Kirk Hayes’ “Protective Covering Smoldering” at Conduit Gallery

It’s literally the elephant in the room. Only in Kirk Hayes’ “Protective Covering Smoldering,” someone is trying to cover him up. Desperately. But they’re doing a terrible job of it. Terrible. The pink blanket silhouettes what is clearly an elephant. Except, it’s not just an elephant. It’s also some sort…

In the Next Room, or the Vibrator Play Is all About The O-Face

Playwright Sarah Ruhl knows how to construct plays. Focus tightly on a topic — a crime, a scandal, some scurrilous bit of history. Then follow a Law & Order-style template of revelations and crises up to a semi-shocking finale. She does exactly this for In the Next Room, or the…

Eating Art Made in Texas

Last night I ate the art at the Dallas Contemporary. Everyone there did. It was an installation/performance art piece, one of the Contemporary’s LEGENDARY events, called Made in Texas and created by New York artist Jennifer Rubell, and the point was not just to see the art, but also to…

Dallas Pops Indeed

Some customers might get a bit of a surprise if they decide to ring up “Ticketmaster” for tickets to The Canadian Tenors, Chicago and Riverdance concerts with the Dallas Pops Orchestra. Wait, let’s clarify. They might be surprised if they use the number in the ad provided on Page 3…

Kettle Art’s Latest Show Makes Twice the Impact

Frank Campagna is not only a talented local artist, he’s also a sweet father. Last night marked the opening of the exhibition Campagna2, which includes both Frank’s work and his daughter Amber’s paintings as well. I stopped by his Deep Ellum gallery, Kettle Art, to chat with the elder Campagna…

Valerie Looks Lovely In Leather

“I’m a very colorful person, I wear a lot of colors and have color in my hair. I like to be edgy” Style breakdown: Vintage boots, mini dress, leather jacket, fringed suede purse…

Shakespeare’s The Tempest Rides Waves of Words at Dallas Theater Center

Theater Caps are bite-sized punch-packing capsule reviews by resident theater critic Elaine Liner. Use them as a reminder — or a teaser, if you procrastinate — of her full-length reviews in The Mixmaster’s weekly sister. Every season Dallas Theater Center’s artistic director Kevin Moriarty finds a way to soup up…

The Eight Most Iconic Cinematic Jackets … and Where to Get Them

By now, a good number of you regular theater goers probably checked out Nicolas Winding Refn’s Drive, which sped into theaters last weekend. One of the elements of the film that cannot be ignored is Ryan Gosling’s white quilted sateen racing jacket, emblazoned with a giant scorpion patch on the…

Six Fall Decorating Trends That Are As Dead As Dried Flowers

Labor Day might mark the unofficial start of fall, but fall really begins this Friday. We’ve suffered through record-breaking heat and, maybe worse, Pete Delkus’ tweets about it, for months, but now with football season in full swing and the State Fair just around the corner we can officially get…

Moneyball: The Formulas Work

At the time of this writing, the Oakland Athletics sit at a distant third in the American League West, 18 games behind the Texas Rangers managed by Ron Washington, once the first-base coach under A’s wonderboy Billy Beane. The A’s have not had a winning season since making the playoffs…

Brighton Rock: Cruel Obsession

In Brighton Rock, Rowan Joffe’s adaptation of Graham Greene’s 1938 novel, Sam Riley plays Pinkie, a baby-faced junior thug who takes advantage of his mentor’s murder to catapult himself to the top of their two-bit gang. An obstacle to his criminal dominance is Rose (Andrea Riseborough), a teenage waitress who…

The Hedgehog: Too Prickly

Adapted from Muriel Barbery’s international best-seller The Elegance of the Hedgehog, Mona Achache’s first film, The Hedgehog, follows two parallel storylines: one featuring a thoroughly insufferable little girl, the other a pleasingly grumpy middle-aged widow. Scrawny, bespectacled, precocious 11-year-old Paloma (Garance Le Guillermic), disgusted by the futility of her bourgeois…

Killer Elite: Recycled Mayhem

Wholly unrelated to the 1975 Sam Peckinpah film of the same name, Killer Elite is distinguished by one no-mercy, eye-gouging, testicle-punching brawl, and one whoppingly indifferent screenplay. After a collateral-damage close call awakens his conscience — the first of many perfunctorily recycled bits to come — hitman Danny Bryce (Jason…

The Limelight: Illuminating an Old New York

Once upon a time, Peter Gatien ruled clubland in New York. With spots such as Limelight and Tunnel, the impresario who wore an eye patch figured out all the post-Studio 54 strategies for getting people to queue up in order to empty their pockets. Chances are you know this already,…

DTC’s Tempest Offers Magical Misery Tour

Starting the fall theater season seeing Shakespeare is like being served a big dose of cod liver oil as an aperitif. The stuff is hard to swallow, but you know it’s supposed to be good for you. You just hope that what comes after is more enjoyable. Dallas Theater Center,…

The Luck of the Puck

The Dallas Stars saddle up for the new season with hopes of ending their three-year absence from the playoffs. Dallas hosts the Colorado Avalanche for their second match-up of the pre-season. General Manager Joe Nieuwendyk looks to reboot his team, which, in recent seasons, has established potential, but has been…

Dancing King

In our younger years, we were more impressed by the songs and costumes than the choreography in the Broadway version of The Lion King, but now we have a whole new appreciation for the art of modern dance. The man behind the moves in that award-winning musical is Garth Fagan,…

The Wrath of Everyday Life

Unless you’re standing at the helm of a spaceship right now, you already know the life of James T. Kirk is far from normal, but it gives us warm fuzzies to know that he’s got problems just like us. In Star Trek II: The Wrath of Khan, Admiral Kirk, is…