Writer-director John Singleton’s Boyz N the Hood was a triumph of intimate storytelling–an African-American melodrama set in a bullet-riddled South Central Los Angeles populated by believable characters who possessed strong, simple emotions. While watching it, you knew (except during a couple of “message” scenes) that you were in confident directorial…
Though 1994 was an interesting year for local imagesmiths, I bet it won’t hold a candle to 1995. Nearly three dozen independent theatrical features either were shot or commenced shooting in the Dallas-Fort Worth area last year; still more are planned. So consider the following list of faves as the…
Matt Zoller Seitz When H.L. Mencken wrote that criticism is prejudice made plausible, he was onto something. Like music, movies are more often fueled by passion than intellect. They invite, even demand, borderline-irrational gut responses. As a result, it’s always difficult to come up with year-end “Best” lists–especially when you…
You ever know a woman who says, “It’s so nice to meet a guy who’s not a JERK”? Is this supposed to be a compliment? Isn’t this about like saying, “Your intelligence appears to be higher than a sea otter. That’s great.” When did being a non-jerk become a sign…
thursday january 12 Sincerity Forever and The A Merkin Dream: Naked Mirror Productions presents two one-act plays together, the first a Southwest premiere by one of the country’s leading dramatic innovators and the second a world premiere by a young pup in the theatre world. Dallas theater-goers are most familiar…
Michael Irvin sat in the middle of the Dallas Cowboys’ locker room signing footballs and glossies hours after practice. They were for unknown people on the outside somewhere. He was the last Cowboy around. A shoe guy was holding out the ’95 Nike with two hands for Irvin’s perusal, like…
Have you noticed how many things can cause fistfights these days? I mean, things that used to be considered normal, and even polite, but now they’re grounds for fights, lawsuits and general ugliness. For example, the words “Excuse me.” “Excuse me” used to be what you would say if you…
In the middle of the public premiere of Ludwig Van Beethoven’s Ninth Symphony, “Ode to Joy,” the elderly, decrepit, bitter composer leaves his seat in the audience and wanders onstage as if drawn by a supernatural beacon. He’s remembering an incident of childhood abuse at the hands of his drunken…
thursday january 5 Elvis Presley’s 60th Birthday: If you really want to rile die-hard Elvis fans, pop the subject of the King’s new son-in-law and watch their ears burn. Last October’s planned tribute to Elvis at Graceland was supposed to feature Michael Jackson and Lisa Marie Presley performing duet versions…
John Jiler seems the least likely candidate to write a musical. A 48-year-old free spirit who doesn’t remember the ’60s–and therefore must have been there–Jiler says his only ambition through much of adulthood “was to have as many strange experiences as possible.” The playwright, who is half Irish-American and half…
“A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre,” writes legendary film critic Pauline Kael in an influential 1969 essay entitled, “Trash, Art, and the Movies.” “If somewhere in the Hollywood entertainment world someone has managed…
Coming in at 10,000-plus performances, The Fantasticks is the Cats of off-Broadway–and the longest-running musical in the world, according to press materials. Much of its legendary charm is due to its lyrical, sometimes melancholy music, from the legendary “Try to Remember” to “Soon It’s Gonna Rain.” The work, written by…
Gillian Armstrong, the director of Little Women, isn’t a daring, kinetic film artist like Martin Scorsese or Peter Jackson or Jane Campion. She’s a storyteller of a purer, less flashy sort–like William Wyler, George Stevens, and other directors from Hollywood’s studio era. Armstrong has faith in the strength of her…
It’s quite a compliment to say that an artist’s failures are more interesting than most of his colleagues’ successes. The description certainly applies to Robert Altman, a filmmaker who works so close to his heart and intuitions that even his most ill-conceived films usually show you something startling and fresh…
The Fire Chief of New York City keeps trying to get permission to rip down all the fire-alarm boxes on the street–let people just dial 911 if they see a fire–but nobody wants to let him do it. Everybody thinks the city will burn down or somethin’. But listen to…
The best way to describe Jodie Foster’s singular brand of beauty is bird-like–large eyes, sharp nose, a concentrated mouth, a tiny frame. She contains a fierce intelligence which compels her to talk a mile a minute. The tom-boyishness of her childhood movie performances returns even as she riffs eloquent on…
The conventional line about Hollywood is that there are few good roles for women. And while women still tend to be simultaneously blamed and glorified for what happens to us as a culture, it remains unlikely that cinema–as pure a social reflection as you’ll find–can create an adult female who…
thursday december 22 TubaChristmas Concerts and the Dallas Bach Society: The tuba has as long and esteemed a history as most of the other brass instruments–but somehow, all that goes down the tubes when you hear one in its natural habitat. Not to say that the tuba is an unworthy…
There are two kinds of bad movies: actively bad and passively bad. An actively bad one can prove perversely enjoyable. You sit there gazing up at the screen, marveling at the gap between what the filmmakers believed they were doing and what they’re really giving you. This kind of movie…
Bill Bates wanted to be a Dallas Cowboy ever since elementary school. He had spent his life preparing for this career on the field. But nothing prepared him for the night last week at Incredible Universe when a pair of soft cotton panties came sliding across the table for an…
Charles Dickens wrote A Christmas Carol because he needed money, and it’s been produced for that same sound reason for more than a century. It might have proved more interesting, however, if the Dallas Theater Center had staged a modern adaptation of Dickens’ Oliver Twist this year rather than the…
When fans of old Hollywood complain that modern feature films are too darned commercial–that they’ve lost the personality and passion that made films emerging from the old studio system so pleasurable–they are often reminded that there’s no such thing as the Good Old Days. Movies are, and always have been,…
