I’ve tried credit cards. I can’t do it. I get a little surprise in the mail every month, and when I open it, I go, “I did not spend 700 bucks on phone sex. I know it wasn’t a penny over 650.” I’ve tried checking accounts. After one week, I…
The Cahiers du Cinema-era French film critics coined a name for the American crime drama of the ’40s and ’50s, in which every technical effort was extended to forge a mood of sordidness and epic struggle. They called it film noir–a genre in which ticket-buyers were carried roller coaster-style through…
Paul Schrader, thank God. On the occasion of the USA Film Festival’s 25th anniversary, there could not be a more inspired and appropriate choice to receive the organization’s Great Director award than this bookish, bespectacled, 48-year-old auteur. With the possible exception of Martin Scorsese, no working American director in his…
Note: The 25th Annual USA Film Festival runs Thursday, April 20 through Thursday, April 27 at the AMC Glen Lakes theater, 9450 North Central Expressway (except for The Stars Fell on Henrietta and Panther, which will be screened at the General Cinema NorthPark III-IV, North Central Expressway at Park Lane)…
Filmmakers Andrew Behar, Sara Sackner, and their collaborators sure had their work cut out for them when they decided to follow the Grateful Dead and their fans around the country last year and make a film about that particular subculture. The shoot itself yielded some interesting material, including details about…
Panther is a film that many powerful inhabitants of black Hollywood dreamed of making for years–a biography of the Black Panther Party for Self Defense, which started in San Francisco and spread steadily out across the United States, breeding black pride and fostering white rage wherever its members reared their…
Filmmaker Gregory Nava’s My Family (Mi Familia), a multigenerational epic about a Chicano family in East Los Angeles, is one of the most satisfying dramas I’ve ever seen. The narrative follows the changing fortunes of the Sanchez family from the early part of the century through the late 1970s. It…
Maybe you’ve been in a bookstore or a cappuccino shoppe lately and heard a Catholic religious service going on through the Muzak. This is not a mistake. They’re playing this stuff in singles bars. It’s weird. You got these monks in black hoods, chanting like automatons, as part of the…
The biggest controversy at this year’s Academy Awards was the omission of Hoop Dreams from the Best Documentary category. That film dealt with two families struggling to survive economic hardship, framed by the saga of two teenage boys pressured to make the NBA and rescue their households. But also snubbed…
There’s only one dud among the seven somber short films featured in Short Stuff. It’s a pretentious fantasy flight called “Goddess” in which a Mary Kay-shellacked female icon becomes human in order to avenge the death of a man by his twin brother. Yawn. But two films punch you in…
Film lovers can be divided into two categories. There are those who approach the cinema with a Wildean belief that art exists to improve the human condition, or at the very least idealize it. They watch movies using a kind of aesthetic white glove test, always on the lookout for…
Your hooey detector will probably start beeping about 10 minutes into British filmmaker Antonia Bird’s controversial melodrama Priest when Father Greg (Linus Roach), a young man of the cloth newly transferred to a blue-collar Liverpool parish, rises to address his congregation. These days, he complains from the pulpit, we are…
The latest issue of the Dallas-based bimonthly fanzine Hong Kong Film Connection (which only recently went national) is on sale now at an independent or Asian-owned video store near you, and it includes plenty of thoughtful, well-researched articles worth mentioning here. They include a wrapup of 1994 Hong Kong box-office…
Flashbulbs and teen squeals announce Pauly Shore’s arrival at Planet Hollywood in the West End. Amid a journalistic sea of TV and still cameras and a small cluster of mostly young fans, the 27-year-old former MTV VJ and star of numerous slapstick movies–the latest of which, Jury Duty, opens April…
This week I’m wondering why those fat, cow-faced husbands on “Oprah” never defend themselves. You know the guys I’m talking about? They bring out some chunky, ticked-off Jenny Craig dropout with a lab experiment on her head resulting in Blonde Meltdown, and she says, “Oprah, I found out he was…
In a terrifying barroom sequence about 15 minutes into Once Were Warriors, a stark melodrama about the lives of Maori tribesman living in the urban slums of New Zealand, Jake Heke (Temeura Owen)–a pumped-up, alcoholic patriarch of a troubled Maori clan who looks like Robert DeNiro on steroids–watches as a…
Nick Nolte’s craggily handsome face, steely eyes, and whiskey-and-cigarettes voice are the epitome of ravaged old-movie grandeur. But in his heart, he’s always been a character actor, not an icon. Although resourceful directors have managed to use him that way–notably Walter Hill in 48 HRS. and Extreme Prejudice and Karel…
There’s a reason why you’ll rarely read about music videos in this space: most of them are so unimaginative and dull that I can barely stand to look at them. Having said that, I’ll now violate my own pronouncement and tell you about a video promoting “Possum Kingdom,” a single…
How come cops always stomp all over the crime scene? How come, every time you watch a criminal trial, there’s some cop who drops a glob of potato salad on the bloody footprint, or leaves the fingerprint cards on the dashboard of his Chevy Nova and burns ’em up, or…
Because I usually enjoy David Letterman’s nightly talk show, I wish I could say he did a great job hosting the 67th Annual Academy Awards. I’ll admit I enjoyed some of his jokes and all of his filmed segments, particularly the “Would you like to buy a monkey” bit; between…
Before the Rain, a three-part anthology of stories from the war-torn Balkan nation of Macedonia, is as powerful and passionate an examination of war as Schindler’s List. And although there isn’t a single dull or unoriginal shot anywhere in the picture, and the film is eloquently performed by an international…
There’s a good reason why the new thriller Hideaway is proudly designated “A Film by Brett Leonard,” a name few casual moviegoers would recognize, let alone regard with high esteem. Leonard, who directed the cyberpunk-revamped movie version of Stephen King’s short story The Lawnmower Man, is a high-tech showman with…
