Audio By Carbonatix
Keep Dallas Observer Free
We’re aiming to raise $10,000 by April 26. Your support ensures Dallas Observer can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.
The last of the original Lemonheads, Evan Dando has been through a lot in the last decade or so after becoming yet another casualty to the “next Kurt Cobain” hype machine. He got clean, got married, released a widely underappreciated solo effort (Baby I’m Bored) and even fronted the MC5 for a 41-show tour last year. The fact that the Lemonheads’ first record in just as long is self-titled represents a new beginning, a second shot at the big time. For the occasion, Dando recruited from the Descendents’ rhythm section and enlisted a slew of A-list musicians, including the Band’s Garth Hudson on Hammond B3 (“December”) and J Mascis’ (Dinosaur Jr.) usual six-string schizophrenia for “Steve’s Boy” and “No Backbone.” The results sound mostly like a trip through 1998’s The Best of the Lemonheads: The Atlantic Years, which is not necessarily a bad thing. “Become the Enemy” and “Baby’s Home” offer some Meat Puppets-era country-fried guitar lines, while “Let’s Just Laugh” creates a familiar sense of isolation through a Sonic Youth-style wall of noise. It’s like Dando smirks in the opener “Black Gown:” “If it ain’t fixed, don’t break it.”