The cornucopia of amateur porn known as HUMP! will grace the Texas Theatre this weekend. Now in its 12th year, the festival is the brainchild – nay, lovechild – of Dan Savage, the writer behind the Savage Love column. Every film at HUMP! has, at minimum, two things in common: For one,…
It’s easy to giggle at The Circle, the movie, just as it’s easy giggle sometimes at Dave Eggers, whose novel is the film’s source. James Ponsoldt’s adaptation (co-written with Eggers) is, like Eggers’ books, nakedly earnest, engaged with nothing less but The State of Things Now, more smart than its…
The Handmaid’s Tale premieres April 26 on Hulu In the first episode of The Handmaid’s Tale, Margaret Atwood herself shows up to slap our heroine in the face. The grande dame of dystopian fiction plays an aunt, one of the abbesses in charge of a new order of so-called handmaids:…
Twice I’ve described Kitty Green’s curious, alienating docu-whatzit Casting JonBenet to friends, and twice I’ve been asked, with surprising heat, “Why?” and “What’s the point?” So, this time, before we get into the specifics of what this documentary actually documents, let’s take a moment to consider what the film isn’t…
We are in the thick of film festival season, a span that’s grown wider and richer across DFW. Now host to 11 film festivals, some new regional offerings like Women Texas Film Festival are much more niche, and others, like DIFF give a span of styles and budgets targeting a…
Keep your eyes on the magician’s hands. She’ll attempt to distract you with compliments and silly quips, but her most effective feint will be the story she tells as she shuffles the cards. She might give quaint mention to a lover’s spat between the King of Hearts and the Queen…
The Leftovers airs Sundays on HBO If you don’t have religion, you should at least have The Leftovers. HBO’s rapturous drama hasn’t found much of an audience during its brief time on Earth, but those who listen to its sermon long enough tend to convert — nothing else on television…
“Rob has this ridiculous beard and it’s such great, self-effacing, wonderful work he’s doing,” James Gray says about his film recounting the life of a British explorer who disappeared while pursuing his lifelong obsession with a mythical city in the Amazon.
Nasty, brutish and not short enough, Ben Wheatley’s Free Fire has a simple — and ultimately simpleminded — premise: to protract what would normally be a brief shoot-out scene to the majority of the movie’s 90-minute running time. On the surface, this reductio ad absurdum has a kind of pleasing…
Terry George’s The Promise has the rare good fortune of turning up in theaters just weeks after another film showed how necessary a movie like this is. The second star-driven war-adventure film of 2017 to set a cross-cultural love triangle against the horror of the Armenian Genocide, The Promise would…
“I’ve been trained for this.” Those words — or some variation — come up several times throughout James Gray’s The Lost City of Z, and they serve as one key to this strange, sprawling, majestic film. In adapting the 2009 nonfiction book about the search for a fabled city in…
HBO’s acid-bathed Beltway satire Veep didn’t exactly predict our absurd political reality. But it did come close enough that revisiting past seasons is like watching footage of a train wreck run backwards in slow motion. The episode called “C**tgate” brought a vaginal euphemism into a presidential election. “Election Night” saw…
There’s no excuse for skipping this year’s Thin Line Fest in Denton. The festival, which celebrates film, music and photography, takes place from Wednesday to Sunday during the post-Easter traffic lull. The weather will be crisp and clear after a weekend of wind and rain. Oh, and here’s the most…
First things first. The new Mystery Science Theater 3000, that basic-cable and UHF puppet show that was above all else a treatise about what it was like to grow up on basic cable and UHF, is a cheery, companionable continuation, an almost business-as-usual new season Kickstarted and Netflixed that Febreezes…
Set immediately after World War I, Frantz, the latest by the prolific François Ozon, is structured by, and titled after , an absence: a young German soldier killed in battle. Other deficiencies, not intended, soon become apparent in this Lost Generation tale of love, grief and lies, which Ozon liberally…
Holy motors! How will they top this one? This is perhaps the fastest and, if not, certainly the most furious of the Fast & Furious movies. The beauty of the Fast & Furious movies is that no car stunt is ever too nonsensical.
Over four features and countless shorts, Spanish director Nacho Vigalondo has cemented his status as a director who mixes genre elements with surprisingly personal stories and playful narrative trickery. His mind-bending first feature Timecrimes (2007) starts off as a horror movie, then turns into a time-travel tale and finally the…
The comforting analog clack of typewriter keys is a leitmotif in Their Finest, Lone Scherfig’s slight but appealing adaptation of Lissa Evans’ novel Their Finest Hour and a Half (who knows why the subject of the original title was confusingly cast aside). In this tale of British filmmaking during World…
Two seemingly incongruous categories — the small-scale romantic doodle and the rampaging-creature feature — are brought together in Nacho Vigalondo’s Colossal, a film that never really fulfills the potential of its adventurous premise. This monster mash-up argues the opposite of what Humphrey Bogart declared in Casablanca: The problems of two…
In his latest movie, How to Be a Latin Lover, Eugenio Derbez stars as a man who’s learning the hard way that as he ages, he’s no longer able to get by on charm alone. Derbez, who also produced the movie, clearly wasn’t picked for the lead role because of…
A lot has changed in the two years since the last Dallas Medianale. In March 2015, the new experimental media arts festival closed two months of screenings, exhibitions and performances at the McKinney Avenue Contemporary (MAC), promising to return biennially. Dallas Medianale is preparing to keep that promise later this…
“You can’t describe music with words,” the great Sonny Rollins observes in John Scheinfeld’s survey-course-brisk docu-dip into the art and life of John Coltrane. As if seeking to prove Rollins right, Scheinfeld’s interviewees hold themselves to generalities: “His sound is stunning,” observes appreciator-in-chief Bill Clinton, who adds, unilluminatingly, that it…
