Hair to die for

La crème de la coiffure! A mock documentary about, of all things, a Scottish hairdresser who travels to America to compete in an international hairstyling tournament, The Big Tease is a mildly amusing romp that benefits enormously from an ingratiating performance by Scottish actor Craig Ferguson, who also co-wrote the…

Life’s a Beach

Ewan McGregor — you can’t toss a caber in Scotland these days without toppling a gaggle of blokes who closely resemble him. Yet some magical combination of talent, charm, and shrewd management has thrown wide the gates of choice projects for the young superstar, whose résumé already glows like a…

Dull knife

Director Wes Craven and screenwriter Kevin Williamson’s 1996 Scream was something of a breath of fresh air — a little of the slasher film’s familiar old holy-shit! mixed in with self-aware glances and not-so-sly asides. It offered nothing new — indeed, Scream often felt like a sequel to something –…

Savage love

Director Chen Kaige is best known in the United States for Farewell My Concubine, the most successful Chinese production ever released here. As many pointed out at the time, this Oscar-nominated 1993 epic of modern Chinese history may have been wholly Chinese in both content and viewpoint, but it was…

By a nose

Sharon Stone doesn’t appear on-screen until halfway through this tale of three lives unraveling, but when she does, she makes quite an impression as Rosie, the third player in a horse-racing scam. Adapted from a play by Sam Shepard, Simpatico jumps back and forth between the present day and the…

England’s dreaming

The name Mike Leigh has been attached to some intense, intricate, generally superb character studies in the past three decades. The man has pitted Gary Oldman (as a skinhead) against Tim Roth (as a slow learner) in Meantime (1981), explored the friction of reuniting Cure-fan college chums Katrin Cartlidge and…

From Titipu, with love

The evening of March 14, 1885, was an auspicious one in the annals of musical theater. Less than four years had passed since the opening of London’s Savoy Theatre, built specifically for the productions of librettist William Schwenk Gilbert and composer Arthur Seymour Sullivan. The partners’ first six works had…

Valley of the dull

The subject matter is surely the stuff of which can’t-miss movies are made: Jacqueline Susann, author of best-seller Valley of the Dolls and other jerk-off (pardon, maddeningly sexy, to quote Helen Gurley Brown) classic lit. There was nothing at all pedestrian about the woman who was regaled in her day…

The Sweet spot

In the last 30 years, Woody Allen has written and directed something like 28 movies — “something like” reflects the confusion of how to count his contribution to New York Stories. It’s a remarkable productivity record for a major filmmaker, and one that’s even more impressive when you consider how…

McCourt’s ashes

Boo hoo! Frank McCourt had a miserable childhood. Honestly, who can say their childhood wasn’t impoverished in some way…or in many ways? That McCourt survived and eventually published his inescapable memoir is nice, of course, and the book is indeed a poignant and crafty piece of work. Nonetheless, it seems…

Pass the Prozac

Some people really are crazy; then, “crazy” is a relative term. Does it apply to someone who feels he might spin off into outer space and never be able to get back down to earth? Or is it only crazy when you have to cling to the nearest table or…

A father’s… love

The War Zone opens with a black screen and the sound of waves gently crashing against the shore. The methodical ebb and flow of the water produce a soothing rhythm and a sense of tranquility. The film’s first visual image is equally evocative — a beautiful section of seashore, buttressed…

What’s that smell?

The 1995 film Friday is best remembered as the film that brought actor Chris Tucker to audiences’ attention. A modest hit, it would seem an odd choice for a sequel, but Ice Cube — who co-wrote the original with DJ Pooh, as well as produced and starred — is back…

Cradle and all

In Cradle Will Rock, his third directorial outing, Tim Robbins takes on an almost insurmountably ambitious project: a re-creation of an era into which characters imaginary, obscure, and famous are woven into a tapestry that represents the texture of the time. It’s a tall order. E. L. Doctorow was able…

Coming to blows

It’s easy to see how Play It to the Bone, writer-director Ron Shelton’s latest comedy-drama, got started. Shelton obviously wanted to do for boxing what he’d already done for baseball in Bull Durham, for golf in Tin Cup, and for pick-up basketball in White Men Can’t Jump. But somewhere along…

Love stings

“Hell is a sort of high-class nightclub,” wrote George Orwell, “entry to which is reserved for Catholics only.” This sentiment is on stark display in the work of novelist Graham Greene, whose adulterous relationship (with the very married Catherine Welston, a wealthy farmer’s wife) propelled him to scrutinize the mechanics…

Cock of the walk

Magnolia, the third film from writer-director Paul Thomas Anderson, is a brilliant piece of garbage — mesmerizing, but only because you can’t believe someone has the temerity to put so much into so little. Three hours and eight minutes long, and all it has to say at the end is…

Snow drift

Of the readers who bought four million copies, in no fewer than 30 languages, of David Guterson’s 1995 best seller Snow Falling on Cedars, many have likely been looking forward to the movie version. Others have probably been dreading it. For better or worse, this multifarious story about nativist bigotry,…

A small gust

In the poster art for The Hurricane, Denzel Washington glowers, one bandaged fist cocked for a right to our jaw. He may play a boxer, but this isn’t a boxing movie; indeed, Washington spends nearly two hours caged in a cell. Yet this isn’t a prison picture either — more…

Ha-Ha-Holocaust

The spirit of Fellini hovers over Train of Life, the third so-called Holocaust comedy to come down the pike. Far superior to either Life Is Beautiful or Jakob the Liar, the French-language production has a silliness and a buffoonish humor reminiscent of Amarcord and Fellini’s Roma, yet somehow it feels…

Gregory wise-ass

Note: For the sake of being obnoxiously frank, this critic opts to divulge his favorites while pretending, in keeping with the season, to be hammered on spiked eggnog. Cheers! Honorable Mention: Star Wars Episode I: The Phantom Menace, directed by George Lucas and his kids. Gimme a light saber to…

The Cider House Rules rules

1. The Cider House Rules No other film this year captures the complex, bittersweet nature of life so movingly. Michael Caine and Delroy Lindo are standouts in a terrific ensemble cast. Filled with grace, compassion, and humor, this is director Lasse Hallstrom’s best work since My Life as a Dog…