On both an emotional and narrative level, a Hirokazu Kore-eda film pulls you in slowly, almost unexpectedly. The acclaimed Japanese director, whose works include After Life (1998), Still Walking (2008) and Like Father, Like Son (2013), makes movies about things like loss, abandonment and death, but his distinct touch —…
AMC’s Preacher is a surprisingly sedate creation. It moves at such a glacial pace that you have to wonder if the brain trust behind this adaptation of Garth Ennis and Steve Dillon’s gonzo ‘90s Vertigo comic — Seth Rogen, Sam Catlin and Evan Goldberg — forgot it only has 10…
Don’t let the publicity photos of the ensemble cast clad in ’70s-era tuxes and flower-child dresses, or even the cloying Mumford-mimicking soundtrack on the trailer, fool you: Captain Fantastic ain’t some twee, cutesy Wes Anderson romp or a Little Miss Sunshine knockoff. This dramedy marking the feature debut of longtime…
An unlikely buddy comedy-drama about the friendship between a suicidal castaway played by Paul Dano and a flatulent corpse played by Daniel Radcliffe, Swiss Army Man doesn’t seem like the kind of movie you’d watch with your mother. So what was it like to be the mothers of the film’s…
Stanley Kubrick once sent his friend John le Carré a letter about why he couldn’t adapt one of the author’s books. “Essentially,” he wrote, “how do you tell a story it took the author 165,000 (my guess) good and necessary words to tell, with 12,000 words (about the number of…
Can Steven Spielberg do comedy? That seems like a dumb question, since nobody has done more to bring wit to the modern blockbuster; Raiders of the Lost Ark and Jaws boast as many laugh-out-loud moments as they do thrills. But those gags are often incidental, of the tension-breaking kind. When…
Very few advance screenings preceded Independence Day: Resurgence’s arrival in theaters on the evening of June 23. That’s eight days ahead of the July 4th weekend that in simpler times — like 1996, when Independence Day was the year’s biggest hit — was traditionally reserved for the biggest, ka-blammiest movie of the…
According to IMDb, Jaume Collet-Serra’s over-before-you-know-it The Shallows runs for one hour and 27 minutes — a number that produces a reaction something like when an NBA roster lists a short-looking player at five-foot-nine and you marvel, Really? Nate Robinson is that tall? The shark thriller has only three or…
At last, a Hollywood reimagining with a point. David Yates’ two-fisted pulp-studies spree The Legend of Tarzan doesn’t just update Edgar Rice Burroughs’ white-boy jungle-bro for our age of heightened sensitivities and bit rates. It interrogates the very idea of Tarzan, signing the old sport up for the good fight…
Let me tell you all the good things about Nicolas Winding Refn’s high-art, lowbrow horror film The Neon Demon before I tell you what I will not tolerate. After Drive, Refn seems obsessed with his idea of Los Angeles, one where there’s always a full moon, no traffic and everyone…
This sadistic pulp-revisionist Western starts so well that you might feel something like loss as it ends: The Duel could have been something. The opening is all evocative mud and blood as a pair of knife-fighters, their left arms tied together, stab in a downpour. Cut to two decades later,…
People made a stink about the walkouts during the Sundance premiere of music-video-and-advertising geniuses the Daniels’ first feature film, Swiss Army Man. It stars Daniel Radcliffe (Manny) as a farting, rotting corpse with superpowers and Paul Dano (Hank) as a sad-sack suicidal stalker trying to get home through a forest…
Has Paul Rudd become Hollywood’s idea of the face of economic insecurity? There his handsome mug was, in Ant-Man, beneath a Baskin-Robbins ball cap, his character making do behind an ice-cream counter while Marvel made bank in promotional tie-ins. And now, in The Fundamentals of Caring, Rob Burnett’s alternately winning/cloying…
Woodrow Wilson described D.W. Griffith’s notorious Civil War epic Birth of a Nation as “writing history with lightning.” Gary Ross’ Free State of Jones, which covers roughly the same period as Griffith’s film, is more like writing history with index cards. Diligent and informative but also fragmented and inert, it…
A wiener dog is the perfect mascot for Todd Solondz’s films. Dachshunds are ridiculous, funny without trying, but that zero-dignity waddle belies a much fiercer purpose: to hunt and kill small prey. Solondz’s body of work, stretching from coming-of-age cringefest Welcome to the Dollhouse to his newest, Wiener-Dog, has the…
The most surprising thing about the new buddy action-comedy Central Intelligence is the sight of Kevin Hart playing straight man to another actor’s antics. In previous comedies, Hart has been the pint-sized, fast-talking dynamo at the center of the action. Even in movies where he’s the guy in over his…
Some people may think Dallas’ only contribution to the film industry is the Zapruder film, but they would be wrong. A surprisingly large number of movies have been filmed in the Dallas area over the years; we’ve put together a list of our favorites, some of which you may know…
In his tight, trim, health insurance thriller A Monster With a Thousand Heads, Mexican-Uruguayan director Rodrigo Plá achieves a visual style that is ice cold but also deeply human — a clever way to depict an all-powerful system that feeds on our lives and thrives on our fallibility. Plá opens…
In cinema, all things move towards acceptance. In time, debates about filmmakers usually settle in favor of the filmmaker — not because detractors change their minds, but because the urgency of the conflict wanes, and stalemates go to the fans. It’s hard to believe that battle lines were once drawn…
In Anna Rose Holmer’s The Fits, emotion becomes motion and psychology becomes space. It’s a coming-of-age story, but Holmer mostly eschews dialogue and standard storytelling devices; she tells her tale through movements and patterns and the way that she films them. The Fits follows Toni (Royalty Hightower), an 11-year-old tomboy…
Director Jake Paltrow (Young Ones, The Good Night) met Brian De Palma at a party. He’d had a few drinks and worked up the courage to talk to the legendary filmmaker, who turned out to be surprisingly open and kind. The next day, Paltrow got an email from the friend…
Finding Nemo may have been a cartoon about a clownfish traveling across the ocean looking for his son, but it was also one of Pixar’s first overt forays into the workings of the human mind. The film, from 2003, was haunted by loss: The protagonist, Marlin (voiced by Albert Brooks),…
