Ben Westhoff

Film, TV & Streaming

All Eyez on Me Is an Incredible Achievement

By Ben Westhoff

Critic's Notebook

Straight Outta Dallas: How Texas Artist D.O.C. Helped Jump-Start Death Row Records

By Ben Westhoff

Filming Straight Outta Compton Got Way Realer Than Anyone Intended

By Ben Westhoff

Editorial Voice

Kids + Drugs = The Coachella Experience

By Ben Westhoff

Reader Response

Why “The Final Tour” Probably Won’t Be Motley Crue’s Last Tour

By Ben Westhoff

Reader Response

Stop Calling Yourself Old

By Ben Westhoff

Which Coachella Stages Have the Best (and Worst) Sound?

By Ben Westhoff

A Tale of Two Coachella Bros

By Ben Westhoff

Announcing the Winners of the First Voice Media Group Music Writing Awards

By Ben Westhoff

Five Attractive, Strange People Working for Tips at SXSW

By Ben Westhoff

Dawes, Blitzen Trapper

By Ben Westhoff

Legendary Dallas Rapper D.O.C. Starts His Return To The Top

By Ben Westhoff

Books

Family Ties: In Stefan Merrill Block’s Latest, The Storm at the Door, the Tale Is All Relative

By Ben Westhoff

Critic's Notebook

Five Things Dallas Hip-Hop Could Learn From The Rest of The Dirty South Movement

By Ben Westhoff

Point/Counterpoint: Is Lil Wayne’s Newfound Sobriety a Good or Bad Thing?

By Ben Westhoff

Dorrough Tries Moving Past Gimmicks

By Ben Westhoff

B.o.B.’s Album Isn’t As Adventurous As He’d Like

By Ben Westhoff

Arkansas Bo Is The Best Unemployed Rapper In Dallas

By Ben Westhoff

Ludacris Bends Genders On New Disc

By Ben Westhoff

Year in Review: Way Down South With the Best Rap Albums of 2009

By Ben Westhoff

Year in Review: The Worst Lyrics of 2009 Aren’t Trying for Funny, But Get There Just the Same

By Ben Westhoff

Regina Spektor

By Ben Westhoff