In his archly empathetic comedies, Whit Stillman has long chronicled the uncertain ways in which young people of privilege launch themselves into worlds too in decline to offer them much. The debutante-ball life of Metropolitan or the nightclub and publishing circles of The Last Days of Disco are already dying before…
At long last, Whit Stillman has adapted a Jane Austen book. To be sure, he has touched on her work numerous times — particularly in his 1990 directorial debut Metropolitan, in which an argument about Mansfield Park gave us the immortal line “I don’t read novels. I prefer good literary…
As generic and impersonal as a new credit-card offer, Jodie Foster’s Money Monster is the latest big-studio production to try to cash in on populist outrage over Wall Street abuses and New Gilded Age inequality. There’s a lot of excitable talk about algorithms (or “algos”), the overuse of the term…
In Neighbors 2: Sorority Rising, the sequel to 2014’s old-people-vs.-frat-brothers comedy, Zac Efron takes off his shirt in nearly every scene he’s in. It’s a sight to behold — again and again and again, but a calculated effort, like most of this film, to appeal to the ladies. As surprising…
There’s a scene during the first half of Bryan Singer’s X-Men: Apocalypse that is so emotionally resonant, so well-put-together and so quiet that you might briefly forget you’re watching a superhero film. It involves a raid by some Polish officers in the remote forest where Erik Lehnsherr, aka Magneto (Michael…
On the surface, there has been a lot of forward movement on television for black women. We’re now able to see an incredible breadth of black female characters, including Cookie Lyon (Taraji P. Henson) on Empire, Rosalee (Jurnee Smollett-Bell) on Underground and Dr. Rainbow Johnson (Tracee Ellis Ross) on Black-ish…
In an appreciation published in The Guardian a few days after the death of J.G. Ballard, in April 2009, Martin Amis noted that the paragon of New Wave science fiction was “remorselessly visual.” Ben Wheatley’s muddled adaptation of the dystopian 1975 novel High-Rise — one of many Ballard books that…
Like The Imitation Game, The Man Who Knew Infinity is a Great Man biopic about a man most viewers have probably never heard of. Srinivasa Ramanujan was a brilliant, self-taught Indian mathematician who in his brief time on this earth made seismic contributions to his field. That he’s largely unknown…
You know that primly annoyed nice-ish guy that Jason Batemen always plays? The straight-arrow whose barely-held-in disgust suggests that universal American feeling that it’s everyone but you who is the selfish idiot? If you’ve ever suspected that the real Bateman was himself swallowing back some annoyance at the stupidity of…
Not much has been heard from Jacques Audiard’s Dheepan since it won the Palme d’Or at last year’s Cannes Film Festival, beating out pictures like Todd Haynes’ Carol, László Nemes’ Son of Saul and Hou Hsiao-hsien’s The Assassin. But going into this understated film cold isn’t a bad way to…
Vaxxed, the new “documentary” about the alleged connection between vaccines and autism, is directed by Andrew Wakefield, the disgraced doctor responsible for duping untold thousands of parents into believing vaccinations could give their children autism. This may not be news to anyone who’s followed the controversy surrounding the film’s abrupt…
All actors possess their own personal gateway into becoming a character. Some require deep memory mining (method). Others require lengthy conversations with the director about seemingly unrelated philosophical topics. And some just need a single physical characteristic around which they can develop a character’s entire being. Susan Sarandon is a…
If nothing else, Captain America: Civil War stands as something of a corrective to this spring’s other superheroes-bludgeoning-each-other opus, Batman v Superman. While that film was severe and downcast, Civil War is expansive, at times even light. BvS strove to redefine its superheroes to fit newer, darker, borderline-sociopathic molds; Civil…
Is it too much to ask that all these holiday-themed rom-coms — Valentine’s Day, New Year’s Eve and now Mother’s Day — one day merge with the Halloween movies? Michael Myers might be the only one in either franchise with a truly cutting response to all the rhetorical musings about relationships romantic,…
It’s easy to think, based on the marketing, that the first feature film from acclaimed comedy duo Keegan-Michael Key and Jordan Peele will be a hundred minutes of an adorable kitten dressed in a do-rag and gold chain for easy laughs, but Keanu is so so much more than that…
If you thought the billionaire played by Steve Carell in Bennett Miller’s Foxcatcher was eerie, please allow me to introduce you to the real John du Pont. A dangerous concoction of lonely and paranoid, du Pont was blessed with money and mobility and cursed with the kind of childhood that…
Jonathan Pine, the hero of The Night Manager, might have a syrupy voice and skin tanned to a glowing bronze, but in other respects he’s a classic John le Carré creation. Pine (Tom Hiddleston) makes his living unshowily and in the dark, at a swank hotel, juggling front-desk phone calls,…
A fractured film about a fractured family, Louder Than Bombs takes a potentially tired premise and reshapes it before our eyes. It opens on a newborn’s tiny hand helplessly clinging to a father’s finger, and ends with a different father watching his two sons sleep. In between is a story…
Fairy tales were meant to be oral stories. Translating the tangents of old women in far-flung villages (whose chips on their shoulders about, say, their brother’s failed shipping business might inspire long asides about the shipping industry) into written texts doesn’t always make for the most linear, easy read. In…
The second season of Amazon’s Catastrophe might do for the #TGIF-style family sitcom of the late ‘80s and ‘90s what the first did for the ailing rom-com: open-mouthed resuscitation on the operating table after one too many Garry Marshall–fueled heart attacks like Valentine’s Day. (Or New Year’s Eve? It doesn’t…
Nearly every Alien movie begins the same way: in the vast loneliness of space, in a ship that’s running on its own. In the first film, Ridley Scott’s Alien (1979), the camera slowly glides through the dark, lifeless corridors of the commercial towing vehicle Nostromo before locating the sleeping bodies…
Butch female characters have been too few and far between in film history. In most cases, you’ll find them in so-called “gay and lesbian” genres, as though a character’s sexuality entirely defines his or her story. But in 1986, Private First Class Jenette Vasquez, expertly played by Jenette Goldstein, destroyed…
