Now this is a party. Uptown Players close out their third season with an orgy of writhing bods and steamy hook-ups in a production of Andrew Lippa’s Jazz Age musical The Wild Party. It has it all in terms of R-rated box-office appeal: nudity, boy-boy kissing (what would this theater…
We need Atticus Finch. Dedicated, decent, a scholar and father, Finch is the main adult character in Harper Lee’s perfect 1960 novel To Kill a Mockingbird. He’s a good man, this lawyer Finch, thoughtful, fair, loving and just. Whether from our adolescent acquaintance with him from a high school reading…
Angus can’t remember anything for five minutes. Or three minutes. Or two. He has a steel plate in his head from a war injury. His short-term memory is shot. He can count the stars in the night sky in one glance and add columns of numbers in a trice, but…
Smoke and poetry thicken the air in Anna in the Tropics, now onstage in an intensely passionate production at Dallas Theater Center. Set in a cigar factory outside Tampa in 1929, Nilo Cruz’s two-act play, winner of the 2003 Pulitzer for best new drama, unfolds like a hazy, sexy dream…
As midlife crises go, Marjorie Taub’s is a monster. In agony over the death of her therapist, Marjorie, the main character in Charles Busch’s comedy The Tale of the Allergist’s Wife, is first seen by the audience at Theatre Three deep in menopausal malaise, wailing and whimpering like a wounded…
Flapping and honking like geese in a yard, the six female characters in Steel Magnolias are exaggerated versions of pushy Southern women as seen through the eyes of a gay man, playwright Robert Harling. For Love! Valour! Compassion!, gay playwright Terrence McNally gathers eight stereotypes of artsy, East Coast-y homosexual…
Skid Row never looked so clean. Every ugly, filthy, creepy, scary detail of the original film it was based on has been scrubbed away in the oversized touring production of Little Shop of Horrors now going through its motions at the Music Hall at Fair Park. This version of the…
“The American theater’s in a shitload of trouble,” the “stage manager” says to the audience in Anton in Show Business, Jane Martin’s roundhouse punch at the absurdity of the acting profession. That may be true, but the funny thing is, by choosing this dark, smart satire as its season opener,…
You’ll come for the title. You’ll stay for 70 minutes. And you’ll go home thinking of punch lines infinitely funnier than the ones coming from the stage in Porn for Puritans, the comedy revue now playing in the little theater at The MAC. Written and performed by Leigh Tomlinson and…
Many is the promising playwright who cuts his teeth on a one-act play or at least attempts one during those fondly remembered starvation years. Likely, some have three or four one-acts or short plays sitting around in some dusty trunk waiting to be brushed off after the author gets discovered…
Maybe it’s a mistake bringing my wife and son to the theater, hoping Sandy Duncan can pull off the part of Anna Leonowens in Dallas Summer Musicals’ production of The King and I. Yes, Duncan is a Tony Award-winning actress, with a Broadway résumé as solid as it is varied…
Sometimes a few orders of well-made appetizers can be as satisfying as a four-course meal. So it is with The Dining Room, now playing at Contemporary Theatre of Dallas. A.R. Gurney’s two-act play offers nibbles of story, several tasty characters and enough good lines to chew on to forgive the…
The first words the audience hears in the Richardson Theatre Centre production of the thriller Wait Until Dark come from President Gerald R. Ford, grimly granting Richard M. Nixon a full pardon for involvement in Watergate crimes. It’s a brief audio flashback to 1974, a dark period in American history,…
Hardly anyone writes love letters anymore. Sigh. Real billets-doux, the kind penned in inky swirls on creamy paper, have given way to the crude shorthand of instant messages and the tinny squawk of disembodied voicemail. Try wrapping a satin ribbon around those. Back in the dark ages, B.AOL., as it…
Questions about art, race, ethics and language spark passionate arguments in the provocative new play Permanent Collection, currently the main-stage offering at Kitchen Dog Theater’s sixth annual New Works Festival. In an elegantly designed and smartly acted production directed by Dan Day, the Thomas Gibbons drama challenges its characters (and…
Cocktail hour extends to nearly three in WaterTower Theatre’s bouncy, boozy production of Company. The Stephen Sondheim-George Furth musical finds a group of five upscale married couples gathering for the 35th birthday of bachelor Bobby (Donald Fowler), a 1970s Manhattan playboy with an aversion to settling down. Everybody sings, and…
It’s hard not to like a show that raffles off chess pies at intermission. Pump Boys and Dinettes, now playing at Contemporary Theatre of Dallas, is its own big sticky slice of American pie. A Broadway hit with its original cast of songwriter-performers in the early 1980s, the revue featuring…
Marie Jones’ 1999 Irish comedy Stones in His Pockets, the final production of Theatre Three’s current subscription season, turns out to be this theater’s best in many a moon. About time, too. This company has limped through the past year with a lineup of plays that were ill-chosen (Arsenic and…
Truth is, from the female perspective, all men are fixer-uppers. There’s always at least one thing he does wrong that, were he to fix it according to our instructions, he’d be just about perfect. Like that guy who wears tasseled loafers with shorts. A simple repair. Or the otherwise lovely…
“It’s a maaaaaarvelous script,” says radiant screen queen Mary Dale of her role as Lady Godiva in a big-budget bio-pic set in the 11th century. “Really illuminates those troubled times. And we have some terrific musical numbers.” Dale, sleeker than Lana Turner, sweeter than Doris Day, is playwright Charles Busch’s…
A man and woman sit in a living room. She’s a pretty blonde. He’s well-dressed but mushy around the midsection. Good paintings hang on the wall behind them. The soft beige leather sofa and two pale chairs positioned just so make a visual statement about the couple’s social status (high)…
Heavier almost than the mood-setting smoke hanging over the Kalita Humphreys stage for the Fats Waller musical Ain’t Misbehavin’ is the sense of irony that the Dallas Theater Center would choose this show as the follow-up to Topdog/Underdog. Back in March, the theater staged a top-notch production of Suzan-Lori Parks’…
