Half a century after its debut, The Battle of Algiers has a permanent parking spot in the film canon. After taking home the Golden Lion at the 1966 Venice Film Festival, it was nominated for three Academy Awards (one in 1967 and two in 1969, oddly) and now ranks within…
It takes all of two minutes of listening to Emily Blunt’s voiceover in The Girl on the Train before you have to wonder whether this narrator might be unreliable. As her Rachel rides Metro-North in and out of Manhattan, detailing her growing obsession with the ostensibly perfect couple she steals…
Judy Davis doesn’t like the expression “scene-stealing,” even though it precisely describes her performance in The Dressmaker. “I always sort of cringe when I hear that,” she says, “because what it implies is that’s what the actor is after.” So let’s just put it this way: As Kate Winslet’s acerbic,…
A woman wears sunglasses, a tight red dress, matching long gloves and red lipstick. She stands and smokes a cigarette, ostensibly watching a rugby game, but really the players are watching her, fumbling their footwork, and it’s exactly the effect she desires. This early scene, with its shifting gazes and…
The first moments of Luke Cage offer much that the previous 38 or so hours of Marvel superhero Netflix drama haven’t: laughter. Warmth. A sense that the New York City that Daredevil and Jessica Jones mope and brawl through might be more than just a place to save — it…
The conventional wisdom about early-career Tim Burton is that he was an imaginative visual stylist but not a great storyteller. That sounds smart, right? It’s still something that a certain kind of ratty-beard-stroking film critic keeps tucked in his sweater vest in case he needs to say something that sounds…
Deepwater Horizon is the most entertaining Hollywood disaster movie in years. I’m sorry — is that a terrible thing to say? Peter Berg’s film is based on the true story of the BP-leased, Transocean-owned deepwater drilling rig that in 2010 exploded in the Gulf of Mexico, killing 11 souls and…
It’s hard to watch White Girl without experiencing a creeping sense of anxiety. Loosely based on the adolescent life of writer/director Elizabeth Wood, the film follows Leah (Morgan Saylor), a college student who parties all night and snorts prodigious amounts of cocaine. She and her roommate, Katie (India Menuez), live…
The techniques of verbatim theater go back decades, to at least the 1950s, when young German theater troupes would reenact complicated court cases word for word onstage. Even earlier, in the United States, the WPA paid for a form of this performance with its Living Newspapers, in which theater artists…
Mira Nair’s Queen of Katwe is a true-life tale transformed into an inspirational fable. That’s not novel for the movies, but in this director’s hands, the results are mostly enchanting. The film follows Phiona Mutesi (Madina Nalwanga), an impoverished Ugandan girl who became a chess champion at the age of…
In this age of billion-dollar, candy-colored, fully digital child-distraction movie-making, the new chatty-animal adventure comedy Storks wouldn’t have to be good in any way to be wildly profitable. It often is good, though, hilariously so, its too-familiar misfits-become-a-family storyline enlivened by flights of lavish comic invention. Its set pieces, especially…
America might not be ready for Fleabag, the new Amazon/BBC series from British writer and creator Phoebe Waller-Bridge. Think about all the guff Girls received for “forcing” viewers along on a ride with myopic 20-somethings. Waller-Bridge has gone even further than Girls creator Lena Dunham, speaking directly to the camera…
Pasolini’s Salò meets red Solo cups in Goat, Andrew Neel’s deep, dank dive into the depravities of frat pledging that operates as its own kind of hazing ritual. Points are made and lessons imparted with all the subtlety and finesse of a Greek paddle to the head. Based on Brad…
Look, if you’re not stirred by the sight of Denzel Washington, clad in head-to-toe black, riding a black stallion over dunes and bluffs and right up to the saloon of some two-bit frontier town — well, then maybe the movies just aren’t for you. Washington, of course, strides right into…
Bridget Jones mines the riches of embarrassment. Her gaffes, blunders, stumbles and pratfalls provide the laughs in the atypical romcoms built around her, films that rely heavily on the comedy of idiosyncrasy. Bridget is no outsider: She’s a straight, white, middle class, university-educated woman with a London apartment, a media…
Matt Johnson’s prankish Operation Avalanche boasts a strong half hour of footage that’s fully engaged with this question: Could a couple of bright, Kubrick-obsessed A.V. geeks have faked the moon landing in 1969? Like the best speculative fiction, these scenes concern the practicalities. We see the gang’s hidden-camera peek at…
Lily Rabe’s discomfiting performance anchors the fascinatingly uneasy comedy-drama Miss Stevens. Julia Hart’s film — about a young, slightly hapless English teacher who must chaperone three students to a state drama competition — has a premise that could easily invite cliché. You half expect it to become either an inspirational…
According to Forbes, Fan Bingbing made $17 million last year — more than any actress on the planet not named Jennifer Lawrence, Melissa McCarthy, Scarlett Johansson or Jennifer Aniston. The Chinese megastar is likely most familiar to American audiences for a blink-and-you’ll-miss-it role in X-Men: Days of Future Past, but…
What’s constant in Katherine Dieckmann’s films – Motherhood (2009), Diggers (2006) and A Good Baby (2000) – is an attention to characters and place. Many of us in the world of film reside in the big coastal cities, but a good number come from somewhere else, smaller towns with subtle…
Our critic April Wolfe is filing updates all week from the Toronto International Film Festival. When a quiet film is set outside of the big cities — New York, L.A., Chicago — it’s often called a “slice of life.” But that’s ultimately a condescending designation; to the millions of people…
Our critic April Wolfe is filing updates all week from the Toronto International Film Festival. Writer/director Ivan I. Tverdovsky may be a twentysomething male, but in his sophomore feature, he exhibits a direct pipeline into the psyche of a lonely, middle-aged woman. In Zoology, a lowly zoo worker suddenly sprouts…
“They should have sent a poet,” says Jodie Foster’s teary-eyed astronaut as she gazes upon the glory of space in Contact. It took nearly 20 years, but Terrence Malick has taken it upon himself to answer that call with Voyage of Time. Not every line rhymes, and some privilege sound…
