CHIPS is the latest kitschy-yet-beloved cop show to get remodeled on the big screen as a bromantic buddy comedy. However, unlike the way the movie versions of Starsky & Hutch and 21 Jump Street played up those shows’ alleged homoeroticism for ironic, lighthearted laughs, CHIPS lets it be known from…
To Walk Invisible: The Brontë Sisters airs March 26, PBS Some of us can never have too much of the Brontës. But I understand if your response to another dose of costume drama on the moors is “Shoot me now.” Reader, be strong! If you were dead, you’d be deprived…
The beginning marks the beginning of the end: A middle-aged man rouses from sleep, about to face another day of accosting and insulting strangers. He hates people but needs them, too. His voice-over kicks in, a peroration that opens with a bid for camaraderie (“Remember when we were kids and…
One of the sly jokes underpinning this striking indie apocalypse: If everyone on Earth vanished while you were vacationing in Iceland, how long before you would notice? Geoffrey Orthwein and Andrew Sullivan’s subtly comic drama, shot with a gliding camera and a pleasing minimalist style, proceeds from that premise, stranding…
Mainstream awareness of Breitbart, Infowars and other unsavory conservative “news” outlets has skyrocketed, as millions suddenly found themselves needing to know who Steve Bannon et al. were. For me, none of these outlets or talking points were news: I’m Texas born-and-raised. There, free-floating libertarian paranoia is a standard component of…
In 1976’s The Devil Finds Work, James Baldwin makes a crucial verb distinction when discussing the screen legends, like Bette Davis, with whom he was transfixed (sometimes uneasily so) in his youth: “One does not go to see them act: one goes to watch them be.” When one goes to…
There’s more of a narrative in Song to Song than in Terrence Malick’s last two films, but that may not, at first, seem like a good thing. Pin Malick’s work down these days — tease a story or philosophy out of it – and you’re usually faced with something simple,…
Alice Lowe’s baby Della whacks two knives on the table as Lowe describes for me the nightmare she had before she knew she was pregnant: A horde of shadow selves in ninja gear were trying to kill her, and she had to battle Lowe after Lowe to survive. Lowe looks…
To understand how Ritesh Batra’s The Sense of an Ending might disappoint you if you’ve read the suspenseful, tear-jerking Julian Barnes novel on which it’s based, you should think back to Batra’s much-lauded debut feature The Lunchbox (2013). In that humanistic film, a young woman trapped in her marriage falls…
Since every cell of you dies and sloughs away so many times in your life, can you be said to be the same you at 65 that you were at 20? Such questions power this frustrating doc about William Powell, the humanist adult who happens once to have been the…
Consider, before you consider anything else about the sequel to Trainspotting, that the director of both films is an artist whose signal trait had been a seeming repulsion at the thought of ever going back to the well. Between the original and the new T2 (cheeky title, innit), Danny Boyle…
The antagonistic atheist Madalyn Murray O’Hair relished it when Life magazine called her “The Most Hated Woman in America” in the 1964 profile that only heightened her notoriety. That designation followed the 1963 Supreme Court ruling on Murray v. Curlett (and another lawsuit) that ended Bible-reading in public schools. Director…
Somehow, MTV2, the channel that was launched 21 years ago to show all the music videos MTV wasn’t, has essentially turned into BET — or TV One or Centric or whatever black programming-filled channel you know about. The evidence is all there — before it jumped back to its original…
Pop quiz. What comic-book adaptation centers on a white man orphaned by tragedy but blessed with great wealth who travels to an Asian country, only to return to America as a fearsome hero of amazing skill? That’s a trick question, of course: There are too many to count. In Batman…
It’s the take as old as time. Yes, Beauty and the Beast’s love story can be read as a tale of abuse and brainwashing, of a woman imprisoned by a tyrant until she starts chatting with the table settings — and then, as seasons pass, chastising herself in song for…
With movie-history viewing choices spawning like mold in a damp room, we can easily see the things we didn’t even know we’d never seen. For me that includes Takashi Miike’s Black Society Trilogy (Arrow Video), a trio of quick, down-and-dirty crime-gang pulp rockets (1995-99) that established Miike as Japan’s fin-de-siècle…
Don’t hold it against Martin Zandvliet’s land-mine drama that its English title is the dopiest movie-title pun since John Singleton’s Poetic Justice. That film concerned a poet named Justice; Land of Mine a land of mines. Called Under Sandet in the original Danish — roughly Under the Sand — Zandvliet’s…
Let’s say you had to make up a list of historical moments that might serve as grand backdrops for sweeping, old-fashioned, Hollywood-style romantic dramas. How high would you rank the Armenian genocide? How high would you rank any genocide? Watching Hotel Rwanda, you probably never hoped that, amid the carnage,…
Almost no one ever asks young women what they desire — in movies or reality. Feminine cravings are still seen as a dire threat, a grand disturbance to the power structure, and the few movie men who dare speak the words “What do you want?” — like Noah in The…
The horror anthology — multiple short films, often from different directors, all tied together with a wraparound framing device — has been a staple of the genre since at least 1919 and the German Eerie Tales. Since then, horror has thrived in the short form, though television was the preferred…
Every Western that gets made feels like it could be the last one, and yet the genre refuses to ride off into the sunset. Martin Koolhoven’s Brimstone doesn’t breathe new life into the oater, but the Dutch writer/director has clearly studied the gunslingers of yore. His film strives for a…
Science fiction has gotten so high and mighty on TV that it now can be easy to admire but hard to love. Westworld and Mr. Robot may win Emmys and prompt think-pieces, but their self-reflective chill keeps the audience at arm’s length — few things are as annoying as getting…
