Dog Eat Dog is like nothing Paul Schrader has ever done before. The director of films as diverse as American Gigolo, Mishima: A Life in Four Chapters, Affliction and Blue Collar (and the screenwriter of Taxi Driver, Raging Bull and The Last Temptation of Christ), Schrader is no stranger to…
One day, Denis Villeneuve will make a truly great movie. This is, apparently, a controversial opinion. Many out there feel strongly that the Canadian filmmaker has been leaping from triumph to triumph in recent years — with Sicario, Prisoners and Enemy under his belt — while some consider him a…
It’s impossible not to think of the T-Rex scene in Jurassic Park while watching Bryan Bertino’s chilling and succinctly titled The Monster. You remember: It’s dark, and the rains have started. The Jeeps have stalled en route to their destination. The kids are in one car, adults in the other,…
It’s fun watching Ginny Baker be rude to people. I was hesitant to give a chance to Pitch, the new Fox series imagining the life and career of the (fictional) first woman to play Major League Baseball, because I feared Ginny would be impossibly noble, driven and hardworking — the…
With films like Take Shelter, Mud and even this spring’s somewhat uneven Midnight Special, Jeff Nichols has steadily built a filmography of terse beauty. With Loving, he tackles the kind of boldface subject matter that Oscar season feeds on: It’s a historical drama about the 1967 Supreme Court decision that…
A question is posed to the main character of Barry Jenkins’ wondrous, superbly acted new film, Moonlight: “Who is you, man?” The beauty of Jenkins’ second feature, which follows his San Francisco–set black-boho romance Medicine for Melancholy (2008), radiates from the way that query is explored and answered: with specifics…
Haters Back Off!, a new eight-episode comedy streaming on Netflix, is about putting yourself out there, ignoring the haters, following your dreams no matter who or what stands in your way and utterly humiliating yourself on YouTube. Also at church socials, gay bars, funerals, rest homes — really anywhere Miranda…
Dutch provocateur Paul Verhoeven has dedicated his career to sifting through trash to extract ugly truths. He’s a former math and physics student who decided movies make more sense, but it’s hard to picture him crunching numbers and plugging in formulas and dealing with absolute answers, as his proudly pugnacious…
Netflix’s The Crown, a drama series about the life and times of Queen Elizabeth II, is the kind of sumptuous but tasteful British royals porn you’d expect from Ye Olde Masterpiece Theatre, not from the streaming giant that gave us BoJack Horseman and Stranger Things. A $130 million joint American/British…
“Are we really in our generation going to allow the biggest mammal on earth to disappear?” asks a conservationist late in Richard Ladkani and Kief Davidson’s propulsive ivory-trade doc. That simple question cuts to the heart in ways that much of this showy, desperately dramatic pseudo-thriller doesn’t. The title is…
A wall of white and black hats. Terrifying darkness. A woman staggering through a medical facility with her guts ripped open. And always, in the background: the player piano ticking along according to its programming, playing modern-day ballads to the denizens of a future world. Welcome to Westworld, a slick…
I’m not afraid to admit that I get a kick out of Dan Brown’s Robert Langdon thrillers. Yes, they’re indifferently plotted and predictably written. But I’m a sucker for ludicrous, centuries-spanning conspiracies and indulgent faux-gnosticism. The books serve, if nothing else, as gripping tours through art-world apocrypha, and Brown’s know-it-all…
Mel Gibson’s Hacksaw Ridge is a film at war with itself. Which makes perfect sense, because it’s about a man at war with himself, and I’m pretty sure it was also made by a man at war with himself. The true-life story of Desmond Doss — a Seventh Day Adventist…
Edward Bunker’s novel Dog Eat Dog (1996) kicks off with a disgusting sequence in which a two-bit criminal named Gerald “Mad Dog” McCain — caught up in a cocaine binge that Bunker describes in beat-by-beat detail across several pages — stabs his girlfriend and her daughter to death in a…
The wooden troll figures that Thomas Dam began carving and selling in the ‘50s had a great deal of folklore behind them but no cast of fixed characters. Though the Trolls have since been in TV specials, video games and a short-lived series, none of those have established what we…
It’s too much to ask that a studio money-maker/sequel-generator like Doctor Strange actually be strange, much less flaunt doctoral levels of weirdness. Instead, it’s Strange 101 in super HD, its lavish pop-art psychedelia in service of 1963 comic-book story beats. The attractions this time are Benedict Cumberbatch, haughtily Randian as…
When Sarah Waters published her gothic lesbian suspense novel Fingersmith in early 2002, the U.S. was beginning a relatively speedy transformation on the LGBT front, building to today’s legalized same-sex marriage and a presidential candidate’s full-throated support for expanded LGBT rights. Buoyed by that shift, Waters’ story of clandestine female lovers…
The Handmaiden, Korean director Park Chan-wook’s Gothic lesbian tale of romance, revenge and (light) bondage, is the kind of electrifying indulgence only he can make. The film is a loose adaptation of Welsh novelist Sarah Waters’ 2002 thriller Fingersmith, about a female pickpocket who poses as a maid for a…
It’s rare for a franchise, especially in the horror genre, to actually get better as it progresses — doubly so if the final part of said progression is a TV series. Yet in six-part miniseries form, currently airing on the you-didn’t-know-you-had-it Pop network following a broadcast in Australia earlier this…
Between The Night Manager, Veep and now Chance, a new Hulu series adapted from a nasty Kem Nunn novel, Hugh Laurie has had an exceptional year in television. The Hulu program stands out slightly above the rest, considering its resonant dialogue with the Oxford-born Laurie’s most famous role. Like House,…
An archeologist, a North Korean dictator, a Norse god, two photographers, the people of Indonesia and a tribal chief who believes Jesus is actually black American WWII soldier John Frum all look into a volcano and see their fates. That’s not the beginning of a joke; it’s the premise of…
America never understood Oasis’ hugeness. By that I don’t just mean the band’s epochal mid-’90s global popularity or the nationalistic fervor it stirred in the U.K. I mean, simply, its hugeness of sound. In the States, only the ballads connected, the glorious/meaningless Beatle raptures “Wonderwall,” “Live Forever” and “Champagne Supernova”…
