“Deep Ellum’s back” has been vomited out and up ad nauseum. The truth is it never left. Changed perhaps. Got its face kicked in a few times, then touched up with a lil plastic surgery, and now exists as an amalgamation of its roots and reanimations, with a strong neighborhood…
Named for Stephen King’s 1986 film, Maximum Overdrive the exhibition, which opens today at UT Dallas, picks up where the apocalyptic survival movie leaves off, with humor, gore and machismo. The movie is a cult classic for its depiction of electronic devices taking over the world, accompanied by a totally…
After stops in Fort Worth and Denton, British artist, culture critic and broadcaster Matthew Collings ends his North Texas tour at the Nasher Sculpture Center tonight. Not sure whether he’s worth your mind’s precious time? Here are five reasons. 1. He’s a tastemaker And even though he surely finds that…
At one point or another, it happens to all of us: We look at art and we just don’t “see it.” For Stephen Lapthisophon, artist and art history professor at the University of Texas at Arlington, it’s these moments he enjoys most. “There are works of art that I love…
Houston-based artist and activist Rick Lowe was in downtown Dallas last night, delivering a sort-of inaugural address for a new series of design-focused lectures for the buildingcommunityWORKSHOP, a non-profit that works to remake struggling communities through design. To which you might say, “Great, another week-night lecture by a dude I’ve…
Anyone casually familiar with American art of the past half-century will recognize the eerie, erotically menacing, character-driven photographs that Cindy Sherman began producing in the late 1970s. See also: – At the Nasher, Ken Price’s Ceramics Are Big and Bold and, Lord Reltny, a Little Dirty – At the Amon…
“It takes a village,” goes the saying. But what if the village is under-developed, infested with violence and depleted of resources from years of neglect and misappropriation? That’s the question Rick Lowe has been addressing since he founded Project Row Houses in Third Ward, a neighborhood that’s been pondering those…
Jeremy Turner, founder of the Vintage Mobile store and purveyor of 3,000 holiday sweaters last Christmas, is taking on another sector of the mobile economy: art. Turner says he has purchased a 1955 Spartan trailer and plans to convert it into an art gallery. “I want to show art by…
Much of Big Pictures, the Amon Carter’s large-format photography show, is about drama. It’s approached from an oblique perspective and covers lots of historical ground, and it would have you believe (if you read the little essays posted on the exhibition walls) that the camera-recorded moment — the still shot…
Early 90s in Dallas, you could creep to the train yard in Oak Cliff and see tags from Kaws and Barry McGee, a ghetto gallery-on-wheels for street art. For the Donjuan boys — three broke brothers from the hood — it was the seed to survival. Before the brothers became…
We don’t see too many artists from China in Dallas, but Galleri Urbane likes to gather from underutilized sources. Currently, they’re showing an exhibition by Florida-from-China artist Kirk Ke Wang, who turns wall-sized canvases into politically supercharged paintings. He does it through lovely subversion, shape-shifting the images from representational symbolism…
Just up the street from Lee Harvey’s in the Cedars neighborhood of South Dallas is the home of a young couple that doubles as an art gallery called Homeland Security. An exhibit there, Windows, Walls and Screens: New Paintings by Brendan Carroll, sees the work of the smart young Atlanta…
In the diverse exhibition Chagall: Beyond Color, the Dallas Museum of Art offers enticing works of art among less noted pieces by one of the 20th century’s most famous artists. Marc Chagall, like the Coen brothers today, proudly deployed his Jewishness in his art. As with the Coen brothers’ body…
It’s hard to do justice to the freewheeling radiance of Ken Price Sculpture: A Retrospective at the Nasher Sculpture Center. Suffice it to say that you should see the work of the late Mr. Price for its combination of cheeky razzmatazz and idiosyncratic imagination. As the second stop on a…
Julia Kunin’s “Sculptures” and Leslie Wilkes’ “Double Take,” now on view at Deep Ellum’sBarry Whistler Gallery, deliver a fresh and primal combination of earthen flora-psychedelia-art that suggests, at times, having fallen through Alice’s rabbit hole. See also: – The Strange, Funny Art of Fort Worth Drawing Center’s Contemporary Drawing Today…
In its inaugural exhibition, Fort Worth Drawing Center features 20 works by 20 artists under a very, very liberal definition of drawing. The gallery is the front room of Francisco Moreno’s studio in a cluster of warehouses on an industrial street. You will think you’re in the wrong place, but…
Over the weekend, the local Instant Film Society hosted one of its regular PolaWalk events, wherein photographers wandered the streets in search of scenes worth of their sepia-toned attention. Read about the PolaWalks here, and see some of the best photos from this weekend’s event below. See also: Share Your…
The Texas Fashion Collection at the University of North Texas has an annual series that showcases a specific theme. A moving exhibition called The Joy Losee Collection: Art and Dress Along the Silk Road tries to bridge the beauty of women’s ornamental garments to the cultural fears and prejudices associated…
Photo by Julius Pickenpack at the Nasher. Via Twitter…
Red Arrow Contemporary, a young, cutting-edge art gallery, has shown work by famous artists like Banksy and Shepard Fairey. The new show, visibletraces, is an intense and thoughtful look toward the future with a group of young Texas artists. See also: In Du Chau’s Color of My Memory at Kirk…
Du Chau, the ceramist and teacher at several local colleges (Brookhaven, SMU), tries his hand at printmaking in an undeniably lovely exhibition at Kirk Hopper Fine Arts. The artist uses a mix of techniques to emphasize life and energy in clear defiance of war and violence and, for balance –…
“To See As Artists See: American Art from The Phillips Collection,” in its final week at the Amon Carter in Fort Worth, moves through a tidy, accessible chronology of 20th century art. It doesn’t delve into anything you’d be embarrassed to look at it with kids or grandparents, but it…
