Ann Veronica Janssens Belgian artist Ann Veronica Janssens has long been interested in creating what she describes as “situations of dazzlement.” She uses light, interacting with materials and architecture to explore our eye’s interpretations of reality, hoping to in turn allow the viewer “an experience of excess.” Her exhibition at…
For her latest solo show, Becoming Colette, multimedia artist Colette Copeland has switched alter egos, assuming the identity of French author Colette. As a teen, Copeland naturally gravitated toward the novels of the famous French author who used her first name as a pen name. Over the years, she found…
Black Sheep Feminism, Aura Satz & Jeff Zilm What promises to be another excellent round of programming opens this weekend at the Dallas Contemporary. Dallas-based artist Jeff Zilm fills one of the cavernous galleries with his newest paintings for Lossless Forms for Picture Plane; London-based artist Aura Satz, whose work…
Annette Lawrence As the analog world becomes replaced by the digital, imagine transferring the scribbles in your journals into your laptop, or up into the cloud. Artist Annette Lawrence has long been interested in the written word as object and idea, and for her upcoming exhibition at Conduit Gallery (1626…
Guided by a belief that anything not backed by science or hard math is mythology as always, Dallas multimedia artist Celia Eberle explores love in her latest solo show. The Mythology of Love references music, poetry, movies, animals, and the love goddess herself. Eberle’s work is well known throughout Texas,…
If you’re interested in emerging talent, Dallas is teeming with it. Just stop by a show at 500X Gallery, Kettle Art Gallery, Random Art Gallery or Beefhaus and dig through the names on the walls. It’s amazing how much work is being made in this city at any given time,…
Was 2015 a strange year for anyone else? It seems this year sucked a lot of the city’s mojo dry. Maybe it was all the rainfall that filled the Trinity River. Maybe Mercury never came out of retrograde. Maybe we’re all just overworked and underpaid. Whatever went wrong, the tone…
Jackson Pollock: Blind Spots This one is obvious. Seriously, though, there have been too few exhibitions of this caliber, both in curation and in work on display. Each of these pieces warrant a bout of serious looking at the piece. Particularly in some of the later works in this exhibition,…
If Joan Davidow’s name sounds familiar, it’s likely because of her tenures as the director of the Arlington Museum of Art and Dallas Contemporary. She’s one of the city’s go-to experts about art and she has an eye for up-and-comers. These days she imparts her insight in segments for KERA,…
Owners Missy and Brent Finger are listening to Christmas music while relocating in lieu of having Christmas this year. PDNB is leaving Dragon Street to go be with the Dallas Contemporary on Glass Street. “I’m not having Christmas, I’m moving,” says Missy Finger. “I have to listen to the music…
Site 131 If Joan Davidow’s name sounds familiar, you likely recognize it from her time as the director of either Arlington Museum of Art or Dallas Contemporary. This weekend, she and her son, Seth, open a new non-profit art space on Payne St. Site 131 plans to focus on the…
Gallerist Hahn Ho has created a puzzle. For her latest exhibition at Cydonia Gallery, she’s paired Dallas-based artist Frances Bagley with Portland artist Ryan Burghard for an exhibition she curiously compares to the human drive for marriage. In Where You End and I Begin: Relational Dialetics, Ho places a number…
If everything goes according to plan, this will be Wanda Dye’s last weekend in Dallas. After her closing party on Sunday, the artistic force behind RE Gallery, a progressive space in The Cedars neighborhood, packs her shotgun shack and heads home to Alabama to be closer to her family. Although…
RE Gallery Closing Party Wanda Dye’s sharp eye for emerging talent, and endless taste for the perfectly eccentric turned RE Gallery into one of the can’t miss spaces in Dallas. Since opening a gallery in her shotgun shack in The Cedars three years ago, she’s exhibited some of the most…
Desmond Blair didn’t put “born without hands” on his resume back in 2010. On paper, he met the qualifications for the jobs he applied for after earning his degrees in Art and Technology at the University of Texas at Dallas. But people acted strange when he showed up to job…
SOFT4SOFT Housed in a storefront in Expostion Park, Beefhaus is one of the city’s few artist-run spaces keeping things fresh. Recently re-invigorated with a swath of new artists at the helm, the space is off to roaring start. This weekend, Pierre Krause curates SOFT4SOFT a group show featuring artists, Kyle…
Who knows what started the trend, but adult coloring books are a thing. And we don’t necessarily mean adult like raunchy, of course, we’re not opposed to that either. Two of our favorite places, the library and the sculpture center, organized groups of local artists to create outlines of various…
An important part of running a gallery is observing people at your shows, reading the room, noticing who is engaged with the work, and talking to people. You notice body language: the way perspective buyers keep circling back to a certain piece while others are there to appreciate the work…
This new series connects visually the work of national and international artists with the work of artists living in Dallas. H. Schenck’s H is for Human, M is for Mud @ 500X For H. Schenck mud is identity, humanity, substance and substrate. The work at 500x is elegantly presented as…
It was enough to scare people away. The soft sculptures were looming, abstract but not geometric, elements that were not plain so much as creepy. In the 1970s, Gillian Bradshaw-Smith was living in a New York City loft. Several other artists lived in the building and many of them opened…
Jackson Pollock: Blind Spots You’re going to need multiple trips to the Dallas Museum of Art (1717 N. Harwood St.) to fully see the stunning new exhibition, Jackson Pollock: Blind Spots. In collaboration with the Tate Liverpool, this is the ONLY time all of these works will share a room,…
In the corner of a secluded, street-facing gallery in the Nasher Sculpture Center a young Indian man sits under a sign that reads, “I am hear for you. I will listen to you.” He’s Maneesh, aka “the listener,” and he’s inside Piero Golia’s social sculpture, Chalet Dallas, to do exactly…
