Forgive its trespasses

Director Alison Maclean, from Canada by way of New Zealand, turns her camera on the American landscape–or, more accurately, the underbelly of the American landscape–in Jesus’ Son, an uneven but often effective adaptation of Denis Johnson’s autobiographical book. Billy Crudup stars as a thoroughly marginalized character known to his friends…

Jaws of life

In his discomfiting 1998 book Easy Riders, Raging Bulls, Peter Biskind painted a none-too-flattering portrait of a post-Jaws Steven Spielberg. The author portrayed him as a raging egomaniac who wanted a writing credit on the film, though he contributed very little to the script. Indeed, the film’s most famous monologue,…

String section

How many regular patrons of Dallas Summer Musicals will wander innocently into Parade, the latest imported presentation, with images inside their heads of cheerfully tacky floats, colorful twirling parasols, and the painted round faces of children? This very new musical from playwright Alfred Uhry, director Harold Prince, and composer Jason…

Banter

Banter The brilliant arts pundits at The New York Times were profoundly perplexed about why the national ratings for this year’s Tony Awards TV broadcast were not only low (that’s typical), but among the lowest in the show’s history. Talk about confusing your fishbowl for the Atlantic Ocean. Since the…

Dino-might

The kids were playing in three areas–the excavation site, fossil-rubbing station, and dinosaur book-and-toy table–when the adults disappeared around the corner into Texas Dinosaurs: Life and Death in the Big Bend. They had seen the strobe-light lightning bolts and heard the recorded sounds of a thunderstorm rolling from where they…

The final frontier

Had Julian Glover not broken his leg at the beginning of January, it’s quite likely he would be off filming a movie. But, Glover reminds, having a broken leg in the movie business is like being pregnant in the movie business: “It lasts five years,” meaning casting agents don’t phone…

Positive reinforcement

I’m not from ’round here, y’all. Don’t speak with a drawl. Don’t wear a big hat or boots or nut-hugger jeans. Don’t drink Shiner, whatever that is. Definitely–underscore, boldface, italics, capitals–don’t listen to country music. So maybe I just don’t get it. Maybe I’m too dense, too East Coast, too…

Surf’s down

The press kit for The Perfect Storm contains the damnedest thing I’ve ever read. Right at the top, there is a “special request to the press” that reads, in full: “Warner Bros. Pictures would appreciate the press’ cooperation in not revealing the ending of this film to their readers, viewers…

Saving Private Mel

Despite what many believe, it doesn’t come down to explosions, star power, or millions of greenbacks thrown at the producers. The true indicator of success for a summer movie is The Moment, that one memorable scene that sticks in your head, the one that Billy Crystal parodies the following spring…

Squirrel meat

So this is what Robert De Niro’s career has come to, starring in films in which he parodies his most familiar roles until he becomes the master painter urinating on his own beautiful canvases. Last year, it was pleasant and harmless enough: Analyze This was no Sopranos, but at least…

Old thrills

A lot of people love Billy Wilder’s 1957 movie version of Agatha Christie’s Witness for the Prosecution, if only for the chance to see Marlene Dietrich hag it up as the mysterious crone who delivers incriminating letters to a murder defendant’s attorney. Her dual role gave away the film’s most…

Reluctance day

Ah, Independence Day. It’s the time to ponder our good fortune of living in this great country of ours; the time to give thanks for our freedom; the time to patronize overcrowded lakes and eat potato salad. What a grand day, when we can find some really good bargains on…

Horse sense

In one of the remarkable horse-racing passages in Jane Smiley’s new novel, a first-time jockey named Roberto aboard a workaday thoroughbred named Justa Bob lets the gentle beast do the thinking. The horse, running in perfect tempo like a metronome, avoids the rail and picks his way through various openings…

Before the war

For most Americans, the social and political issues underlying Jose Luis Cuerda’s ButterflyButterflybBu may seem remote at best. The tensions between republicans and fascists in Spain after the fall of that nation’s monarchy in 1931, and dictator Francisco Franco’s victory in the bloody Spanish Civil War, may have stirred strong…

Big words vs. big guns

My philosophy is, if I throw enough words against the wall about how you should get out of the recliner and support your city theater artists, some of ’em have gotta stick. But this week, your second assignment is to head out to the coolest video/DVD store near you and…

Dumb and dumb-ass

In Me, Myself & Irene, Jim Carrey plays a meek Rhode Island state trooper named Charlie whose aggressions are so pent-up they finally erupt in the form of a second personality, “Hank.” Where Charlie silently endures potty-mouthed curses from little girls skipping rope, Hank swipes ice-cream cones from kids at…

Coop de grace

About nine years ago, in a humble Los Angeles-area nightclub, urbane British folk singer Billy Bragg reappraised 20th-century politics–as is often his Socialist wont–by means of an intriguing correlation. Might it be, he postulated, that contemporaries Leon Trotsky and Harlan Sanders were not merely striking doppelgängers, but, in fact, the…

Bad day, Sunshine

I never imagined the day would come when I would cringe to see Ralph Fiennes onscreen. Not only is he shamelessly good-looking but, whether playing the brooding, remote figure doomed by love in The English Patient or the bloodless commandant of a Nazi death camp in Schindler’s List, he projects…

Faith of the father

So, when was the last time you shared a woman with your dad? No, not your mom–don’t be gross. You know, just some woman that you and your dad both dug, who perked you up a bit. It’s probably been a while, huh? What? Never? Really? Well, that may be…

Honorable thieves

As the opening-night world premiere of Fugitive Pieces progressed, I couldn’t shake the idea that playwright Caridad Svich was less inspired by Samuel Beckett–Waiting for Godot, specifically–than liable for intellectual theft under some copyright law. Anything worth having is worth stealing, as a colleague once observed, but the showcase production…

Wedding bell blues

As the opening-night world premiere of Fugitive Pieces progressed, I couldn’t shake the idea that playwright Caridad Svich was less inspired by Samuel Beckett–Waiting for Godot, specifically–than liable for intellectual theft under some copyright law. Anything worth having is worth stealing, as a colleague once observed, but the showcase production…

Science friction

Sometimes, I would like to get in touch with my inner child and beat the crap out of him. I know what he looks like; I’ve seen the pictures of that gawky brat, wearing bottle-thick Run-DMC specs and braces and a helmet made of hair. If he ever shows his…