Half there

There are soreheads among us who claim to dislike musicals as a dramatic form because they lack verisimilitude. Orchestral music doesn’t well up and people don’t break into song at the drop of a hat in real life the way they do in musicals, these dry, mostly Norwegian nitpickers complain…

Rushes

It’s been a strange summer. In July I accepted a position as a pop culture writer at New York Newsday. I gave my notice on a Monday. On Wednesday, my editors ran an affectionate Buzz item bidding me farewell. The editor of The Met, Eric Celeste, once my boss in…

Dirty words

Photographer Larry Clark’s debut feature film Kids is one of those tough critical calls for a movie pundit, although you wouldn’t know it by reading any of the rapturous notices printed in the national press about this eye-poppingly explicit look at the hijinks of a group of rootless adolescents on…

Joe Bob Briggs

“What an actor that guy is!” “She is such a little actress!” When people say stuff like this, they usually mean, “What a liar!”‘ And this is a little annoying–especially if you’re an actor. Because I know a lot of actors, and they spend all their time, every day, thinking…

Events for the week

thursday september 7 Ampersand Dance/Theatre: Two good buddies, Texas Christian University graduates Eric Salisbury and Shannon Slaton, have been profiled extensively in the Dallas press for talents that don’t often bring you much acclaim – not to mention financial security – in this city. Salisbury is a dancer-choreographer who’s performed…

Valley of the dolls

This much-anticipated, unofficial American version of the 1994 Australian art-house hit Priscilla, Queen of the Desert has different audiences waiting for different results. Action film fans wonder how Wesley Snipes and Patrick Swayze will carry themselves with heels, fake nails, and extravagant drag-queen mannerisms. Gay audiences, thrilled by the moxie…

Golden years

Right-thinking people–and Woody Allen agrees with me on this–would much rather live in the 1930s than endure our current decade, if somehow they had a choice. No, not the real Thirties, with its bread lines, fascist pogroms, lynchings, and all of that. I mean the champagne-laced Fred and Ginger Thirties,…

Lone Star Rising

Matthew McConaughey, a lean, 25-year-old Texan with curly, blondish-brown hair and a scraggly beard and moustache, is hunched over a Tex-Mex breakfast at Barney’s Beanery, a popular greasy spoon on Santa Monica Boulevard in Los Angeles, scooping egg onto a tortilla with a fork and telling a reporter from Dallas…

Joe Bob Briggs

Let’s talk Pro Beach Volleyball. I’ve decided the universe can continue to exist without Pro Beach Volleyball. Baggy-shorts jerks in a sandbox, right? Not just baggy shorts. Purple baggy shorts. Aquamarine baggy shorts. With goggle sunglasses riding up on their foreheads like they were a bunch of four-eyed possums sponsored…

Rushes

In retrospect, it seems odd that a project like The Right Stuff–screened Monday, September 4 at 7 p.m. at the AMC Glen Lakes by the USA Film Festival–could get made in Hollywood at all. Sure, the 1983 movie is based on a best seller by New Journalism icon Tom Wolfe,…

11th Street one-acts

David Mamet and John Patrick Shanley belong to a select group–playwrights who have had their work interpreted by chick singers with only one name (Madonna in Mamet’s case, Cher in Shanley’s). This highly significant factoid has not been lost on the 11th Street Theatre Project, which has cannily combined a…

Bigger, louder

Get a load of this: Antonio Banderas, all decked out in bandit black, scampering across the bar in a dingy cantina, a blazing gun in either hand, mowing down bad guys as he twirls his arm this way, that way, any way, like a flamboyant bullfighter facing death in the…

Sex as a weapon

Prominent movie critics across the country have joined hands in ritual public display of their admiration for Oklahoma-born photographer Larry Clark’s unrated feature debut Kids. This, after all, is the film that Mickey The Mouse refused to release under His newly acquired Miramax label, forcing the filmmakers to form their…

A strange goodbye

Last week I told Star-Telegram columnist Bud Kennedy that my Uncle Dick’s funeral was at the same time as Mickey Mantle’s, and, by gosh, there was no question what I had to do. “Yeah,” said Bud, “Uncle Dick, a fine ol’ boy–but he couldn’t switch hit.” Hundreds of others placed…

Rapid fire

It’s easy to see why Hollywood went berserk over El Mariachi. Produced for the now-legendary sum of $7,000, Austin-based filmmaker Robert Rodriguez’ fable of a guitar player caught in a border town war between rival drug gangs wasn’t a revelatory piece of cinematic art. It was just a bunch of…

Isaac the anxious

Fretful, chain-smoking fashion wunderkind Isaac Mizrahi–the subject of Douglas Keeve’s wildly kinetic, hysterically funny documentary Unzipped–is a slightly more butch Yiddish version of Alicia Silverstone, and sort of like Harvey Fierstein without the mileage. During this documentary, which details the New York fashion designer preparing for his fall 1994 show,…

Joe Bob Briggs

Have you ever heard this? “Best movie I ever saw in my life! It’s about this guy, and he goes to this place, and then a bunch of funny things happen to him, and then he escapes–but he doesn’t really escape–and then this really goofy old friend of his whom…

Events for the week

thursday august 24 Radiothon: Sadly, it often takes one tragedy to prevent others from happening. This is what the Dallas-based Mothers Against Teen Violence, Inc. hoped to do when they formed two years ago after the brutal murders of Charles Christopher Lewis and Kendrick Demon Lott – both of whom…

Welcome Home

What happened to Stephen Wade should happen to everyone. The young Chicagoan was having a perfectly average early ’60s American childhood until the night he saw the Beatles on the “Ed Sullivan Show.” From that point forward, the Creepy Crawlers set began to gather loam in the closet as Wade…

Joe Bob Briggs

For some reason I wasn’t getting any action on my new, improved personal ad for the ’90s. “Chain-Smoking Couch Potato, 35 (but looks 55), card-carrying NRA member. Hates to laugh but loves to drink pina coladas on a bass boat while watching you scuba dive. Seeking morose, big-breasted, bisexual lesbian…

Boy meets boy…

Paul Rudnick’s Jeffrey, directed by award-winning New York stage director Christopher Ashley in his feature film debut, is something of a mess. Ashley has no sense of how to build momentum within the camera’s frame, so he relies on stock TV effects–slow motion, crane shots, first-person addresses by the lead…

Heavenly stroll

A glance at the names associated with Like Water For Chocolate’s Alfonso Arau’s new filmic fable A Walk in the Clouds is enough to strike terror in the heart of any Like Water cultist. Can the Mexican director’s pulsing, sexy vision survive the Zucker brothers production team, who have individually…