Oh, the plight of the common nebbish, aching to be adored, mugging for attention, and eternally desperate to bag a sexy babe. Sounds familiar, no? That’s because the little fella pops up all over the place, in movies as disparate as Losin’ It, Wings of Desire, and Fight Club, but,…
In recent years, the fabulous Chilean-expatriate director Raoul (sometimes Raul) Ruiz has moved from shoestring-budgeted features that could qualify as avant-garde to increasingly opulent movies with major art-house stars and a shot at mainstream success. Not yet 60, he has made more than 60 films since his 1968 debut Three…
The first thing to know about The Legend of Drunken Master is that there is no Legend of Drunken Master–not really. Miramax/ Dimension’s new Jackie Chan release is a repackaging of the star’s 1994 Drunken Master 2. This is not inherently a bad thing. Nearly all Jackie Chan buffs–count this…
Richard Gere, as Dallas gynecologist Sullivan Travis, has never been more likable onscreen, perhaps because he’s never been more human, more vulnerable, more there. After so many years of so many duds, after so many years of playing ladies’ man to little girls (and this year’s Autumn in New York…
Slash a steer’s throat or snip the beak off a bird and most people don’t give anything remotely resembling a damn. But take, for instance, an adorable dog–perhaps that peculiar lupine descendant you live to shelter, feed, and soul kiss. Imagine laying that poor pooch’s head on the block, then…
There’s no getting around it: The Contender is the most offensive movie of the year. It pretends to be high-minded even while it slings mud and semen at the audience in its attempt to make its bludgeoning point, which is: If a woman wants to ascend to one of the…
It’s nearly impossible to give a film like Under Suspicion a simple thumbs up or thumbs down. Ninety percent of this thriller is absolutely terrific; but the 10 percent that fails is so troubling that it threatens to undermine all that is wonderful in the rest. (This problem may also…
So a Jew and a Christian walk into the economically challenged valleys of Wales… No, it’s not a joke–not until the absurd, maudlin third act, anyway–but rather the essence of Solomon & Gaenor, the feature debut of British television director, documentarian, and psychotherapist Paul Morrison. Taking its cue from Jim…
We should be ashamed for overlooking the Vistas Film Festival last year, its first in existence. In our haste to cover those in Deep Ellum and Fort Worth, and in our haste to once more bury the USA Film Festival, this four-day celebration of Latin film fell between the cracks,…
Meet the Parents has just enough class to make for Prestige Pop: Robert De Niro as star, Randy Newman as composer, Blythe Danner as wallpaper, Ben Stiller as schmuck. It has just enough “comedy” to qualify as crowd-pleaser: sight gags (Stiller chasing a cat across a roof before setting fire…
According to Patrice Leconte, women live to be vulnerable, men thrive when they are in command, and the two genders can only find happy fusion once they’ve tasted each other’s fates…unless they capriciously kill each other. At least, this seems to be the director’s thesis in Girl on the Bridge,…
With global overpopulation neatly intertwining with the advent of the home video camera, we have been afforded, as a species, several near-miracles. For instance, when supersonic jets explode, or when mobs impolitely loot and riot in urban centers, the common consumer can now document the event and sell it to…
Remember the Titans–based on a true story about how a football team brought together a segregated Alexandria, Virginia, in the early 1970s–is the first film from producer Jerry Bruckheimer’s Technical Black production company, meant to offer more contemplative and slower-paced films than his hollow, slam-bang filmography suggests: Flashdance, The Rock,…
It takes a special mindset to celebrate castration, and audiences confusing feminine empowerment with the crude hacking off of seemingly oppressive huevos are certain to get a bang out of Girlfight, the gritty debut feature from writer-director Karyn Kusama. Metaphorical or otherwise, there’s already a movie about deballing to suit…
It’s a sorry fact that what everybody in Hollywood really wants to do–writer, actor, best boy, and caterer alike–is direct. This has led, over the years, to some embarrassing debuts and some unexpected triumphs. For many, the notion that Sally Field–after Gidget and Sister Bertrille and “You like me…you really…
One of the benefits of being a famous television actor is that you’re allowed backstage, that roped-off wonderland most audience members believe to be an orgiastic utopia of groupies and booze. Little do fans realize how mundane it really is behind the velvet rope–cold cuts and bottled water, and musicians…
Much has changed for urban gays in the 21 years since William Friedkin’s Cruising. That controversial serial-killer thriller–set in the leather bars and after-hours sex clubs of New York’s West Village–was derided by gay rights activists as a piece of cheapjack sensationalism leading only to trouble, seemingly designed to exacerbate…
American culture has not been kind to the ’60s. Outside of the extraordinarily resilient appeal of the pop music of the time, the period has become–for more than one of the several subsequent generations of college students–the embarrassing punch line to a bad joke. The movies have also not been…
In the 1998 documentary The Fear of God: The Making of The Exorcist, made for the BBC and available on The Exorcist 25th-anniversary DVD, director William Friedkin spends a great deal of time explaining why he excised certain scenes from his film, scenes author and screenwriter William Peter Blatty had…
I didn’t know about comedienne-actress Margaret Cho’s struggles with depression and drug and alcohol addiction, nor about her near-death from kidney failure brought on by extreme dieting. In fact, I didn’t know anything about her at all except that she had been the star of a short-lived television sitcom I…
Some may find reason to embrace the romantic comedy Woman on Top as the nonsensical but sweet-tempered fantasy of two South American filmmakers who don’t understand life in this country very well but grasp all the magical powers of Brazil. After all, Brazil ranks second only to fashionable Tibet on…
“This song explains why I’m leaving home and becoming a stewardess,” says Anita Miller (Zooey Deschanel) to her well-meaning, overbearing mother, as the soundtrack begins to swell with the low hums of Paul Simon and Art Garfunkel. Just a few seconds earlier, Elaine Miller (Frances McDormand) had insisted she wouldn’t…
