The Class of 35

The festival first set up its permanent residence in Denton five years ago. More than 20 musicians from the area have played all four previous incarnations and will be back again this year. We asked a few of them to share their thoughts on the festival and its growth — look for many more at

Daniel Folmer of Danny Rush and the Designated Drivers

What has 35 Denton (and all of its past incarnations) meant to you as a local musician?

35 Denton is an incredible opportunity to showcase the quality of local music alongside national touring acts. It is also a place where I have seen local bands outperform said big-name, critically acclaimed Pitchfork-hand-job bands.

In some ways, the city has worked itself into seasonal affective disorder. This time is like Christmas for performing artists. We are allowed to showcase the talent that floods this city. The other 361 days of the year pale in comparison.

Describe a favorite set or moment from one of the past four festivals.

Singing alongside John Vanderslice last year was an ethereal moment for me. He was one of the first touring musicians to actually listen to a CD I gave him and respond. This was around 2003. Also, getting thrown out of The Labb on Thursday and playing Saturday, throwing water in someone's face, drinking gin in the street, watching Jason Lytle sing with Midlake.

What are you planning this year for your set? Anything unique or interesting up your sleeve?

We are planning on using it to release our next album. It seems like every year we stress everyone from our label man to our producer, attempting to shoot out a record as a very slick baby from a womb. We are also looking into matching track suits. We are having some shirts made, to sell, not to wear.

Approaching its fifth year, in what ways does 35 Denton seem different to you than its previous years?

Well, we are going to have to avoid running over more loft trash than in years past, what with all the HIP URBAN, MODERN EAT-PLAY-GUITAR-BETWEEN-CLASSES-AND-LAY-IN-THE-POOL-ALL-DAY LIVING encroaching on our low-rent wasteland. Motherfuckers. I am super psyched for Roky Erickson. I am super psyched to be playing right before Wayne the Train, a hero, and after George Neal, an icon of the city. I am excited to watch Deep Throat at Gloves. I am excited to be a part of the Baptist Generals listening party, where I believe they will showcase a video for "Fly Candy Harvest," in which I play a drunken businessman alongside real businessmen. I am excited for the Fabulous Badasses reunion.

How do you feel about the growth of the festival?

I think it is a great thing, as long as it doesn't turn into a SXSW-type environment where local artists are just another applicant. What I have experienced and most folks who have performed or attended SXSW more than once in the past 10 years have experienced, is that it is a hassle, through and through. Is it fun? Yeah. Can you drink a lot of free beer and see a lot of free music and eat a lot of free barbecue, and get some free Ray Bans that say VICE Magazine, and a free Le Tigre shirt, and a free ride in a pedicab when the cops cuff you and almost arrest you for public intoxication, but instead write you a jaywalking ticket and force a pedicab to take you to your hotel? Yeah.

But man, what a hassle.

The 35 Denton schedule appears to be about half local, half national. As I said earlier, I am more looking forward to watching some of the local acts. There is energy in the performances my colleagues put forward for throngs of people who are largely ignorant to their music. It pushes many of them to higher levels of performance.

Corporate sponsors are nice because they allow the festival some financial leeway. That being said, the food tickets are all good for local food trucks and drink tickets are for Oak Street Drafthouse.

It is using regional/national recognition to promote local goodness.

Petra Kelly of Spooky Folk

What has 35 Denton (and all of its past incarnations) meant to you as a local musician?

As naive as it may seem, the first NX35 in Denton in 2009 was my first real exposure to the Denton music scene. This was also my first show ever with Spooky Folk. After four days of local music, I was so sad for the festival to be over and then realized that living in Denton meant that it didn't have to be. There's a show almost every night of the week anyway. The festival was my first introduction to local music, which has now taken over my life.

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Rachel Watts
Contact: Rachel Watts

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