Sturgill Simpson With Cris Jacobs Cub Dada, Dallas Saturday, November 15, 2014
There are many of us who are deeply concerned about the future of country music. These are likely concerns that our parents had, and theirs before them. Every generation always thinks that the one after their own is going to fuck everything up, but when it comes to the current state of country music, this concern is scarily prescient. At this point it probably sounds pedantic, but there is nothing country about the music that Nashville is cranking out without thought today.
Nearly fifteen years after "Murder on Music Row," it's hard to argue that George Strait and Alan Jackson weren't entirely clairvoyant. They saw what money-grubbing record executives had in store for country music as it rapidly gained mainstream appeal, and what it meant not only for the Hag, the Possum, and Hank, but also for artists like Sturgill Simpson. And they were right: When's the last time you heard one of his tracks on country radio? My guess is never.