Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Slipknot

All Hope Is Gone (Roadrunner)

Share

  • rss

By PHIL FREEMAN

Published on September 10, 2008 at 9:20am

Four albums in (five, if you're an eBay-stalking obsessive), Slipknot is having an identity crisis. Frontman Corey Taylor's side project, Stone Sour, has allowed him to unmask his sensitive singer-songwriter side, and that's well-represented here on "Snuff" and "Dead Memories"—the former a half-acoustic ballad, the latter a slab of post-grunge radio rock.

Guitarist Mick Thomson and drummer Joey Jordison, on the other hand, have death-metal dreams; there are double-kick drum explosions and widdly guitar solos all over this record, including some serious whammy-bar abuse on "This Cold Black." The explosive rage of old is now tempered by the wish to mature—no surprise, given that all of Slipknot's member are in their 30s, but potentially alienating to their younger, eternally pissed-off fans.