This Is the First Time the Rude Mechs Have Been to Dallas Just a quick hop down 35, the state’s most interesting theater troupe call Austin home. There, for the past two decades, they’ve been devising new work that has earned raves from critics for its inventive staging, satirical wit,…
We know, we know — it has rained. A lot. It is probably raining right now as you read this, which only makes you more likely to give into your hermit instincts and refuse to leave the house until the Trinity River looks normal again. Looking at the forecast for…
Three years in the making, Francisco Moreno’s The WCD Project was open to the public as an exhibit on Friday and then fully realized with a 5-minute performance piece on Saturday night at a Trinity Groves warehouse. Part of the Dallas Symphony Orchestra’s inaugural Soluna Festival, Moreno’s study of cultural…
As soon as word got around over the weekend that Theatre Three founder and producing director Jac Alder had died, local actors and others started swapping stories. Alder, 80, had been hospitalized last month with pneumonia and was in ICU for several weeks, but had rallied and returned home to…
In this series of articles, Leslie Moody Castro takes on the role of journalist or interlocutor to explore the inequity in the creation, curation and exhibition of art. Read more here. By Leslie Moody Castro This week is has been bittersweet. This is the last in this series of articles,…
In space, no one can hear you scream (or speak French, which is tragic because it’s so difficult to learn), but at the Texas Theatre, you can howl as loud your lungs will let you. Where I’m going with this: TT is doing a double feature tonight of Ridley Scott’s…
Before Giovanni Valderas was the director, the Cliff Gallery at Mountain View Community College wasn’t exactly an essential stop for those who visit art galleries on the weekends. But in the last year and a half, Valderas has turned the gallery into a hotspot. Now Valderas is ready to activate…
What’s music apart from the production and organization of sound? Truthfully, not much. More or less, that’s it. That’s music’s skeleton. Allow some space to take into account certain conceptual nuances here and there and you have its flesh, too. Of course, there’s a lot of wiggle room left in…
In “Language Saved,” one of eight short stories in Calligraphy Lesson: The Collected Stories, Russian author Mikhail Shishkin writes, “The experience of a language and the life lived through it turns languages with different pasts into non-communicating vessels.” Translation is mutation, he insists, which makes Deep Vellum’s release of the…
There are a few things that terrify me. Cockroaches are up there. It’s the way they can disappear into anything, like, say, light switches or clown’s mouths. When I was a kid, I imagined Michael Myers following me with a sharp, glinting axe. Now, I’d like to officially add a…
Your long weekend is on its way. On your way home this afternoon, you’ll want to pop into the corner store grab a 12 pack of Shiner Prickly Pear, stick them in your fridge, and then save them for Monday. Because there’s a lot to do around Dallas until then…
Given the recent events that took place this past week at the Kessler, I feel like it may be time for everyone to relearn customer etiquette. As someone who has worked years in the service industry, I can tell you first hand that there is a certain amount responsibility that…
During “Compliments,” a first-season sketch on Inside Amy Schumer, a group of female friends respond to every bit of praise with a verbal self-maiming: “I tried to look like Kate Hudson but ended up looking like a golden retriever’s dingleberry,” says one. Sighs another, “Of course I see everyone when…
Disney has a genius way of turning large sums of money into even larger sums of money. The executives at Disney probably laugh at the size of Scrooge McDuck’s money bin for being small and unsightly as they back stroke through one the size of a college football stadium. With…
truly, madly In a conversation with gallerist Brian Gibb, he shared that one of his biggest professional regrets was a missed chance for The Public Trust to be the first exhibitor of a now big-name artist. It’s one of the reasons he pounced on collaborative photographers, Kasumi Chow and Desiree…
Believe the man in the purple pants when he says he cannot tell the truth. He is the title character in The Liar, a 400-year-old comedy by Pierre Corneille remade in 2012 into a rip-snortin’ rhyming farce by Venus in Fur playwright David Ives, working on a commission from the…
In a junk-food summer, Brad Bird’s Tomorrowland is a defiant carrot stick, a blockbuster adventure flick where the message is “Think smart.” It’s a deliberate phooey to the kiddie carnage of movies like Transformers and The Avengers, which frighten children about the apocalypse before they can even spell the word…
“This is the oldest skull I have,” the Swiss artist H.R. Giger says, showing off this prized possession the breezy way you might a set of Fiestaware. He lifts the skull and regards it. But then his speech is breathy and halting, tender with age, as he elaborates: His father…
Poltergeist 2015 is to Poltergeist ’82 what today’s shipped-frozen-to-the-store Pizza Hut dough is to the kneaded-on-site pies the chain’s stoned cooks tossed in the Reagan era. It’s the same kind of thing, with the same shape and some shared ingredients, but the texture’s gone limp, and there’s no sense of…
Two and a half years ago, Judd Apatow released This Is 40, the most personal film of his career. He was anxious. He usually is. His default setting is inward panic. “I don’t know if people can understand the pressure to be funny,” Apatow says today, “just knowing how badly…
In the decadent 21st century, the summer movie season now sprawls from March through December. (Star Wars: Episode VII is due to awaken the Force December 18; every prior Star Wars picture has come out Memorial Day weekend.) But I’ll stick to tradition and call Memorial Day the start of…
The final episode of Mad Men was upbeat — if you enjoy the death of the counter-culture. On this special episode of the Voice Film Club podcast, Village Voice film editor Alan Scherstuhl and editorial fellow Lara Zarum, along with the Voice’s TV critic Inkoo Kang, discuss the final episode…
