passed out in a jacuzzi, boiled back to 1986, healed their past wounds, rocked out to Poison, and returned to their timeline as gods. Thusly, Hot Tub Time Machine director Steve Pink was hailed as a minor deity: He’d taken a dumber-than-huffing-hairspray premise and made…

The DUFF Fights Society’s Beauty Obsessions with Makeovers

Shove off, John Hughes. The DUFF, a high school comedy by Ari Sandel, opens by declaring that The Breakfast Club’s social categories are, like, way passé. Explains lead Bianca (Mae Whitman), “Jocks play video games, princesses are on antidepressants, and geeks rule the world.” Today, be ye goth kid, science…

Five Reasons Why Fox’s Empire Has Become a Breakout Hit

Empire most certainly wasn’t built in a day, but its reputation as a breakout hit has been made in virtually no time at all. Since the series debuted six weeks ago, every episode has drawn more viewers than the one before it. Buoyed by positive reviews and especially word of…