For almost two decades, Stanley Kubrick wanted to make a film based on Brian Aldiss’ 1969 short story “Super-Toys Last All Summer Long,” about a robot child named David who wants only to be “real” so Mummy and Daddy will love him. The late director of 2001: A Space Odyssey…
Sexy Beast, the debut feature from British director Jonathan Glazer, is a riveting, scary and often funny foray into a traditional American genre: the gangster film. Like the western, the gangster film has always been predominantly American turf, but–unlike with the western–every decade or so the Brits come up with…
Like countless European-American filmmakers before him, African-American filmmaker John Singleton tends to operate under the faulty logic that vengeance equals heroism. Anyone who doubts this assertion is welcome to compare his grooveless, mean-spirited remake of Shaft to the deceptively simple and human original. This isn’t to say that he’s not…
Now here’s a tricky one. Start with a busload of familiar and appealing stars, shacked up together for a couple of weeks in a house in the Hollywood Hills. Assign them their mission: to emulate themselves–sort of–while dutifully reminding us that human relationships can be complicated. Then set the tone…
If internal combustion ever becomes obsolete–that is, if the auto industry ever allows internal combustion to become obsolete–whatever will movies do for heart-stopping drama? Hoofbeats are dramatic, and the chug of a steam engine is suspenseful, but the roar of a gasoline-powered vehicle stirs the blood of any self-respecting moviegoer…
After winning five Audience Awards and other honors at various gay and lesbian film festivals during the past year, Thomas Bezucha’s Big Eden has finally opened in general release. You don’t have to be an expert on the history of gay cinema to see why–or even to be gay to…
In a year inundated with massive movies, it’s a pleasant surprise to note that a truly spectacular adventure has arrived in the form of a Disney cartoon called Atlantis: The Lost Empire. Gushing aside, let us now consider the Atlanteans, the mythic race whom co-directors Gary Trousdale and Kirk Wise…
The crimes Hollywood has committed against the major Russian novelists would themselves fill a pretty hefty tome. While reducing giants such as Tolstoy, Dostoyevsky and Pasternak to lavish costuming and snappy dialogue over the years, the studio moguls also made some eccentric casting choices–for instance, cover boy George Hamilton as…
When he was in his 30s, Ivan Reitman made comedies like a young man. His early movies, among them Stripes and Meatballs and Ghostbusters, were messy, cocky, charming, daffy and restless; they did anything for a laugh, even if that meant dousing John Candy in mud or Bill Murray in…
As ill-titled a movie as you’re likely to discover this year, Henry Bromell’s Panic would deliver itself unto us with much more honesty were it called something appropriate, like Torpor or A-List Clock-Punchers Unite!. It’s a middling film, and while there’s no reason to pick on this fledgling feature with…
There’s a majesty to Michael Winterbottom’s new film, a majesty and a terrible, icy chill. There’s also a fair bit of invention, as the director of the wrenching Jude–based on Thomas Hardy’s Jude the Obscure–has shifted the locus of that author’s fierce, beloved English west country to the much fiercer…
Remember glee? Perhaps not, given our penchant in recent times to chuck giddy hearts aside in favor of being stupid, obnoxious and mean. But hey, it’s all right, because the fizzy, caffeinated beverage known as Baz Luhrmann seeks to re-create this elusive emotion for all of us in the form…
Pearl Harbor isn’t a movie at all, but a highlight reel prepared for a Jerry Bruckheimer career retrospective. It’s as impressive and empty as any movie the producer’s ever made, most of which seem to have been cut and pasted into this World War II monstrosity. There’s Top Gun: Two…
“The values that you grew up with are that people come before things,” offers the mother of one of the protagonists of Startup.com, “and that didn’t seem to be a part of this new world.” You sure got that right, ma’am. While this new video documentary by Chris Hegedus and…
Mainstream films about the sexual awakening of adolescent males invariably come in two forms: sappily self-important (Summer of ’42) or leeringly grotesque (American Pie). Consequently it’s hard to imagine what American moviegoers are going to make of Nico and Dani, a Spanish film about teen-age boys who are neither idealized…
Kids might well be amused by the frenetic pacing of Shrek, the latest computer-animated film from DreamWorks, which moves so quickly it’s nearly a blur; they need not get the jokes to enjoy frolicking in the muck (and the maggots) with a green, snaggle-toothed ogre who wants only to be…
Like nearly all Merchant-Ivory productions, The Golden Bowl, its latest book-to-film adaptation, is a feast for the eyes, with choice real estate, exquisite interior design and dazzling costumes all bathed in a golden light that not only enriches the colors but also helps to give the settings a sense of…
Chances are you don’t know a whole lot about Angel Eyes other than that it’s the brand-new Jennifer Lopez movie. Maybe you also know that it co-stars Jim Caviezel. It’s been described in some articles as a supernatural romance, and Caviezel himself has said that he can’t tell what the…
Irish. Sex. Farce. These are not three words you see snuggled up together very often. Given the ironclad no-no’s of the Catholic church, the preoccupations imposed by their political troubles for the last eight centuries or so and frequent commutes to the local pub, the Irish probably haven’t had much…
It’s a thrill to celebrate an American movie that’s smart, wry and awesome all at once. One doesn’t always opine harmoniously with venerable critic Peter Travers of Rolling Stone, but his giddy appraisal employed in this movie’s ad campaign is right on. Unabashedly formulaic though it is, this roguish adventure…
Why is John Travolta allowed resurrection after pathetic resurrection, forgiven for endless sins, yet no one cares at all about his frequent former co-star, Olivia Newton-John? Perhaps she should have waited to have her second coming heralded with a Behind the Music episode, but Newton-John returns to the big screen…
The current release of French director Nicole Garcia’s Place Vendôme–which was nominated for 11 César Awards when it debuted in France two years ago–is yet another sign that the drop-off in French imports that has plagued U.S. screens in recent years is reversing: This is roughly the 15th French film…
