Our North Of The Dial Scribe Signs Off

He plopped down on one of the rickety chairs on the sidewalk in front of J & J’s Pizza with a copy of the Dallas Observer, and after lighting his cigarette, he flipped through its pages. He stopped at North of the Dial. My ego could barely contain itself. Why?…

Watch: St. Vincent and David Byrne — “Breathing”

On Friday night, St Vincent headlined a rather highbrow affair in The Allen Room of New York’s Lincoln Center, providing a scenic fifth-floor view of Manhattan’s Columbus Circle as a backdrop for Annie Clark and her band–as well as a few very exciting special guests. How exciting? Well, yesterday, Pitchfork…

The Biggest Weekly Party In Denton Is At A Rodeo?

“It’s a party at a Rodeo, man!” Big J shouted over Miley Cyrus’ “Party in the U.S.A.” during last week’s Back to School Bash at Rockin Rodeo. The crowd went wild. Wild. And, honestly, there’s nothing quite like seeing a dance floor packed with a couple hundred folks dancing in…

North of the Dial

When an all-local bill leads to a sell-out crowd on a cold Saturday night, one usually expects to see a well-established act atop the bill. But that wasn’t the case during Yeahdef’s recent “Fresh Faces” event at Dan’s Silverleaf. In fact, more than 225 people showed up to catch three…

Darktown Strutters Steps Up Its Game

As eventful as 2009 proved for Darktown Strutters’ Kara Howell and Wes Darrin, 2010 looks to be an even more impressive year for the now Oak Cliff-based “satanic-disco” duo that’s been playing shows seemingly every few days for the last few months. For starters, the band is in talks with…

Denton’s The River Mouth Finds Its Voice

In the last year, The River Mouth has refined its sound to such a degree that even the experimental psychedelic rock outfit’s fans, friends or family would be forgiven for not recognizing the band by sound alone. Leaving the jazzier stuff behind, The River Mouth has moved into a deeper,…

Bonus MP3: Bad Sports — “Your Timin’ Just Ain’t Right”

In less than a week since its release, Play Pinball! Record’s compilation album Denton Denton USA! has already sold over a hundred copies. And, according to the label, Denton’s Recycled Books has “sold out” twice and needed to replenish–which, OK, only means about dozen copies or so, but, keep in…

Lars Larsen Switches From Audio To Video

Though many were captivated by Lars Larsen’s performance during last Monday’s Neon Indian gig at the Granada Theater in Dallas, few in the crowd were necessarily aware of Larsen tinkering away in the balcony. Sure enough, it was Larsen who treated a local crowd to the visual component (finally) of…

Over The Weekend: Nick Jonas & The Administration at the House of Blues

Nick Jonas & The Administration, Diane BirchHouse of BluesJanuary 2, 2010Better than: covering a Jonas Brothers show. The smell of hundreds of competing perfumes and shrill shrieks, squeals and screams of the “sold-out” crowd were enough to make one’s head spin even before the 17-year-old international pop-rock star walked out…

DJ G Kisses The ’80s Goodbye

The posters and online invites promoting Hailey’s Club’s upcoming “New Wave New Year’s Eve” event each tell the story concisely enough: The party will serve as “DJ G’s Last ’80s Dance Night.” And, as advertised, after ringing in the New Year with what will undoubtedly be a memorable final set,…

Sacramento-Based Waaga Records Raids Denton’s Talent Pool

In the last two weeks, two Denton-based acts received contracts from the Sacramento-based Waaga Records, a brand-new subsidiary/sister label of Lefse Records. (Yeah, the same Lefse Records who signed Neon Indian and Denton-based Sunnybrook.) So far, of the two acts that Waaga’s courted, Bryce Isbell’s futuro-lounge act FUR has already…

Oh Lewis Handles High Anticipation Just Fine

It’s not unusual in Denton for a crowd to possess a certain anticipatory electricity when a new band finally emerges from its rehearsal space to grace a stage or living room with a performance, but the crowd at Rubber Gloves was positively buzzing half-way through Oh Lewis’ recent set. It…

Denton Deluxe is a Showcase in More Ways Than One

This week, denton Deluxe officially released the fifth volume in its ongoing series of compilation CDs featuring local music. And, like the previous four editions, Volume 5 delivers a few selections from every nook and cranny of Denton’s diverse tableau of musical genres. Take the first three cuts, for example,…

Bonus MP3: Vulgar Fashion — “Pact With The Devil”

Tonight’s official release party for denton Deluxe Volume 5 (featuring Peopleodian, Kashioboy and Slack Beat) kicks off the first in a series of ongoing showcases put together by denton Deluxe’s Chad Withers. Check out this week’s North of the Dial for more on the compilation as well as for more…

Dan’s Silverleaf Opens Up its Booking for the Hipster Set

Lately, some of the shows popping up on Dan’s Silverleaf’s concert calendar have seemed a little out-of-step and more lo-fi, ambient and/or indie-trendy than the typical folk, roots and Americana fare the venue usually books. So far, it’s a welcome refinement of Dan’s docket—and there’s a perfectly good explanation for…

Denton’s FUR Offers Up Two Free Electro-Trance Downloads For Your Futuristic, 1980s Vision Of The Modern Ultralounge Scene.

Since 2006, Denton-based artist Bryce Isbell’s been steadily self-releasing experimental recordings–51 full-length albums and EPs worth of self-released material to date (according to this Facebook page). His first release, Downstairs Room, consisted of a single 45-minute-long freak-folk track that Isbell describes as “experimental electro-acoustic.” Sounds like fun, right? Well, even…

The Slow Burners Won’t Tour–And That’s OK.

Last Saturday night, at Hailey’s Club in Denton, The Slow Burners celebrated the release of the band’s debut full-length, This Is Where We Fight. And in doing so, the band blazed through every one of the album’s tracks, from toe-tappers like “Think of Me” to, what the band really excels…

Sleep Whale

Sleep Whale’s debut full-length, Houseboat, smacks of an uncanny maturity that seems far beyond most acts’ first full-length offerings. From the album’s electro-acoustic opener “Green Echo” to folk-gaze gem “Sleep Reprise” through the positively space-age sounds of “Still Drumming” and “Giant Wings,” Joel North and Bruce Blay skillfully weave cello,…