Critic's NotebookDenton Label Sawyer Editions Unearths the Future of Contemporary Classical By Jonathan Patrick
Dallas Symphony Orchestra’s Performance of Philip Glass and Anton Bruckner Was Magical By Jonathan Patrick
Critic's NotebookJui$e Leroy’s “Exquisite” Video Is a Glittering Stroll Through the Rapper’s Flow By Jonathan Patrick
Critic's NotebookCatch Up with Dallas’ Myloh Remora, Who Dropped a 27-Minute Hip-Hop Track Last Week By Jonathan Patrick
ConcertsKendrick Lamar Demonstrated Hip Hop’s Purpose at American Airlines Center on Friday Night By Jonathan Patrick
Critic's NotebookHow John Stewart Became a Force in Dallas Hip-Hop and Caught Kanye’s Attention Along the Way By Jonathan Patrick
Performing ArtsTexas Ballet Theater’s Dracula Was a Lesson In Emotional Intelligence By Jonathan Patrick
Realms of the Fourth Eye is a Three-Day DIY Music Festival, and a Complete Mystery By Jonathan Patrick
ConcertsEarl Sweatshirt Brushed Off Technical Issues at South Side Music Hall on Friday By Jonathan Patrick
Artist Kevin Beasley Talks ‘Black Rocker,’ His One-Night-Only Sound Installation Debuting at the DMA By Jonathan Patrick
Last Weekend’s Levitation Festival was the Comedown from the Idyllic Psych Fest Dream By Jonathan Patrick
