Superhero fans may not know stunt coordinator Philip J Silvera’s name, but they do know his work. Silvera’s choreography turned heads in such recent comic-book adaptations as the Arkham Knight and Arkham Origins Batman video games, the record-breaking Deadpool film and Netflix’s Daredevil. Silvera’s imaginative, brutal work on Daredevil’s first…
In Karyn Kusama’s newest feature film, The Invitation, a group of old friends gathers in a secluded house in the Hollywood Hills, reuniting after two years of radio silence from their hosts. What follows is slow-burning suspense, testing belief systems and social niceties, under the guise of a dinner party…
Don’t hold it against Tom Tykwer’s A Hologram for the King that its best scene is also its first. As Alan Clay (Tom Hanks) strides down a suburban street singing a modified version of Talking Heads’ “Once in a Lifetime” (“You may find yourself … without a beautiful house ……
Score one for going home again. After misfiring with Begin Again, a film that asked us to worry over a disillusioned A&R man’s efforts to coax a folk-pop album out of Keira Knightley, writer-director John Carney has turned back to the striving Irish of Once, his breakout hit. He’s also…
Elvis Presley once watched Dr. Strangelove three times in one night at a Memphis movie theater. After that, he made them play the last reel several more times, marveling at it. It’s fascinating to wonder about: Here’s this country’s biggest musical star, the leading man in movies he knew were…
Careful what you wish for. When it was announced that Jessica Chastain and Emily Blunt would be joining Charlize Theron and Chris Hemsworth for the followup to 2012’s humdrum action/fairy tale Snow White and the Huntsman, many filmgoers, myself included, got unduly excited. The original film, while a hit, had…
Hardcore Henry screened as a midnight movie at last September’s Toronto Film Festival, and was so ecstatically received that a distributor bidding war ensued. Six months later, the film has hit theaters nationwide and fallen flat, thanks to intensely negative reviews from critics upset by its unceasing violence. It didn’t…
Here’s a question faced by the creators of almost every superhero adaptation: How do do you pull this off without copying Frank Miller’s Batman? Too many modern superhero dramas — including the Dark Knight films, Arrow, Daredevil and Batman v Superman: Dawn of Justice — either ape the dour realism…
Here’s about as convincing an argument as I can imagine for the existence of the modern Hollywood blockbuster. Disney and Jon Favreau’s The Jungle Book reinvigorates an oft-told tale with star power, technology and calculated charm. It’s been billed as a live-action remake (it’s too good to be called a…
Jeremy Saulnier’s Green Room is an impeccably crafted cinematic torture machine — in the best possible way. The premise will make some cringe, while making others giddy: A punk band, trapped in a club in the middle of nowhere, have to fight off a bunch of murderous skinheads to get…
The effortless charisma of Ice Cube and Cedric the Entertainer, the headliners of the first two Barbershop movies (released in 2002 and 2004), helped keep those over-plotted comedies buoyant. Cube and Cedric are back as Calvin and Eddie in Barbershop: The Next Cut, but even their enormous appeal can’t rescue…
You’ve seen a lot of movies like Too Late, and yet you haven’t. Shot over several years on 35mm, Dennis Hauck’s neo-noir detective drama is only being shown theatrically in that increasingly rarefied format — a bold financial move for an independent film at a time when so many others…
When everything’s a game, it’s easier to forget the wrongdoing perpetrated during play. We see this in sports, but we also see it in war, young men and women coping with stress by envisioning their targets as the bad guys in a first-person shooter. In Pablo Trapero’s bleak but occasionally…
Jean-Marc Vallée’s Demolition presents an interesting experiment: What if you told a story of tragedy but withheld all the tenderness and emotion from it, so that you were left — at least until the very end — with just literal and figurative wreckage, disconnected fragments seeking to be put back…
Richard Linklater’s Everybody Wants Some!! is being billed as a “spiritual sequel” to his 1993 high school stoner classic Dazed and Confused, but in some key ways it feels closer to his animated 2001 philosophy bull session Waking Life — a freewheeling grab bag of ideas, ruminations and loose ends…
A she-wolf of Wall Street with a spiky ginger Suze Orman shag, Michelle Darnell, the anti-heroine of fitfully funny The Boss, is the latest of the Rabelaisian wonders played by Melissa McCarthy. The actress specializes in characters with indestructible bravado, no matter where they stand on the socioeconomic ladder; Michelle,…
Some free advice: If you ever find yourself defensively reminding people that you’re not in a cult, you’re probably in a cult. This comes up early and often in The Path, Hulu’s new series premiering on March 30th, not that any adherents of the fictional Meyerist Movement seem fazed by…
Willful ignorance as a character trait typically evokes annoyance in those who witness it — at least in real life. In many French films, however, a character who’s willfully ignorant is portrayed in the twee manner, encouraging us to believe it is their blissful view of the world we should…
Have you ever considered the fact that, in 1951, Hank Williams actually wrote “Hey Good Lookin'”? That, for the first 175 years years of American history, those words and that melody weren’t already part of our shared heritage? Williams didn’t just pluck it out of the air, of course. Cole…
Ask weary WWE viewers to identify why the professional-wrestling titan’s creative direction has gone so stagnant and you’ll hear one answer time and again: lack of competition. It’s no coincidence that the company’s late-‘90s heyday ran concurrent with the rise of Ted Turner’s World Championship Wrestling, which at one point…
Like the Juggernaut or St. Patrick’s Day drunks, nothing can stop the hundreds of hours of filmed superhero junk that hits our faceholes each year. But rest easy, true believer! Once in a while, the onslaught can still offer surprise and pleasure. A shiver of both hit me minutes into…
Brash yet intimate, writer-director-editor Trey Edward Shults’ observant, unnerving first feature transcends the notion of a “promising debut.” Here, the promise is already fulfilled on the screen, which bustles with chaotic family life — and prickles with anxiety. Krisha is a heartsick family story that plays as psychological horror, its…
