McKinney’s Shaka Plays Crazy, Vomit-Fueled Punky Reggae

Legends come in many forms. For Shaka, it came as a three-round rifle burst of projectile vomit. It’s the kind of spectacle that stuns bar patrons and catapults you from a random out-of-town band directly to cult status. That level of infamy that causes a venue to beg you to…

Claire Morales Mines Her Inner Perfectionist on “Prettier”

Amid the clatter of diner plates, Claire Morales methodically eviscerates her waffle into equal-sized square morsels, explaining that she’s trying to be a “cutting ahead” waffle person instead of a “cut as you go” type. As a graphic designer by trade, it’s definitely not the strangest habit she could have…

Denton Needs a Bigger Venue to Keep From Flatlining

Denton has reached critical mass. With so many local bands in its orbit, it was kind of an inevitability. But as the music scene spins on its axis, it lacks a gravitational center to anchor it to the city and keep bands and fans from floating off into the twisting…

The 7 Types of Bands You’ll Find in Denton

Look, you know the drill. Denton has a tragically hip music scene teeming with talent and potential. And we will be the first to admit that seven archetypes will never quite cover all the bases. But we are invariably bound by similarities and shared idiosyncrasies that help us navigate the…

Denton’s Bitch Teeth Finds the Beauty in Pain and Alienation

Before Bitch Teeth, Rick Eye had found himself in the most harrowing well of depression he’d ever encountered. Desperate for a distraction, he formed the band as an outlet to create something that emphasized the discordant and uglier side of life. In doing this, he found himself and founded the…

Pearl Earl Bring a Girl Group Touch to Their Denton Psych Rock

Meet Mearl, Earl and Estaban. Just three regular dudes playing a psychedelic rock show at Mable Peabody’s the week before Halloween. Upon careful and highly technical inspection, you might notice that these are actually the male alter egos of the members of Denton’s Pearl Earl. The band locks in to…

Six Dallas Bands Under 21 to Watch in 2015

Here at the Dallas Observer, we don’t have an incredible grasp of time travel – in fact, we still couldn’t explain the plot of Primer to save our lives. That being said, it’s still fun to feign premonition and guess which young movers and shakers are set to become breakout…

Denton’s Power Objects produce triumphant post-punk anthems

A balmy August evening. Civil Recording studio in Denton. The unthinkable has happened to Denton band Power Objects: Lucy the cat has gone missing. Vocalist and guitarist John Gillespie describes it as, without a doubt, their darkest hour. But Michael Briggs’ notorious feline assistant was thankfully found. And Power Objects…

Avant Age Make the Case for Conscious Hip-Hop in Denton

I stumbled on Avant Age in the unlikely hip-hop haven of a coffee shop open mic. That may not sound very promising to some, but bear with me here. The space was rife with comedians and folk-oriented musicians working to carve out a space for themselves in the Denton music…

Hand Drawn Records Puts a Local Spin on Christmas With The Holiday Record

‘Tis the season for locally crafted holiday compilation records. That’s how it goes, right? Er, never mind. Dallas label Hand Drawn Records just put out a holiday-themed compilation album, The Holiday Record, that’s been getting more clicks than a Cyber Monday flash sale. Hand Drawn Creative Director Dustin Blocker organized…

Denton’s No Touching Find Inspiration in the Honest and the Strange

Inspiration is a strange beast. For Philip Gage, the leading track on No Touching’s EP came to him in response to a 7-Eleven clerk who he had a less-than-pleasant experience with. The track, “Big Mama,” started as a joking poem-rant from Gage to bandmate Elana Nelson, but eventually developed into…

Who Loves the Sun Books the Bands That Denton Deserves

In the dull roar of a post-homecoming crowd at Crooked Crust in Denton, Garrett Gravley has his dining choices mocked. The perpetrator, Albert Louis, scoffs: “Dessert bread sticks and beer?” To which Gravley explains, “He’s always making fun of how I eat.” This is the makeshift office space of Who…

Dallas’ Prism Cloud Meld Classical Music and Indie Rock on Golden Star

Prism Cloud, like innumerable bands, started in a garage. But instead of plunking around on guitars haphazardly and figuring it out themselves, they pulled from experience with a different genre: classical music. With this approach, Collin Pollitt and David Sanchez use their broadened perspective to manipulate a seemingly straightforward subset…

Cosmic Trigger Have Mastered the Art of Riff-Centered Stoner Rock

Tyrel Choat’s fingertips surged with power when he first pulled a riff out of an electric guitar. His older brother taught him the monstrous riff from Black Sabbath’s “Sweet Leaf,” and when he figured it out himself, he acquired a scorching propensity for riff writing that never burnt out. When…

Denton’s Felt & Fur are “Open to New Persuasions of Weirdness”

Felt & Fur’s practice space plays home to a myriad of peculiarities. It’s in an upstairs nook at Denton’s premiere combination business: Sprockets Bike Shop and NV Cupcakes. It’s painted baby blue and has a strangely low ceiling. Oh, and it used to be the daycare for a church that…

Michael Briggs Has Built a Hub of Denton Music in His Own House

If Michael Briggs wants to see a show, record a band’s EP or film a podcast, he doesn’t have to step outside his own door. It is, shall we say, a bit of a luxury. In Denton’s independent music scene, Briggs is absolutely crucial in the booking, recording and promotion…

Denton’s the Plunge Dive Headlong Into Doom-Metal

Plunge started as just a name, and the band that later formed under it sought to replicate the sound of the word itself. The chugging, sludgy doom-metal band that resulted is pretty spot-on. In bassist Cade Bundrick’s room before a show at Gatsby’s Mansion, the house venue he lives at…