All Grown Up

The USA Film Festival, now in its 32nd year, may never again be the powerhouse fest it was at its inception–which is not to damn it, since there are several excellent offerings this year, but merely to accept a rather delightful reality. At its inception, there was no Sundance, no…

Lost Highways

Written and directed by Bart Freundlich, this project deserves commendation for its psychological cogency and compassion, but it loses significant points for its lazy story and complacent delivery. Basically, we have a mannish boy named Cal (Billy Crudup, Almost Famous) who’s a modestly successful New York architect but decides to…

Taking Stock

The thoroughly unlikable heroine of Stephen Herek’s cautionary comedy about striving and satisfaction is a vain, actressy TV blonde (vain, actressy Angelina Jolie) whose driving ambition is to move up from Seattle’s inane morning news-and-talk show to a major network’s inane morning news-and-talk show. But first, a typical Hollywood curveball…

Sing Song

A likable British convict (James Nesbitt) plans an ingenious escape that involves cons (Lennie James, Timothy Spall, Bill Nighy), the prison’s psychologist (Olivia Williams) and the staging of Nelson!, an awful musical biography of the well-known admiral written by their dotty, musical-comedy-obsessed warden (Christopher Plummer). Complications, of course, abound, with…

Rites of Passage

Once-renowned Iranian filmmaker Bahman Farmanara (Prince Ehtejab) had not made a picture since 1979, when his third film was banned by the post-Revolutionary Censor Board. Now, 23 years later–after moving to North America for a decade, then returning to Iran–he is back making movies. Smell of Camphor so closely mirrors…

Bloody Nothing

The perpetrators of the new Sandra Bullock vehicle, Murder by Numbers, could be hauled in on any number of charges, including plagiarism and child abuse. But their most obvious crime is first-degree dullness, giving us a thriller without thrills and a mystery devoid of urgent questions. This merely bloody piece…

Rock in Role

Say this about World Wrestling Federation Entertainment head honcho Vince McMahon: He knows what his fans want. Few movies have ever been as specifically tailored to an existing audience as The Scorpion King, in which McMahon’s prize champion, The Rock, portrays The Rock wearing a loincloth and going by the…

Battle of the Sexes

An 18th-century battle of the sexes that contains a radiant performance by Mira Sorvino as a princess whose complicated scheme to win the man she loves finds her juggling three suitors at once, all while disguised as a man. “I’m losing track of my own plot,” she giddily confesses at…

Blessed Union

Ah, marriage. How sweet it is to discover, among all the recent wedding movies (Muriel’s, My Best Friend’s, Polish, Monsoon, etc.) that the institution’s still inspiring. Trés Greek writer and star Nia Vardalos has crafted here a worldly wise and very funny script, the better to play opposite decidedly non-Greek…

Human Nature

While it is surely difficult to concoct fresh, lively scenarios from worn elements (neurotic family, neurotic city, neurotic holiday), it is the filmmaker’s obligation, at the very least, to try. To her credit, veteran scribe Daniele Thompson clearly decided to take a very personal tack with her feature directorial debut,…

Play It Loud

Arriving in theaters just ahead of a four-disc, outtakes-and-all boxed set and its Rhino Records-issued DVD companion, which comes crammed with two different commentary tracks and assorted effluvia, Martin Scorsese’s rockudrama withstands big-screen scrutiny some 24 years after its initial release. Meant to be seen large and played loud, this…

Crush and Burn

Women who exchange descriptions of their sexual encounters are certainly no more appealing than men who boast in locker rooms, but they seem to get more free passes. If, in the name of social candor, Jerry Springer can induce sisters to confess what they’ve done with barnyard animals and every…

The Lord’s Work?

It is possible to admire Frailty, directed by Texas-born actor Bill Paxton, without actually liking it. It’s not, strictly speaking, a gratifying movie: Too dependent on twists, both excruciatingly obvious and irritatingly ludicrous, it never fully satisfies; what you can’t guess you won’t see coming, because it’s too outrageous to…

Hairy Plotters

Wending through the summaries of this year’s forthcoming blockbusters–dudes fight evil, chicks keep yanking up their trendy hip-huggers while fighting evil–it’s immediately refreshing to note a movie about furry freaks and saucy geeks whose primary goal is just to, you know, do it. In Human Nature, written by Charlie Kaufman…

God Grief?

One would scarcely imagine that the subject of gay and lesbian Orthodox Jews would have the makings of anything more than an exceedingly brief documentary. Leviticus 20:13, which says a man who “lies with a man” must be put to death, doesn’t offer much in the way of wiggle room,…

Not So Sweet

Directed by a focus group of 17-year-old boys (and their younger sisters, maybe) who titter at the mention of the word “punany” and guffaw at the sight of Selma Blair caught on a cock ring (surrounded, no less, by onlookers straight from a Village People audition), this is romantic comedy…

Road Rage

Ben Affleck is Gavin Banek, a slick attorney who can’t seem to get why people hate lawyers (and him) so much, even as he’s persuading a senile philanthropist to sign over power of appointment to his firm. Samuel L. Jackson is Doyle Gipson, an insurance telemarketer who attends Al-Anon meetings…

Bottom of the Barrel

It’s never a good sign when a film’s star spends the entirety of the film in a coma; it’s worse when you begin to envy her condition. This direct-to-Beta bummer stars Mia Kirshner (Not Another Teen Movie) as Alicia, a lower-class student at an elite, upper-class North Carolina college that…

Making Lust

A callow, handsome, just-married professional finds himself attracted to his own sex when he meets another knowing, handsome, well-adjusted professional man. Sound familiar? No, it’s not Making Love from 1982, but a 1999 Spanish film directed by Gerardo Vera from a script by ngeles Gonzáles Sinde, starring Javier Bardem, Jordi…

Mexican Pie?

The two slacker anti-heroes of Alfonso Cuarón’s Y Tu Mamá También (And Your Mother, Too) (And Your Mother, Too) come furnished with all the usual glitches of late adolescence–raging hormones, impatient wanderlust, contempt for their elders and a jones for dope and beer. In fact, Julio (Gael García Bernal) and…

Barry Bad

On September 10, Barry Sonnenfeld’s Big Trouble, a slight comic caper drenched in the sweltering muck of Miami, was a nagging chore to be tended to by film critics–one more mediocre multimillion-dollar all-star fiasco in which you can almost hear the filmmakers giggling behind the cameras. On September 11, Big…

The Big Hurt

Anybody who takes a second, sorrowful look at the charred rubble in lower Manhattan, the body counts in the West Bank or the brazen denials of Slobodan Milosevic will have to conclude that the brotherhood of man isn’t attracting many good recruits these days. Neither, for that matter, is the…