The Big Pink,A Place To Bury Strangers,Darktown Strutters

The word "subtlety" doesn't really factor into any description of The Big Pink. To begin with, the London duo produces an oversized, forceful sound between its two members, shamelessly following in the footsteps of multitudes of its Britpop predecessors. There's the My Bloody Valentine wall of guitar, the Stone Roses'...
Carbonatix Pre-Player Loader

Audio By Carbonatix

The word “subtlety” doesn’t really factor into any description of The Big Pink. To begin with, the London duo produces an oversized, forceful sound between its two members, shamelessly following in the footsteps of multitudes of its Britpop predecessors. There’s the My Bloody Valentine wall of guitar, the Stone Roses‘ percussive swagger and the white-noise drone of the Jesus and Mary Chain.

Then there’s the subject matter of the songs, highlighted by the insensitive narrator in the band’s biggest hit, “Dominoes,” which brags, “As soon as I love her, it’s been too long.” And, of course, there’s the audacity of giving the duo’s debut album a title like A Brief History of Love.

So it’s only appropriate that The Big Pink’s first foray to Dallas finds it sharing a bill with New York’s A Place to Bury Strangers, about as loud a live act as currently exists. Opening this show is Dallas’ own Darktown Strutters.

When news happens, Dallas Observer is there —
Your support strengthens our coverage.

We’re aiming to raise $30,000 by December 31, so we can continue covering what matters most to you. If the Dallas Observer matters to you, please take action and contribute today, so when news happens, our reporters can be there.

$30,000

GET MORE COVERAGE LIKE THIS

Sign up for the Music newsletter to get the latest stories delivered to your inbox

Loading latest posts...