Rob Zombie can do better than 31. For proof, just watch any other Rob Zombie movie. The musician-turned-filmmaker’s body of onscreen work is as nasty and brutal as you’d expect of a metal singer whose first band took its name from a pre-Code horror film, but it’s also been marked…
Michael Moore has mellowed — and mostly stopped playing dumb. His new film, a present-tense rah-rah-Hillary insta-job put together on the schedule of an episode of South Park, seems from its title to promise the provocations of his early work, another round of the prankish lefty everyschlub wandering a red…
Have there ever been entertainment-media product tie-ins like the Ouija movies? The shriekingly enjoyable Ouija: Origin of Evil, like its less successful 2014 predecessor Ouija, lays out as its best case that the toy it’s advertising will destroy your life, maybe kill your family and damn your very soul. 30…
Even those of us with a soft spot for dumb, high-concept Hollywood comedies might be outraged by the limp, unfunny nothingburger that is Keeping Up with the Joneses. A wan attempt to mix the comedy of domestic anxiety with the comedy of inept espionage — think Neighbors meets Central Intelligence…
In one of the more bizarre coincidences of film scheduling, the brief life of a TV journalist whose biggest scoop was announcing her own death on air is recapitulated for the second time this year. Released in August, Robert Greene’s porous documentary Kate Plays Christine highlights the impossibility, even the…
The Thing died a noisy death when it debuted in 1982. In fact, this masterful paranoiac thriller about a vicious shape-shifting alien infiltrating a group of scientists stationed in Antarctica bombed so hard that director John Carpenter was fired from his follow-up gig working on Firestarter. (Roller Boogie director Mark…
“Shit’s getting ugly in the RuPaul Drag Race.” —Janae, Orange Is the New Black RuPaul’s All Stars 2 has been perhaps the greatest season of the only reality-TV competition that matters. Logo TV’s Emmy-winning series is not only a mainstream ingress into a historically devalued, antinormative art form for an…
Season three of Amazon’s Transparent has few of the cratering events that have marked our time with the Pfeffermans up to this point, but it continues to reward thinking viewers as it considers issues of gender and identity, the intersection of theory and reality, the lingering impact of sexual abuse…
Before we get into the matter of Jack Reacher: Never Go Back, we must first address the issue of the man actually playing Jack Reacher. Resolved: Tom Cruise has absolutely nothing in common physically with author Lee Child’s crime-solving ex-military drifter. Cruise is famously diminutive; Reacher is famously tall and…
As has been widely noted, Woody Allen’s Crisis in Six Scenes isn’t really a television series; its six episodes are not particularly self-contained, and plot developments crest and climax willy-nilly regardless of where each segment ends. It’s a two-and-a-half-hour movie, the longest one Allen’s ever made, and with the option…
The month before Fish Tank writer/director Andrea Arnold premiered her film American Honey at this year’s edition of the Cannes Film Festival (where it won the Jury Prize), she spoke before an audience with director Ira Sachs as part of the Tribeca Film Festival. The following are excerpts of her remarks, edited for clarity…
Fred Armisen and Bill Hader are a rarity in the comedy world: funny people with hearts of gold. It was obvious all those years when they were cast members on Saturday Night Live. They handled their characters — whether living, dead or purely fictional — with a visible sweetness. Think…
Here’s what matters most: You will laugh. Kevin Hart on a stage before thousands, yapping for more than an hour? I don’t care what kind of miserable killjoy you are, you’re going to laugh. There are two reasons you might be offended — you may find the material either too…
There’s plenty of time to wonder, as J.K. Simmons narrates page after page of backstory, whether the creators of The Accountant realized that their dutifully twisty R-rated thriller was actually another superhero story. Yes, it’s got trappings of psychology and adult thoughtfulness, speeches about the mysteries of the brain and…
“As it always happens in the Chris Guest movies, we really don’t talk to each other before we get to set,” Jane Lynch says, explaining how she creates her menagerie of characters, specifically Gabby Monkhouse from Guest’s newest mockumentary, Mascots. “A couple months before, I got a call from Chris,…
Christopher Guest’s films mostly deal with passionate but ordinary people who aspire to positions of status within strange little subcultures: mid-century folk music, dog shows, community theater or, in the case of his new mockumentary, Mascots, the world of sports-mascot competitions. In the alternate universe of Guest’s first film in…
When a quiet film is set outside of the big cities, it’s often called a “slice of life.” But that’s ultimately a condescending designation; to the millions of people residing on the prairies and in the small towns dotting the throughways, it is simply life, with a capital “L.” In…
Adults in 2016 know not to feed the trolls. If you have to, though, you need to come on hard and strong, publicly glutting them on so much truth that they just curl up and die under their bridges/in their comment threads. So it goes in Mick Jackson’s patient, heartening…
Horror has in recent years been so informed by found footage, smartphones and Skype that a trend toward folklore was probably inevitable. Far from trying to capture the moment, arthouse movies like The Babadook, It Follows and now Demon aspire to a kind of timelessness — what was old has…
What happens when a director takes his own life before he’s able to see his work open in theaters? In the case of Marcin Wrona and Demon, his mesmerizing Polish art-horror film, Olga Szymanska, Wrona’s producing partner and wife, has pressed on. She has traveled with the film, watching the…
You might have let yourself act surprised as the waters have risen and the floods have come. But you can’t anymore, not after 13th, Ava DuVernay’s miraculous cine-history of the criminalization of American blackness. Few films shake and astonish like this one, even though nothing in it should be a…
Mike Judge’s Idiocracy might technically be coming back to theaters for one night only, but for many of us, it’s been running on an endless loop for years. In a world where Donald Trump is a presidential candidate and some cafes are now offering blowjobs with your morning coffee, it’s…
