Frightened Rabbit, The Spinto Band, Grassfight

Glasgow's Scott Hutchison, an art school grad who tired of drawing, picked up a guitar five years ago and hasn't looked back. His shambling, jangling indie pop with Frightened Rabbit recalls the sweet, guileless, ramshackle charm of '80s Scottish twee poppers The Vaselines and The Pastels. Steeped in fragile honesty,...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Independent Journalism in Dallas Needs You

We need to raise $12,500 by August 9 to support the reporting our community depends on. Reader support keeps us independent and is playing a larger role in funding local journalism and shaping what comes next. If you believe independent local journalism matters, make a contribution today.

$12,500

Glasgow’s Scott Hutchison, an art school grad who tired of drawing, picked up a guitar five years ago and hasn’t looked back. His shambling, jangling indie pop with Frightened Rabbit recalls the sweet, guileless, ramshackle charm of ’80s Scottish twee poppers The Vaselines and The Pastels. Steeped in fragile honesty, Hutchison’s songs are an unyielding ache expressed with unusual frankness. Lamenting his ex-lover’s departure on “Good Arms vs. Bad Arms,” he sings, “Armed with the past, and the will, and a brick/I might not want you back, but I want to kill him.”

The addition of keyboardist/guitarist Andy Monagahn helps the quartet produce an even richer sound than 2006’s folk-pop-centric, Sing the Greys, as the bassless songs swell larger, overlaid with backing vocals to abet Hutchison’s wavering, pain-besotted tenor. The manic energy and unrestrained emotion transform ballads into anxious, shout-along anthems fueled by insecurity, like the Wedding Present channeling Morrissey’s self-doubt. And the live performances are somehow even better.

Blog favorites The Spinto Band, touring in support of its new release Moonwink, shares top billing. Denton’s Grassfight opens.

Loading latest posts...