Carter High Is a Firsthand Account of Triumph and Tragedy

Arthur Muhammad got to make a movie about what happened to him in high school. Carter High is now playing in Texas theaters and will expand to screens in other cities over the next two weekends. The film tells the emotionally charged story of one of the greatest—and most infamous—high…

The Peanuts Movie Holds True to Its Inspiration(s)

Yes, it’s 3-D computer animation, and yes, it shows us more of the face of Charlie Brown’s Little Red-Haired Girl than you ever thought you would see. But the news, for the most part, is good: The Peanuts Movie is much closer in spirit to Charles Schulz’s half-century comic-strip masterpiece…

Noé’s Love Has Sex, Beauty, but too Little Feeling

First things first: Yes, Gaspar Noé’s arthouse sexbomb quite literally goes off in your face, with an ejaculation close-up 90 minutes in that might have you wiping off your 3-D glasses. You might think that’s an impressive provocation, until you recall that every twelve-year-old boy in America sees that same…

Suffragette Shows Women Suffering Instead of Making Bombs

Political drama has long been shaped by what we can call the conversion narrative. In a play like One Third of a Nation, one of the Living Newspaper extravaganzas mounted with New Deal funding by the Federal Theatre Project, an everyman Joe you just gotta root for tries to live…

Spectre Reveals the Solace of Beauty

Because women are particularly beguiling when viewed from behind, the camera loves to follow them: Anyone who’s watched James Stewart’s lovesick detective trailing Kim Novak, a platinum dream poured into a pale gray flannel hourglass, understands the voyeurism at the heart of Vertigo. With Spectre — the 24th James Bond…

Why I’m Still Watching The Muppets

The Muppets doesn’t work, exactly, but I’m still watching. As a relative outsider to the 60-year Muppets franchise, I’ve long suspected that early imprinting is the key to loving Jim Henson’s gaudy, unblinking rags. I’ve never felt a particular need to watch pieces of felt tell Borscht Belt–style jokes, and…

Whit Stillman Visits Dallas Wednesday for Metropolitan‘s 25th Anniversary

Oscar-nominated, acclaimed cult filmmaker Whit Stillman is still coming to the Texas Theatre in celebration for the 25th anniversary of his first feature, Metropolitan. Metropolitan wasn’t the immediate success that I — and perhaps you, too — might’ve assumed. It premiered at Sundance, garnered an Oscar nomination for Best Screenplay, and…

Room Is a Stellar Drama of a Woman (and Son) Imprisoned

Lenny Abrahamson’s shattering drama Room borrows its fictional plot from the tabloids and strips it of sensationalism. Seven years ago, a man (Sean Bridgers) snatched 17-year-old Joy (Brie Larson) and stashed her in his backyard shed. Two years later, she bore their son. The door stayed locked. Now 5, Jack…

Truth Details the Fall of the House of Rather

The most effective scene in James Vanderbilt’s brisk, outraged Truth is one that will be familiar to anyone who has ever sat in a room where editors and reporters are breaking down an investigative story. The reporters — here, 60 Minutes researchers played by Dennis Quaid, Elisabeth Moss and Topher…

Our Brand Is Crisis Sells Fascism

David Gordon Green’s Our Brand Is Crisis is a horror film wrapped in fast-talking political comedy. Watching Sandra Bullock, as ruthless campaign manager Jane, flog her uncharismatic candidate for Bolivia’s next president, I snickered at her knowing quips. Asked by an offscreen TV interviewer (the film’s awkward framing device) to…

Restaurant Drama Burnt Is Dead on the Plate

Before Anthony Bourdain published Kitchen Confidential in 2000, mere mortals who simply eat in restaurants had little idea about the drinking, debauchery and drug use rampant among the folks responsible for getting their fettuccine Alfredo to the table. The book was eye-opening if true, and a rambunctious, vicarious pleasure even…

The Worst Man on TV: Does The Affair Want Us to Detest Noah?

In his 2014 book Difficult Men, journalist Brett Martin identifies bad-boy antiheroes as the defining feature of our current “Golden Age” of television. Tony Soprano, Don Draper and The Wire’s Omar Little dazzle with their multifaceted complexity: How deep the furrow in Tony’s troubled brow! How pensive the trail of…

An Open Letter to People Using Their Phones During a Movie

Dear Movie Theater Patrons on Their Phones (re: Crimson Peak), A few months ago, I got new contact lenses. The doctor strengthened my prescription, and now I can pretty much count the stars on the American flag on the moon. It’s pretty intense. There’s a raisin on the floor over…

Everyone’s Guilty in Labyrinth of Lies

Here’s a hair-raising assignment: Imagine you’re tasked with capturing the social and psychological complexities of a nation’s crackup within the framework of popular moviemaking. What if Gone With the Wind tried, in its swooning romance, to explicate Scarlett O’Hara’s slow-to-dawn realization of the hopeless immorality of the world she has…

Rock the Kasbah Is Pretty Much Just Bill Murray in Kabul

Quick! Name the movie where Bill Murray plays a proudly shabby dude who acts like a prick for an hour and then, for reasons of narrative convention rather than character-based truth, shambles toward either heroism or some vague be-nicer enlightenment. Maybe a tougher challenge would be to name the Bill…

Historic Things Tend to Happen When WWE Comes to Dallas

The last time RAW, the company’s long-running episodic television program set foot inside the AAC this past January, longtime WCW stalwart Sting made his first public appearance on WWE TV. Daniel Bryan – though hurt again and unsure when the company’s medical staff will clear him – wrestled his first…

Dennis Hopper Returns to the Big Screen in an Old Documentary

In 1969, the late, always unpredictable and wacky actor Dennis established himself in the Hollywood system as “Billy” in his co-writing / directed debut, Easy Rider. This rebellious film set the mood for Hopper and the often wild card of roles and projects he would take on for the remainder…

Goosebumps Honors the Vigorous Fun of R.L. Stine — for a While

Here’s a scary story for you. Somewhere in Hollywood, a cabal of producers are forever zombie-ing up the corpses of long-dead licensed properties, ever hopeful that you will continue to throw your money at familiar trademarked characters even as they eat your brains. Sometimes, when a silver moon shines just…