The Pistol Annies

The Pistol Annies are not a “supergroup.” The trio, led by country singer Miranda Lambert, is super talented, however. Aside from the small tastes of Music City success fellow member Ashley Monroe has received, this is the greatest professional triumph for both Lambert and Angeleena Presley. The subject matter of…

John Prine, Alejandro Escovedo

If the oft-employed term “influential” still has meaning in today’s musical universe, then a massive amount of its worth lives within the work of John Prine. A legend without being a household name, Prine’s songwriting is a force that’s turned many aimless youth into wonderful artists in their own right…

Andrew Delaney Gives Us “Whiskey and Pills”

Local folk-rock artist Andrew Delaney, along with his band, The Horse You Rode In On, has steadily improved over three years and two studio albums. He’s created a catalog that isn’t easily defined, yet is easily accessible. In a live setting, he and his band are able to give even…

BrewFest

In the current issue of Lone Star Music Magazine, The Departed’s primary lead singer, Cody Canada, described his band’s upcoming album, Adventis, as “the fastest moving project I’ve been a part of in a long time.” Given this album will be the first collection of original material for the band…

Rodney Parker & 50 Peso Reward Share New Songs, Ready Album

Denton’s Rodney Parker & 50 Peso Reward have proffered a couple of really interesting records in the past couple of years, such as their EP The Apology Part I, and last year’s excellently stripped down Live in the Living Room. In January, the band will release their next record (as…

Lyle Lovett And His Songs About “Girls”

Lyle Lovett is a modern legend. His laid-back vocal delivery offers a flirtatious wink at the listener and is as identifiable as his wild-ass hair has been, since he began performing in the early ’80s. The 54-year-old troubadour could sing the words to a Panda Express menu and it would…

The Five Best DFW Honky-Tonks

To call a place a honky-tonk is almost as nebulous as labeling a place a dive bar. Ask five different people what one is, and you’re more than likely to get six different answers. Of course, North Texas has dozens of places that complement any of them. The earliest published…

How I Learned To Love The Dirty Projectors

When Dirty Projectors’ 2009 album Bitte Orca was released, it was treated as the second coming. Of course, there seems to be a new Album of the Decade crowned on a yearly basis. Even though I write about music on a regular basis for multiple outlets, I get annoyed with…

Five Slowcore Bands That Weren’t Really Slowcore

Last year, we detailed five fantastic post-rock bands that scoff at the term post-rock and, more or less, pissed on the very thought of being tagged as such. With Luna’s Dean Wareham and Britta Phillips conquering the grassy hill at the Belmont Hotel tonight as a part of KXT 91.7’s…

Ronnie Fauss at the Common Table

If you haven’t been following the path of Dallas’ Ronnie Fauss over the past couple of years, you have quite the treat ahead of you. Beginning with 2009’s New Songs for the Old Frontier and most recently in 2011’s tribute collection Any Lovin’ Way But Wrong, Fauss’ four EPs serve…

The Best Texas Country/Red Dirt Songs of the Past 15 Years

As we look upon the massive Texas country machine that’s been chugging along over the past several years, it’s easy to see 1997 as a pivotal one. In college towns and major metropolises alike, the masses were demanding more music from people that shared their pride, enthusiasm and thirst for…

Grant Jones Breaks Down Saints, Sinners & Liars

It’s been a couple of years since Dallas’ Grant Jones & the Pistol Grip Lassos released their last album, a self-titled disc of supremely straight-forward country. For the new album, however, Jones chose to follow an inspired vision he’s harbored for the last few years. Saints, Sinners & Liars will…

How Merle Haggard Turned Me On To Bedhead

I was fortunate enough to speak with legend Merle Haggard for this week’s print edition of the Observer. Aside from being in awe each time he mentioned Willie Nelson, Lake Shasta (his home for many years, which he refers to in multiple songs) or Johnny Cash, I was particularly struck…