Toward the end of his published journal on the making of the watershed indie film sex, lies, and videotape — his 1989 million-dollar feature debut that jump-started the independent-film-is-hip craze, put the Sundance Film Festival on the map, upset Spike Lee’s Do the Right Thing for the top award at…
Am I a traitor to my gender because I didn’t find this unabashed film about female sexuality erotic, brave, or even — can I say it — interesting? The ironically titled Romance, directed by the audacious French filmmaker Catherine Breillat (36 Fillette), has become something of a cause célèbre wherever…
According to The Story of Us, men and women have different responses to life, love, and sex, and this can sometimes result in conflicts and tension in a marriage. And you thought American Beauty was daring. The “us” of the title are Ben (Bruce Willis) and Katie (Michelle Pfeiffer). He’s…
When I was growing up, Kurt Vonnegut Jr. was the closest thing I had to a paternal mentor, the only authoritative voice I consistently trusted. Novel after freakish, scattershot, infinitely humane novel, the man provided tools to identify and cope with the daily horrors of America — this vast sea…
The triumvirate is complete. First, Paris, Texas; then Dancer, Texas Pop. 81; and now Happy, Texas. German existentialism. Coming-of-age melodrama. Screwball mistaken-identity crapfest. Is there any situation small-town Texas can’t fulfill, any scenario it can’t endure? Apparently not, according to indie filmmakers. In this one, two cons on the lam…
Trust Allison Anders and her old running mate Kurt Voss to come up with a piquant, carefully observed movie about tarnished hope, overfed vanity, and half-baked scheming on the treacherous Los Angeles music scene. They know the territory. In 1988, the ex-UCLA Film School classmates wrote and directed Border Radio,…
Insomniacs, rejoice! During the first several decades of Sydney Pollack’s bloated, interminable Random Hearts, your eyelids will droop, your pulse and respiration will slow, and you’ll get that $8 nap you’ve been craving. Once the credits roll and the lights come up, you’ll awaken refreshed, undisturbed by vague dreams about…
Jesus, Mary, and Joseph! The repressed Irish Catholic schoolgirl that Molly Shannon plays on Saturday Night Live is certainly not everyone’s cup of glee. But there’s no denying the tug she exerts on anyone whose past is littered with the dry husks of Latin verbs and memories of nuns swinging…
There is nothing gratifying about watching a bullet blast through a woman’s skull. Exploding helicopters and splattered cattle are utterly indefensible. And few would smile at the image of a little boy being obliterated by a flashy missile. So why is David O. Russell’s Three Kings such rousing entertainment? This…
It begins with a simple request. “Do you want anything to drink?” asks the Warner Bros. publicist, a lanky young man outfitted in a pressed green shirt, a businessman’s tie, and dark slacks. “Some water maybe?” The visiting journalist, ushered into the Crescent Court Hotel suite to interview Three Kings…
The premise is preposterous, the final score inevitable, and the record reading on the feel-good-ometer totally predictable. But Mystery, Alaska comes furnished with some winning quirks and charms — including a very funny bit concerning premature ejaculation at 20 degrees below zero. So even if you don’t really believe that…
Ah, May-December romance! It’s a grand old tradition in movies dating back to 1919’s Daddy Long Legs, and it’s almost always a male fantasy: With the exception of a very small handful of titles, it’s the guy who’s December and the girl who’s May. And even in that small handful,…
A classic that fully merits the designation, Jean Renoir’s 1937 anti-war masterpiece Grand Illusion is, quite simply, one of the greatest films ever made. Recently restored, with a new print struck from the film’s original camera negative — confiscated by the Nazis after the fall of France and thought to…
Period films are, in general, not what you would call a commercial sure shot in the current marketplace, unless of course the period in question is the 22nd century or some “long, long ago” that resembles the 22nd century. In Plunkett & Macleane, director Jake Scott — son of Ridley,…
The fact that Drive Me Crazy is actually based on a novel (How I Created My Perfect Prom Date by Todd Strasser) is a sad comment on the state of contemporary young-adult fiction. The story’s not entirely dreadful, but the fact that a script created from a shuffled deck of…
Behind the camera, Beauty’s driving forces are new to movies, but their theatrical résumés are faultless — a fact that did not escape the deep pockets at DreamWorks. The screenwriter, playwright Alan Ball, is the author of dark absurdist comedies such as Five Women Wearing the Same Dress and The…
The joke that opens Jakob the Liar, the new Holocaust comedy (and talk about an oxymoron) starring Robin Williams, captures the bittersweet quality — the grim reality mixed with laughter — that the rest of the movie tries and fails to embody. The story takes place in an unidentified Jewish…
There’s a long tradition of stories about mysterious drifters who arrive in a small town and either create trouble or catalyze an explosion of long-simmering problems. Mark Twain used that hook, as have Dashiell Hammett (Red Harvest), Akira Kurosawa (Yojimbo), and Sergio Leone (A Fistful of Dollars). Now Hampton Fancher…
The only tools a nice fellow needs to repair the damaged psyches of an entire town are a guilty conscience and a dash of insight. That, at least, is the premise of Lawrence Kasdan’s silly new social parable, Mumford, in which the eponymous hero poses as a psychologist and, despite…
It is the wry humor and amazing equanimity of the men profiled in the documentary Return With Honor that proves most astonishing. They were among the 462 American fighter pilots who were shot down over North Vietnam and became prisoners of war during the Vietnam War. Some were held in…
There are a few plot loopholes in Double Jeopardy that, if scrutinized, would unhinge the entire story and seriously truncate the movie’s running time. Two of the more gaping ones involve narrow escapes allowed between a profoundly wronged wife and her devious, scheming husband. In the heat of their conflict,…
“You and me?” asks catcher Gus Sinski (John C. Reilly) of his old friend, veteran pitcher Billy Chapel (Kevin Costner). “One more time?” It’s a poignant moment, the top of what may be the last game of Chapel’s career before he’s either traded or quits the game he has loved…
