“Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid,” Raymond Chandler wrote in 1950’s “The Simple Art of Murder,” smacking the ascot off the drawing-room mystery and all its crime-solving dilettante dandies. “He must be…a man of honor, by instinct,…
Transformers (DreamWorks) No doubt, Michael Bay’s slam-bang action-figure commercial doesn’t play nearly as well on TV, no matter how high or high-def your screen; this demands to be seen on a screen the size of a skyscraper and heard on speakers as large as jet engines. So the first half-hour…
You Kill Me (Genius) Funny thing seeing Philip Baker Hall in You Kill Me, as he’s already played the role of a drunken hit man’s boss in The Matador, to which this feels like a slapshtick-noir sequel. It’s also the photo-negative of Sexy Beast: Once more Ben Kingsley plays a…
Caligula: Imperial Edition (Penthouse) (Spoiler alert: Fisting!) One day back in the swingin’ ’70s, somebody mentioned how “absolute power corrupts absolutely,” and then Bob Guccione, Gore Vidal, Malcolm McDowell, Helen Mirren and Peter O’Toole said, “Let’s make a big-budget movie about that, with come shots.” And Caligula was born. Actually,…
Even if you don’t know acid house from Hugh Laurie, you’ve probably heard of U.K. DJ Digweed, who as half of Sasha & Digweed and as a solo DJ/producer became one of the biggest dance-floor tastemakers and trendsetters of the past decade. (Perhaps you’ve heard “For What You Dream Of,”…
Back in 1995, Richard Linklater’s Before Sunrise gave flesh to a Yank’s fantasy of worldly European womanhood: Julie Delpy’s Celine, a sprite who materialized on a passenger train for one sweet Viennese night of courtship and flirtation, as if willed from the fevered dreams above a thousand hostel beds. As…
It seems fitting that a movie about debate competition should produce ambivalent feelings. As a master debater says early on in Jeffrey Blitz’s Rocket Science, a strong opinion is a luxury the great ones don’t allow themselves—it only gets in the way. What matters is being able to argue either…
Taxi Driver: Collector’s Edition (Sony) “Listen, you fuckers, you screwheads: Here is a man who would not take it anymore.” Martin Scorsese’s 1976 vision of hell as city-of-night New York rips through the reverential treatment on this special edition like a hunter’s blade through deerskin. A second disc of eight…
Hard Boiled: Two-Disc Ultimate Edition (Weinstein) The Criterion version of John Woo’s masterpiece, about two cops (the overworked Chow Yun-Fat and the undercover Tony Leung) gunning for the Hong Kong Triads, is still the “ultimate” edition. It has a better commentary track (with Woo and Pulp Fiction co-writer Roger Avary,…
Steve Buscemi the director is nothing like the art-damaged auteur Buscemi the actor played in 1995’s Living in Oblivion. No dry ice and dwarves for the victim of the cinema’s most celebrated wood-chipper massacre, who as a filmmaker inhabits tight spaces (an ice-cream truck, a prison cell) and trapped lives…
Chancer: Series 1 (Acorn) Available solely in the U.K. for years, this is a small-time release featuring a modestly big-time star at the get-go of his career: Clive Owen, looking all of 12 years old and 73 pounds, is a sacked investment banker who winds up in the employ of…
Eagle vs. Shark Written and directed by Taika Waititi. Starring Loren Horsley, Jemaine Clement and Craig Hall. Opens Friday. Napoleon Dynamite looks like Cary Grant next to the hero of this Kiwi quirk-a-thon: a hulking, sullen creep named Jarrod (Jemaine Clement, co-star of HBO’s new Flight of the Conchords) whose…
Black Snake Moan (Paramount) The best place to see Craig Brewer’s mash-up of blood-boiling exploitation elements would be a Mississippi drive-in circa 1972. His tale of a black bluesman (Samuel L. Jackson) who chains up a seething, scantily clad cracker nympho (Christina Ricci) would’ve had the lot under martial law…
Die Hard Collection (Fox) You don’t need to watch the included preview of Live Free or Die Hard to know it’s going to blow; as this set proves, only odd-numbered Die Hards are any good. The first one, of course, is the perfect popcorn flick, and the bonus-disc extras here…
The Sergio Leone Anthology (MGM) Sergio Leone made westerns like Wagner made ditties. This essential boxed set–four films with four discs of supplemental material, much of it scholarly and insightful–shows the Italian director supplanting the elegiac Monument Valley iconography of John Ford with a darker, ruder, more bleak-humored brand of…
Not Just the Best of the Larry Sanders Show (Sony) The greatest boxed set ever–not so much for the made-up irritainment as for the real thing, which this collection serves up by the ton. There are 23 brilliant episodes of the HBO show here, but they pale in comparison to…
Casino Royale (Sony) James Bond gets a stirring shake-up in the best–yeah, Goldfinger fans, the best–film in the series’ 44-year history. Daniel Craig’s 007 has more going on above the neck and below the waist than even Sean Connery’s. He’s a genuinely compelling character–a bruised, fallible, cold-blooded bastard whose mixed…
Shut Up & Sing (Genius) It’s a shame that one of 2006’s best documentaries is being released without extras; it would have been nice, for instance, to hear feisty Natalie Maines talk with directors Barbara Kopple and Cecilia Peck about her reaction to the film, in which the Dixie Chicks…
Maurice Russell, a septuagenarian actor facing the end of his career and life, gazes raptly at the present that fate has given him: the company of a sullen but strangely desirable teenage girl. At first, his appraising looks give her the creeps, but something about his courtliness piques her curiosity—not…
A car speeds down a forest road, only to be surrounded in an instant by armed crazies who materialize from the nearby woods. In the visual grammar of big-budget action films, the sequence that ensues should be a scattergun barrage of images: Wheels! Guns! Blood! Shriek! Fireball! Crash! Add a…
Once an actor gets big enough to take whatever kind of role he wants, it makes sense that the biggest stretch imaginable, given his current situation, is the part of a powerless man with no control over the world around him. Call it a “nice” movie—a vehicle designed to tone…
Time perhaps scrambling it’s for Alejandro González Iñárritu to stop his narratives. After making an exciting debut in 2000 with Amores Perros—a movie whose gimmicky Tarantino-esque tinkering with structure seemed fresher en Español and grounded in gritty Mexico City location shooting—González Iñárritu apparently decided to devote his feature-film career to…
