“Oscar-caliber” is the kind of backhanded cliche that film critics dole out at year’s end like gruel at a soup kitchen. (Critics hope to guilt Academy voters into seeing things their way or suffering the consequences–whatever those might be.) The plaudit, so overused to begin with, is faint praise at…
If Robert Rodriguez and Quentin Tarantino aren’t careful, they’ll risk overstaying their critical welcome even before they’ve had a chance to get really cozy. Both directors’ careers have followed arcs that quickly intersected: Each directed independent, critically lauded feature debuts (Rodriguez, his $8,000 miracle El Mariachi; Tarantino, the festival-circuit hit…
Ever since Queen of Venus, there’s been something about outer-space women wearing pointy hardware on their chests that just brings out the appreciation of cinema in its purest form. But in Caged Heat 3000, the finest futuristic women-in-cages exploitation movie ever made in Tijuana, Cassandra Leigh does more than just…
The surprisingly strong, sensitively handled feminist themes that run through the films of Chinese director Zhang Yimou have earned him praise around the world and vilification at home. In Ju Dou, a Double Indemnity-style drama set during the 1920s, he told the story of a peasant girl who dared to…
There are many ways to get nookie at a drive-in, and some of them are legal. But the best way to execute the art of autoerotic suggestion is to pay good money for a flick that has proven to be so irresistible to women that sometimes just the title alone…
There is a moment in the controversial new film, Georgia, which will pretty much decide what you think of the movie and its star, the ever courageous, enigmatic Jennifer Jason Leigh. Actually, there are nine of them. Legendary “actor’s director” Ulu Grosbard (The Subject Was Roses, Straight Time) lets the…
When critics talk about the great actors of American cinema, their opinions are often based on not upsetting the critical status quo–De Niro is a chameleon, Pacino a sizzling stick of dynamite, yadda yadda yadda. Forget what you’ve been told–compared to Sean Penn, De Niro is an anemic bore who’s…
For a few minutes at the beginning of Mr. Holland’s Opus, it might occur to you that if George Bailey, the Joblike hero played by Jimmy Stewart in It’s a Wonderful Life, were a teacher rather than an S&L owner, this film might have been moot. Glenn Holland (Richard Dreyfuss)…
Am I the only person on the planet who’s watched all four Body Chemistry movies, including the one where Morton Downey Jr. has sex while making animal noises? Naw, let’s assume there’s two of us–me, and a paraplegic channel surfer in Boise. You guys can call him if any of…
Jimmy Fowler In alphabetical order: Chicken Hawk. One of the much-lamented Major Theatre’s last screenings was this controversial documentary about NAMBLA, the North American Man Boy Love Association. A must-see for anyone who believes he or she understands the boundaries of contemporary American morality. Dead Man Walking. Released selectively in…
I enjoy movies. You might be surprised how often I have to prove the truth of that simple declarative statement. “Critics are too…critical,” people often gripe. “We go to the movies for escapism, not for art. You never like anything.” Yet nothing could be further from the truth. Oh, most…
If you’re watchin’ a movie and you see a guy droolin’ over a porno magazine, you already know the guy’s complete character description, right? He’s a serial killer who hates beautiful women. Or if you see a guy hangin’ out at a topless bar in a movie, he’s automatically a…
Alan Paton’s classic 1948 novel Cry, The Beloved Country managed to be both political and literary in a century of world literature that often tried to achieve greatness through its politics alone. The French had their existentialists, the Germans their realists, but South Africa had scarcely registered as more than…
In an age when the British Royal Family is more of a sick joke than it is a necessary monarchical body, it would seem to follow that many of Shakespeare’s regal tragedies (Henry IV, Richard II, etc.) become noteworthy for their historical significance even as they lose their obvious relevance…
It’s comforting to think of leadership as an innate ability among certain men and women, a talent much like any other, such as playing the harpsichord or doing long division in your head. “A born leader,” you often hear, as if no training were involved to demonstrate proficiency at it…
There is a scene from the long-awaited film version of Waiting to Exhale, tenderly crafted by director Forest Whitaker, that will take your breath away. Sitting in a hotel bar after being trounced by her soon-to-be ex-husband in preliminary divorce proceedings, Bernadine (Angela Bassett) is captivated by a man’s love–for…
Terry McMillan and Ron Bass are Hollywood’s hot item, collaborators on the most eagerly anticipated movie of the year, even the decade. Waiting to Exhale, McMillan’s book, has sold about three million copies to date, camping out on The New York Times bestseller list for 38 weeks. And Waiting to…
Our topic today is the Woman of Easy Virtue. Bless her little heart. I’ve been hearin’ a lot lately about the big bad Womanizer. Oooooooooooo, what a piece of scummy crud he is. We’ve got Congressional Womanizers, Big-Business Womanizers, Showbiz Womanizers and, of course, the old-fashioned Traveling-Salesman Womanizer. These are…
All right, that’s enough. Let’s stop stealin’ one another’s football teams. I was just gettin’ used to the Carolina Panthers, for God’s sake, and the Jacksonville Jagwires, and now they’re expecting the words “Nashville Oilers” to come out of my mouth? Heck, I still can’t say “Indianapolis Colts,” much less…
Heat, writer-director Michael Mann’s heavy-hitting crime drama, has some eye-catching images, a wonderfully ambiguous mood, and numerous detailed characters ably performed by a great cast. You have to admire the brazen magnitude it’s reaching for, even though the film’s impressive scope ultimately works against it. The central narrative–about the symbiotic…
It’s the old dilemma: Spectacle vs. substance–which do you choose for a movie? Ideally, you choose both–even if in unequal doses. Jurassic Park, for all the backlash it finally endured (ranging from gripes that the special effects dominated the actors to the complaint that there were only 10 minutes of…
White Man’s Burden has a lofty goal: to put the races in the other guy’s shoes. But being released as it is in the wake of O.J. Simpson’s acquittal, White Man’s Burden comes off as a Hollywood knee-jerk take on race–something like those “in-depth,” 300-page “real-story” books released 17 days…
