If you’re a character in a movie, and the rain is coming down so heavily that you cannot see out of your car’s windshield, for the love of God, don’t drive! Mack-truck drivers interpret such conditions as carte blanche to be reckless and will assume that honking their horn provides…
Da Ali G Show: Da Compleet Second Seazon (HBO Home Video) Sacha Baron Cohen’s inching closer to Tom Green territory; come this time next year, his HBO show is likely to be on the pop-culture junk pile. Which isn’t to say this double-disc set doesn’t hold up–it’s just wearing thin,…
The Blues Brothers 25th Anniversary Edition (Universal Studios Home Video) Dan Aykroyd and John Goodman’s modern-day revival of the Blues Brothers is less a stroke of comedy genius than a dose of karaoke night at Hooters. Fight off those thoughts and pop in this 1980 classic. John Belushi and Aykroyd,…
Fans of the last two Miramax films from Swedish director Lasse Hallström–Chocolat and The Shipping News–may be happy to know that he has stuck to the exact same formula for his latest, An Unfinished Life. Like its predecessors, this is the tale of an itinerant single parent with a precocious…
The Exorcism of Emily Rose, which is based on a true story the same way Harry Potter and Star Wars movies are, is the latest–though certainly not the last–movie of this bloody (awful) year trying to scare the money right out of your wallet. It has but one thing going…
The problem with making black-lacquered high school satire is this: Heathers came out in 1989, and it pretty much did the trick. There’s always room for an excellent addition to the genre, and in 1999, it appeared in the form of Alexander Payne’s Election, a film blessed both with a…
At the opening of The Constant Gardener, Brazilian director Fernando Meirelles’ adaptation of the novel by John le Carré, we hear a conversation before we see it. The screen remains black, still running credits, as a man and a woman negotiate a departure. Slowly, the scene dawns, revealing the couple…
Cineastes swooned over Hong Kong director Wong Kar Wai’s 2000 film In the Mood for Love, a slow-as-molasses melodrama about two tediously formal people whose spouses are having an affair with one another. Thrown together by circumstances, they find themselves falling in love but, determined not to emulate their cheating…
Terry Gilliam’s last film featured the former Monty Python troupe member as an eccentric, demanding and difficult director prone to destroying his ambitious projects before a single frame of footage was ever shot. “If it’s easy,” he says in the movie, “I don’t do it.” Alas, this was not a…
Some art-house programmer would be wise to schedule a double bill of The Aristocrats, Paul Provenza’s talkumentary about the dirtiest joke ever told, and The 40-Year-Old Virgin, writer-director Judd Apatow’s near-brilliant movie about a grown-up geek who simply lost interest in trying to get laid. Both offer countless giddy variations…
Red Eye may not seem to be your typical Wes Craven movie. It’s not really horror, there are no marketable monsters, and unlike Cursed, Scream 3 and other recent Craven offerings, it’s actually an enjoyable time at the movies. But heroine Lisa Reisert (Rachel McAdams) is very much in the…
Ain’t nothing in this world more tedious than highbrow erotica, which works itself into a lather and then wipes off the sweat before anyone notices how awfully and inappropriately worked-up it got. Asylum, adapted by Closer’s Patrick Marber and Chrysanthy Balis from the novel by Patrick McGrath, is just that…
Pity the daily newspaper critic who must review The Aristocrats without using such phrases as “a longshoreman’s arm up a little girl’s ass,” “then my wife goes down on my son while the dog’s licking his balls,” “my grandmother’s covered in my come,” and “is it shit before piss, or…
Once you get past its negligible plot, scant dialogue and almost zero action, Gus Van Sant’s elliptical rendering of the final hours in the troubled life of a grunge musician is rarely boring. That may seem like a backhanded compliment, but given the absence of such customary cinematic conventions as…
The contentedly independent filmmaker Jim Jarmusch has brought his restless energy to a series of surreal road movies that move nicely along on the strength of rare characters, quirky humor and a willing embrace of chance adventure. These quest stories for hipsters have transported Jarmusch’s fiercely loyal audience from New…
There has always been much to love about the Dallas Video Festival: its eclectic scheduling of full-length features alongside experimental shorts that last this long, its awards named for unheralded pioneers and visionaries (Ernie Kovacs, and now Albert Maysles) and the unbridled, contagious enthusiasm of its founder and artistic director…
And so, once more, the googolplex emits the stink of the network rerun, this week offering yet another worthless big-screen take on small-screen detritus. As Hollywood wonders–cries, actually, over spilt spoiled milk–why audiences are staying away from theaters, offering theories ranging from the absence of such phenoms as The Passion…
If the Navy is looking for splashy recruiting tools, it could do worse than Stealth, a zillion-dollar action movie stuffed with futuristic jet fighters, glamorous carrier pilots and an overload of explosive, mostly digital derring-do. Here is Top Gun revised and updated, complete with a new array of enemies–swarthy Middle…
Must Love Dogs, it should be clearly stated, is not the greatest romantic comedy ever made about a quirky couple who meet at a dog park. That honor goes to Dog Park, the oddball 1998 flick starring Luke Wilson and Natasha Henstridge, written and directed by former Kids in the…
“Hit me,” says Mark Zupan–begs, actually, like a kid clamoring for a new toy. “I’ll hit you back.” He means it, too, and his ripped pecs and buzzed scalp and tattooed back and arms and bushy gangster goatee promise just as much menace. The dude’s bad and doesn’t need to…
Going to the theater this summer has been like stepping into a time machine where your fondest childhood memories are retooled by cynics and sadists. Bewitched, Herbie: Fully Loaded, last week’s Charlie and the Chocolate Factory and now Bad News Bears are meant to be gobbled like comfort food by…
If Vince Vaughn puts any effort into what he’s doing, it doesn’t show, which is perhaps one of the benefits of always appearing to be hungover. The man probably has to check the bags under his eyes at the airport, and he’s about as in shape as a toddler’s fistful…
