“Theater should be a grand poetic spectacle, the language given flesh and breath,” Federico Garcia Lorca once said. Now celebrating the Spanish poet and playwright’s centennial, Texas Woman’s University reminds us of what he meant through its production of Blood Wedding, perhaps Garcia Lorca’s best-known drama. The story–itself inspired by…
Who’da thunk Dallas was ready for a revival of the revue, the late-19th-century live entertainment that might best be called “short attention span theater”? Hell, in a city where stealth police cars are employed to curtail tailgating, speeding, and other restless by-products of road rage, the question should be more…
Fascism is in the air…well, at least it’s on movie screens. In a two-week stretch we’ve seen old Nazis (Life Is Beautiful), neo-Nazis (American History X, due next week), old Nazis training neo-Nazis (Apt Pupil), book-burning (Pleasantville), and now, with The Siege, a story of full-blown military rule on American…
As a requiem for the ’60s, The Big Chill didn’t quite hit the mark the first time around, in 1983 (the film is scheduled for recycling November 6). Its greatest-hits soundtrack was soul-stirring, for sure; it’s hard to top the Rolling Stones, Marvin Gaye, or Aretha Franklin in any decade…
thursday november 5 Every five years, Dallas endures another landmark anniversary of the Kennedy assassination, once again dredging up our city’s sullied past as “The City of Hate.” All copies of Oliver Stone’s controversial 1991 film JFK disappear from local video stores. Magazines rehash the facts. Conspiracy theorists crawl out…
Fred Washington’s lawyer does not want his client’s picture taken for this story. Attorney Eric Fein believes that if you were to see a picture of Washington, who stands about 5-foot-11 and weighs a little more than 200 pounds, you might not be so quick to believe that he could…
If some actors, directors, and designers from Dallas Theater Center and the Dallas theater scene didn’t already want to restrain me atop a stone temple and yank my beating heart out like one of those S.R.O. Aztec sacrifice rituals, they will now: I’m writing a review of a preview performance…
Even for staunch flesh eaters, which I am, a meat-packing plant carries all the charm of the sixth level of hell. Doesn’t matter how spotless, how ventilated, how safe for the workers, it’s just one step removed from the actual slaughterhouse–all those disembodied slabs of meat a jarring reminder of…
In 1994’s The Monster (Il mostro), his most recent film to gain wide American release, Italian writer-director-star Roberto Benigni put himself at the center of a mistaken-identity farce about a serial killer. In Life Is Beautiful (La vita e bella), Benigni plays a wacky, high-spirited man who convinces his young…
It must be math season in the film world. Recently, Darren Aronofsky’s Pi hit Dallas’ screens, and now we get Vincenzo Natali’s Cube. The connection isn’t merely in the movies’ titles–if it were, I would have cited Sphere too–but in their stories. The plots of both films rely upon mathematical…
When Montoya, one of the fearless vampire killers in John Carpenter’s Vampires, tells another character that nobody believes in the title creatures because nobody wants to, there’s no mistaking the ancestry of the line. It comes down, through two generations of horror films, from the moment in the original Dracula…
Sitting in the recently opened Deep Ellum Center for the Arts with producer-director-writer Scott Osborne while builders and light engineers help him transform the space’s interior is eye-opening for a theater critic. Wow, sets and props and furniture really aren’t created by stage elves who wander into the space at…
thursday october 29 There hasn’t been much progress in the fight against HIV and AIDS. Public awareness and understanding of the disease have improved in the last decade or so, and scientists have discovered drug combinations that temporarily stave off HIV and AIDS, but no one has yet found a…
The Dallas Institute of Humanities and Culture is one of those interesting bits of the city that might pass unnoticed by those for whom downtown is synonymous with Deep Ellum. For almost 20 years, the institute has dedicated itself to encouraging discussion about “the cultural issues that are vital for…
For filmmaker Todd Solondz, it’s always midnight in suburbia. Life is lonely, and the natives can be hostile. In his daring second film, Happiness, the darkness engulfs victims of all ages: a boy in the throes of impending adolescence, three New Jersey sisters tormented by sex and love, an obscene…
The first time we see Ray Joshua, the young hero of director Marc Levin’s impressive feature debut, Slam, we get a vivid taste of the conflicting forces that rule him. His olive-drab pants, so hip-hop baggy that you could fit two rail-thin Rays inside, are stuffed with bags of weed,…
A riveting but darkly disturbing thriller, Apt Pupil isn’t easy to sit through. The subject matter itself proves deeply unsettling, while two brief acts of sadism are so horrifying as to be unwatchable. Yet this brutal film borders on the brilliant. Beautifully structured and edited, with a chilling central performance…
At the beginning of Gary Ross’ Pleasantville, fraternal twins who are unhappy suburban teenagers (is there any other kind?) fall down the rabbit hole of their television set and find themselves trapped in a parallel universe: a ’50s sitcom of the same name in which the family is more idealized…
thursday october 22 The metroplex has always been a step behind Austin when it comes to attracting the entertainment community. Austin may have a bit of an unfair advantage, housing the offices of the Texas Film Commission and hosting South By Southwest, the annual music and film festival that only…
I have to confess, I don’t watch TV much anymore–the antenna on top of my set brings in only about five channels. But the rays I soaked as a chubby kid were a ratio of about nine cathode to one solar: a purer product of ’70s boob-tube-feeding you won’t find…
Paula Vogel has guts. Writing about incest, child abuse, and a girl’s sexual awakening without being melodramatic or making an audience cringe is tough. Writing a play about the seven-year relationship between a teenage girl and her uncle without turning the situation into a simplistic battle of good versus evil…
Last week in this space, I compared the Undermain Theatre to Teatro Dallas because of the often surreal and fabulist takes they share on life, death, and all the weird stuff that connects them like a string between two cans. This amounted to clairvoyance on my part, coming as it…
