“The Dallas DanceFest is very timely. Dance is surging forward…and it’s exciting because there are more emerging dance companies than ever before,” says Gayle Halperin, Vice President of Development for the Dance Council of North Texas (DCNT) and Chair of the Dallas DanceFest Committee (DDF). Returning after a 10-year hiatus,…
Dan Domenech wears jeans and a casual blue hooded sweater as he sips a root beer. Standing over 6 feet tall, it’s easier to imagine him dribbling a basketball than wearing fishnets and eyeliner. His dark brown eyes light up in sheepish amusement when he admits that he walks around…
For centuries, white male narrators have dominated storytelling. We’re talking everyone from Homer’s Odysseus to Shakespeare’s Hamlet to America’s Rick Perry. Western cultural mythology is steeped in white male hegemony. And at the center of most of those stories is a tricky little devil known as ego. Whether characters are…
In May, Brad McEntire and Audacity Theatre Lab brought eight artists and eight solo shows to town and stacked them all together inside the Margo Jones Theatre. For the first festival of its kind here, Dallas Solo Fest went well. So well, in fact, that McEntire has devised a quarterly…
Kate Micucci and Riki Lindhome, the comedians who make up the musical comedy powerhouse of Garfunkel and Oates, are living the dream of every guitar-ukulele musical comedy duo. They have three top-selling raunchy comedy duets. They have their own TV show on IFC that Lindhome describes as a “millennial Laverne…
It’s a sunny day in May, and I see Michael Urie’s toothy smile before I’ve even opened the glass door to the City Performance Hall. He’s home from New York City for the weekend, quietly hosting press conferences before heading to Austin for a wedding. The tour of his hit…
If you could jump in your “comedy time machine” (a time machine that can only be used for the purposes of viewing important moments in comedy groups’ histories and therefore can’t be used to go back and…I don’t know… stop Hitler) to view the history of Locked Out Comedy and…
The Dallas Theater Center’s version of Les Miserables has turned quite a few heads for its contemporary take on the classic tale of the French Revolution. Director Liesl Tommy’s politically charged update has earned comparisons to Occupy Wall Street and the Arab Spring. The musical when placed in a modern…
“Picture it, Dallas, Texas.” The wind-ups in Candy Barr’s Last Dance at Theatre Three are something worthy of Sophia Petrillo. And perhaps The Golden Girls is the best foundation for understanding a comedy about aging women, sitting around a kitchen table, laughing over scandalous memories. Despite the popularity of that…
When musicals make the trek from the Great White Way to the silver screen, it’s likely they’ll find a way back to the stage. There is no better publicity than a two-and-a-half-hour blockbuster film. Currently in the Arts District, the Dallas Theater Center mounts a reinterpretation of Les Misérables —…
“Picture it, Dallas, Texas.” The wind-ups in Candy Barr’s Last Dance at Theatre Three are something worthy of Sophia Petrillo. And perhaps The Golden Girls is the best foundation for understanding a comedy about aging women, sitting around a kitchen table, laughing over scandalous memories. Despite the popularity of that…
The Chinese zodiac may indicate that 2014 is the Year of the Horse, but on August 22nd, Year of the Rooster will take the stage at the Wyly Theatre. Upstart Production’s performance of the play inaugurates a six-part series that AT&T Performing Arts Center has dubbed The Elevator Project. The…
When musicals make the trek from the Great White Way to the silver screen, it’s likely they’ll find a way back to the stage. There is no better publicity than a 21/2 hour blockbuster film. Currently in the Arts District, the Dallas Theater Center mounts a reinterpretation of Les Miserables…
She was tiny. She was blonde. Her green eyes looked into your soul and shook it silly. The curves of her hips were pathways to pleasure. If she wiggled her butt, then it was all over. You were hooked. Candy Barr got you. This is the legend of infamous Dallas…
No matter how skilled the storyteller, it can sometimes be hard to tell a story. This task becomes immeasurably more difficult when the teller is expected to fully transform into the character both physically and mentally. To further complicate things, add the fact that your protagonist has a personality that…
Get connected. Go to Mars with some guy named Jon. Reverse roles and play a game. Watch a lizard boy eat a Dorito. Talk about white Russians with Tyler’s mom. All of these things and more will happen at Sundown Collaborative Theatre’s “We’ve Done It Again: A Mixtape,” the group’s…
“60 pulses of storytelling is how we like to describe it,” Artistic Director Dominic D’Andrea says of his One Minute Play Festival (#1MPF), making the fest sound suspiciously like theater for the ADD-addled 21st century. In actuality the #1MPF is anything but. This year Kitchen Dog Theater will play host…
At WaterTower Theatre, time shifts to 1964 in San Francisco. Young Marines head out onto the town before they’re shipped off to a growing war in Southeast Asia. They are looking for a good time, hounding for women. Eddie Birdlace happens upon Rose, a young musician working a late-night shift…
Where did the summer go? It’s been a relatively quiet and cool one this year, and that can only mean one thing. That we’ve all been be resting and waiting for August to hit and for the performance season to start again. Dancers who have been gone all summer training…
Maribeth Monroe is one busy lady. She’s starring in a new dark comedy for HBO called The Brink about a geopolitical whirlwind that could bring about World War III. She’s gearing up to shoot the new season of Workaholics where she plays the perpetually stressed and enraged boss, Alice. Plus,…
A new TV show is trying to bring stand-up comedy back to mainstream television in a way that doesn’t pit eager chuckle monkeys against each other in a battle of meaningless challenges that have nothing to do with comedy. Two names who first took to the mic in Dallas’ burgeoning…
It’s little wonder that no theater until Dallas’ Uptown Players has attempted the bio-musical The Boy from Oz in the decade since it closed its run on Broadway. Hugh Jackman won a Tony in that Broadway production, starring as its flamboyant title character, bisexual Australian singer-songwriter-showman Peter Allen. When Jackman’s…
