The Penn Is Mightier, but The Gunman Is Strained

In the action thriller The Gunman, Sean Penn, at age 54, looks neither old nor young. He’s been in training to look this age for a long time. Even as a relative kid, in 1982’s Fast Times at Ridgemont High, his sailor-on-shore-leave mug had a wry, quizzical roughness to it;…

Branagh’s New Cinderella Is Sumptuous and Fearless

There’s no empowerment message embedded in Kenneth Branagh’s Cinderella, no “Girls can do anything!” cheerleader vibe. That’s why it’s wonderful. This is a straight, no-chaser fairy story, a picture to be downed with pleasure. It worries little about sending the wrong message and instead trusts us to decode its politics,…

Bravura Anthology Wild Tales Lays Bare Everyone’s Awfulness

There are two kinds of humanist movie. One kind shows human beings struggling against the most unspeakable horrors, sorrows or injustices and still, somehow, emerging with their essential goodness intact. The second, thornier type gives us people doing terrible things to one another — screaming, cheating, and generally making life…

A Silver Medal for The Second Best Exotic Marigold Hotel

Almost immediately after it was released, the 2011 stealth hit Best Exotic Marigold Hotel became more a punchline than a movie. Who knew “older” people were so starved for pictures featuring gorgeously shot exotic locales, not to mention people falling in love, falling out of love or desperately hoping for…

Russia, a Whale and a Way of Life Moulder in Leviathan

Where we come from defines us more than we realize: That’s the idea implicit in Andrey Zvyagintsev’s somber, sturdily elegant drama Leviathan, in which a mechanic who has lived on the same parcel of land all his life — as his father and grandfather did before him — resists being…

The Duke of Burgundy Deliciously Evokes of ’70s Erotica

Even if you’ve never seen or heard of a movie called She Killed in Ecstasy, isn’t it lovely to know such a thing exists? That 1971 eroto-thriller was a creation of prolific Spanish-born writer-director Jess Franco, who had a lasting career making florid B movies with sordid plots and voluptuous…

Pacino, Levinson, and Philip Roth Stare Down the End

There’s something bracingly honest about The Humbling, Barry Levinson’s movie about a 67-year-old Shakespearean actor, played by Al Pacino, who, after being struck with crippling anxiety, gets his mojo restored — some of it, anyway — by a manipulative muse (Greta Gerwig). Based on the 2009 Philip Roth novel of…

A Most Violent Year Never Quite Summons Rough Old New York

The world needs fewer tasteful movies about distasteful things. It definitely doesn’t need J.C. Chandor’s A Most Violent Year, in which Oscar Isaac plays a nouveau-riche heating-oil baron in early-1980s New York, striving to maintain his principles amid industry corruption and generally scummy behavior. Isaac’s Abel Morales skulks through most…

Blackhat Is Another Empty Exercise in Style

Anyone who loves Michael Mann movies, or even just the idea of Michael Mann movies, accepts that film style is a language and something more, a way of thinking, feeling and looking that goes beyond basic plotting, dialogue, or character motivation. I can tell you pretty much everything that happens…

Paul Thomas Anderson Reclaims His Wiggy Side in Inherent Vice

Paul Thomas Anderson was making serious movies long before he started making “serious” movies, ponderous works of certified art like There Will Be Blood and The Master. His earliest pictures, like Hard Eight and Boogie Nights, and even the later Magnolia, were wily, imperfect, vibrating with life like yeast springing…

Selma Speaks to the Now

Describing Ava DuVernay’s quietly remarkable Selma to a friend, I caught myself referring to the civil rights era as a historical event, a thing of the past, and then backtracked. The killing of Michael Brown, Eric Garner and Tamir Rice at the hands of police officers — not to mention…

10 Great Reasons to Still Believe in Film

“If everything were great, nothing would be great.” That line, from Scott Coffey’s smart and sweetly entertaining Adult World, is one of my favorite bits of movie dialogue this year, not least because it’s applicable to every movie genre — actually, every genre of everything. But in the movie world…

The Gambler Is a Dressed-up Genre Picture — a Good One

In Rupert Wyatt’s highball-cool reworking of Karel Reisz’s 1974 The Gambler, Mark Wahlberg does not play a cop, does not shoot bad guys with a gun and does not spend considerable time shirtless (though we do see him sulking in a bathtub, and there’s a fleeting wet T-shirt moment, too)…

Witherspoon Treks Through the Winning Wild

For reasons that are perhaps understandable, stories about women finding themselves — or their voices, or their inner courage, or any number of things that are apparently very easy to mislay — are big business. But even if Cheryl Strayed’s hugely successful 2012 memoir Wild: From Lost to Found on…